The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain... See full summary »
A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. However, something happens that changes her safe routine.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of ... See full summary »
Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Gabrielle has a romantic relationship with the painter Mary. Polly hangs a picture by Mary believing that ... See full summary »
Set ten years after the most peaceful revolution in United States history, a revolution in which a socialist government gains power, this films presents a dystopia in which the issues of ... See full summary »
A week before its delivery, a baby warns his pregnant mother he doesn't want to come out in this world and prefers to die instead. She tries then to convince him otherwise by telling him ... See full summary »
The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities. Written by
Alison Smith <email@example.com>
Without being accused of gratuitous nastiness (as rightly prohibited in the IMDb guidelines), can I just say how disappointing, to the point of hostility, I found this film, especially as I think its director's brilliant early work is in desperate need of re-evaluation. This film has none of her virtues - the mix of spontaneity with supreme formal control; the contrast between the privileging of heroine's subjectivity and ironic objectivity.
Instead, this is a formless, rambling picaresque, using two female friends to chart feminism throughout the 60s and 70s. Many of the film's arguments seem to me anti-feminist; the songs are largely sub-Joan Baez and intolerable; the lack of any ironic intelligence countering the optimism and platitudes is patronising; and I still can't believe the rather tactless Eurovision-style song about abortion.
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