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James Brewster Thompson
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Professor Nishiyama, after studying and interpreting the prophecies of Nostradamus, realizes that the end of the world is at hand. Unfortunately, nobody listens to him until it is too late.... See full summary »
By the late 70's Toho had seen the handwriting on the wall, after Godzilla's first retirement. This was seemingly their last big SPFX film until they got into the mid-80's when times improved. STAR WARS was playing big in the US in 1977 and it had yet to reach Japanese shores until Xmas time. (Toho had recently had the ball dropped on them with NESSIE which was to be a $5M Hammer/Toho production, that fell to pieces when investors pulled out-Toho had already spent money making a monster they were so sure it was going forward.) SO, two rival studios Toei and Toho decided to do their own space opera stories ahead of that. Toei's was MESSAGE FROM SPACE and Toho made THE WAR IN SPACE with a much hyped campaign claiming it was the most expensive film they'd made in years. The plot essentially is: aliens annex Venus and use it as a base to attack earth in globe shaped ships. So it is up to the space battleship Goten and it's crew to go to Venus and defeat the aliens. Because of budget,much of the destruction on earth is footage from THE LAST WAR and BATTLE IN OUTER SPACE, inserted over footage of the flying, firing globes. However we never feel the sense of all-out war as everything seems to be normal in far-future Japan-which has people in leisure suits and typical 70's office buildings. The aging, hardened commander of the Goten takes his ship, daughter and crew to Venus. Here is where Toho's FX dept shines with an excellent miniature surface of Venus, complete with cloud chamber effects work. The Gohten itself is a re-worked version of The Atragon(it was said that in fact the very model of that was pulled out of storage and re-tooled to save money) and the story feels like that film(ATRAGON) mixed with a loose re-work of BATTLE IN OUTER SPACE. The aliens have ornate ships and wear wild costumes-as always in a Japanese film. The ships look more fantastical than functional like huge sea going ships, boats with oars. There is even a Chewbacca-lookalike but he has a pair of horns, I assume to make him look "evil" unlike his US counterpart. At one point the commander's daughter is kidnapped and taken prisoner by the aliens-and put in the charge of the evil Chewbacca. All the costumes are a rather outlandish and brilliant affair. You never know what someone will appear wearing! For example-the aliens remove the daughter's yellow space uniform and force her, hands bound,to wear a rather racey leather bondage outfit and it is up to the hero to rescue her. All the costumes are a outlandish and brilliant affair, as with many of Jun Fukuda's Godzilla films, he really brightens up the color palette on everything.The spacesuits however are particularly nicely done and have arealistic "2001" feel to them.
There is a strange rock/disco/electronic music score to the film but then I think that was keeping with the times. Even the opening credits with the fog machine in overdrive and the disco music just speak everything 1977. A fun film, however be aware of the Japanese sensibility to it, and that it is what it is.
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