'Terror of Frankenstein' is an exercise in extreme meta-fictional tragicomedy. Presented as the commentary track of a rushed reissue of a forgotten (but 100% genuine) Frankenstein film's ... See full summary »
Dr. Victor Frankenstein creates his creature, who escapes into the countryside to find that humanity has only pain and sorrow for him. But a psychic link between created and creator draws ... See full summary »
Set in 1815, a young Englishman touring Europe encounters more than he bargained for. His pursuit of the beautiful Countess St. Alyre brings him into contact with the Marquis D'Armanville ... See full summary »
Effective psychological love story with a macabre twist not found in the original Joy Cowley novel. The dreary existence of middle- aged spinster Maura Prince takes an unexpected turn with ... See full summary »
Dr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate and create the perfect master race.
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Dalila Di Lazzaro
One of the more faithful adaptations (though that doesn't say much) of Mary Shelley's novel, this film is worth a look if you can see it without spending much money...particularly if you're a fan of the book, as I am. It does, unfortunately, leave out some key points of the novel, but not as many as most adaptations.
Cinematically, the film is rather drab. Too many sustained static shots and a rather sparse score bog the film down a bit, and the acting is too uneven. Some performances are great, while others are mediocre, and a few are simply bad.
Overall, the film feels a bit uneven and minimalistic, but it doesn't stray into some of the ridiculous areas that many Frankenstein films do. If only the direction were a bit more lively and the running time a bit longer (in order to include more of the important notes from the novel), it could have been a great film.
One considerable step down from Kenneth Branaugh's 1994 adaptation.
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