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Valentino (1977)

In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. ... See full summary »

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(screenplay), (screenplay) | 2 more credits »
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Nominated for 3 BAFTA Film Awards. Another 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Fatty's Girl
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Rory O'Neil
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David de Keyser ...
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Richard Rowland
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Baron Long
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Agnes Ayres
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Mr. Fatty
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Jail Cop
Don Fellows ...
George Melford
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Storyline

In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. Ballroom dancer Valentino manipulated his good looks and animal-like grace into a Hollywood career. His smouldering love making, tinged with a touch of masterful cruelty, expressed a sexuality which was at once both shocking and sensual. Written by Ørnås

Plot Summary | Add Synopsis

Taglines:

When Valentino Dances...He DANCES! See more »

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

4 October 1977 (UK)  »

Also Known As:

Валентино  »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Silent film director Rex Ingram and silent film star Rudolph Valentino, played by director Ken Russell and Rudolf Nureyev respectively in this movie, made two silent films together, which both debuted in the year of 1921, they being, The Conquering Power (1921) and The Four Horsemen of the Apocalypse (1921). See more »

Quotes

Rudolph Valentino: You are the spirit that moves the universe, the song that wakes the day, the waves that soothe the sand, the giving hand, the magic of the touch, the peace of afterglow, the mystery of night, the promise of delight,
Natasha Rambova: Ha-ha. You make me sound like a shopping list.
Rudolph Valentino: The thrill of surrender, the fount of all pleasure, the power of religion, my meaning for existence, my vision of heaven, my life eternal, my love, my friend.
See more »

Connections

References What Price Beauty? (1925) See more »

Soundtracks

Pink Powder Puff (The Sheik of Araby)
(uncredited)
Music by Ted Snyder (uncredited)
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User Reviews

 
Ken Russell's Brilliant and Irreverent Valentino Bio.
26 July 2007 | by (United States) – See all my reviews

As in all of his biography films Ken Russell takes no prisoners. A series of warped biographies on composers (Mahler, Tchaikovsky, List)incensed more than entertained audiences and critics. Laced with dark humor, vibrant costuming and Russell's sardonic use of the composers works in conjunction with his colorful and outlandish compositions the films were visual feasts that bordered on character assassination.

In Valentino, Russell comes to America to offer his take on silent Hollywood and its biggest star of the era, Rudolph Valentino. Russell is relentless in his depiction of the exploitative and greedy nature of producers who in the opening scene stand over Valentino's body lamenting financial loss. Russell also works over newspaper reporters, actresses, Valentino's ex-wives and a comedian known as Fatty (Arbuckle?). Dancer, Rudolph Nureyev is no actor but as Valentino his poorly pronounced flatly emoted English fits and contributes to his sympathetic character.

As in all Russell films there are scenes that are lush and grandly staged (ably assisted by ex-wife, Shirley Russell's original and over the top costuming) such as Leslie Caron's entrance at the funeral home, the fight sequence where ball room dancing takes place in between rounds, the producer with the pet gorilla in his living room, and a cult fan gathering outside Valentino's mansion.

This film quickly sank from sight when it was released and thirty years later consensus remains the same. I personally believe however that Valentino is a sharply drawn dark humored satire that spits cynicism at two institutions (Hollywood and the media) that it depended heavily on for its success. Valentino succeeds on every level and that was probably its problem.


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