Young and handsome Sergio works the night shift as a trash collector in Lisbon, Portugal. He can't force himself to connect with his pretty female co-worker Fatima, who displays an avid ... See full summary »
João Pedro Rodrigues
A meditation on civilization. July, 2001: friends wave as a cruise ship departs Lisbon for Mediterranean ports and the Indian Ocean. On board and on day trips in Marseilles, Pompeii, Athens... See full summary »
Manoel de Oliveira
Filipa de Almeida,
Two filmmakers leave to Macao in an adventure of discovery of a city-labyrinth, multicultural and mysterious, where the memories of the childhood - featured memories by the lived reality in... See full summary »
João Pedro Rodrigues,
João Rui Guerra da Mata
João Rui Guerra da Mata,
João Pedro Rodrigues
Julio, aged nineteen, has just left the provinces to settle down in the outskirts of Lisbon. He lives there in a poor area with his uncle Raul and starts working as an apprentice shoemaker.... See full summary »
If there is one word that could describe this movie, it is transcendental. Beautiful could be another good word but it does not feel enough. I am not sure I have understood the entire depth of the insane dialogue, but there is an universal tug every viewer will feel while watching this and that is because this is such an universal story. I believe Portugal has never been shot with such elegance, with such passion and with such poetry(a belief that needs testing, though). You can just stare at the landscapes for two hours and then come out of this with a satisfied and profound state of mind. It does have two stories separated by a fable, the first a folklore about an escaping couple set in the older times and the other, much ahead in time, about another similar couple running from a feudal lord. But this wasn't about the people, this was about the trails, the land, the earth, the culture, the oral tradition, the music and all things that binds one to the land. And all of it was so transcendental in the execution that I cannot put this movie experience into words. You have to experience it. I will not not say 'You will love it' or 'It has become one of my most favorite movies', but this was definitely different. A combination of unique ideas and perhaps too literal a poem, a poem embedded in both visuals and dialogue, hence quite difficult to resolve and very different from the usual. In its own rhythm and in its own strangeness, Veredas is an experience that has opened up a new type of film cognition in me.
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