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Suspiria (1977) Poster

(1977)

Trivia

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Director Dario Argento's original idea was that the ballet school would accommodate young girls not older than 12. However, the studio and producer Salvatore Argento (his father) denied his request because a film this violent involving children would almost certainly be banned. Dario raised the age limit of the girls to 20 but didn't rewrite the script, hence the naiveté of the characters and the occasionally childlike dialogue. He also put all the doorknobs at about the same height as the actress' heads, so they would have to raise their arms in order to open the doors, just like children.
The woman playing Helna Markos is not credited. According to Jessica Harper, she was a 90-year-old ex-hooker who director Dario Argento found on the streets of Rome.
Dario Argento was inspired to make this film by stories of Daria Nicolodi's grandmother, who claimed to have fled from a German music academy because witchcraft was being secretly practiced there.
Director Dario Argento composed the creepy music with the band Goblin and played it at full blast on set to unnerve the actors and elicit a truly scared performance.
The first Italian film to make use of the then newly invented Steadicam.
Dario Argento had cinematographer Luciano Tovoli watch Snow White and the Seven Dwarfs (1937) to have him model the color scheme of that film for this one.
According to Jessica Harper, since the film was going to be dubbed after principal photography, sound was rarely recorded during shooting. Harper remarked that it was strange to her to be in the middle of shooting a scene and hearing the background sound of a stagehand hammering away on another set in the studio.
For the wide shots of the "maggots" falling from the ceiling, the crew would drop grains of rice down onto the actresses from above.
While shooting the scene where Suzy and Sara swim in the pool, Dario Argento instructed the actresses to stir the pool waters as little as possible to give the scene a more tranquil look.
The voice heard whispering on the bizarre soundtrack by Goblin is that of Goblin band member Claudio Simonetti. Simonetti stated in interviews that much of what he whispers on the music score is just gibberish.
Final film of Joan Bennett.
Director trademark: [Dario Argento] Murder victim crashes through window.
Dario Argento cast Jessica Harper as the lead after seeing Harper's debut performance in Brian De Palma's Phantom of the Paradise (1974).
Dario Argento cast Joan Bennett as Madame Blanc because of her association with director Fritz Lang, of whom Argento was a great admirer.
In an interview, Jessica Harper said that many of the actors spoke different languages during shooting, mostly Italian and German, and it would make communicating difficult at times. However, since the film would be dubbed into English for American release, it was deemed not to be an issue during filming.
Originally the film was to have starred Daria Nicolodi, who was Dario Argento's girlfriend at the time and who also wrote the screenplay. However, Argento decided to go with a younger actress. Nicolodi does appear in the film twice: she can be glimpsed in the film's opening sequence that shows Susy walking through the airport, and she also provides the gravelly voice of Helena Markos.
It is often assumed that, to achieve the rich color palette, the film was shot using the outdated three-strip Technicolor process. This is not true. No film made after the mid-'50s was shot using this method. This film was instead shot on normal Eastmancolor Kodak stock, then printed using the three-strip Technicolor process, utilizing one of the last remaining three-strip machines. This issue has been confused somewhat by the fact that, on the 25th anniversary documentary featured in the three-disc DVD set, a discussion of the printing process by cinematographer Luciano Tovoli was followed by a diagram showing a three-strip camera.
The Dario Argento biography "Broken Mirrors, Broken Minds" takes it title from the line that Udo Kier says in this film.
The first part (with Inferno (1980) and Mother of Tears (2007)) of a trilogy of films about the "Three Mothers".
According to Daria Nicolodi the lead role in the film was written for her, but the studio insisted that an American actress be cast for the lead to make the film more marketable.
The exterior of the dance academy, though constructed on a studio lot in Rome, is based on the Haus zum Walfisch (Whale House), a landmark late-Gothic building in the old town of Freiburg im Breisgau, Germany.
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The film was shot over four months.
The film is set in Freiburg (officially known as Freiburg im Breisgau), Germany, but in the English dub, the narrator mispronounces it as Fribourg, a different town in Switzerland. Despite this setting, location filming was done in Munich, and several Munich landmarks are visible in the film, including Königsplatz (where Daniel walks his dog at night) and the BMW tower (where Suzy meets the professor).
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Udo Kier is dubbed in this film due to technical difficulties with the sound while filming his scene.
The Latin phrase mentioned in the original Italian version, "Quoddam semper, quoddam ubique, quoddam ab omnibus creditum est," translates as "There is always a kind of everywhere, a kind of is believed by all."
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Director trademark: [Dario Argento] Character recalls clues from memory.
Eva Axén, who played the part as Pat Hingle, had to stay on the set over one week to complete her scenes.
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In 2008 , a remake was announced with David Gordon Green as director, but in 2014, Green dropped out due to budget concerns and legal issues. In September 2015, filmmaker Luca Guadagnino was announced as new director with Tilda Swinton and Dakota Johnson added to the cast.
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A glass feather is plucked from an ornament. Director Dario Argento's feature film debut was directing The Bird with the Crystal Plumage (1970).
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Fulvio Mingozzi plays a cab driver in this film and also in its sequel, Inferno (1980).
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Rudolf Schündler, the West German actor who played the role of Professor Milius, could not speak any English or Italian, so in the scene where he talks with Jessica Harper (Suzy) about witches, she could not understand him as he was speaking in German. Harper later quoted that she tried to keep a straight face as not to flub her lines.
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Udo Kier's appearance was very rushed for him that he had little time to completely read the script when it was given to him. Since the movie was filmed without sound and later dubbed, a crew person laying on the ground (behind the stone bench where he was sitting in his scene with Jessica Harper) was telling him his lines as he spoke them to her.
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Tina Aumont had been offered the lead role, but due to scheduling conflicts she could not accept.
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Entertainment Weekly ranked this as the 18th scariest movie of all time.
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Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
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Spoilers 

The trivia items below may give away important plot points.

The film's finale was inspired by a dream that co-writer Daria Nicolodi once had. In the dream she said she had encountered an invisible witch and, most bizarrely, there was a panther in the room with her that suddenly exploded. The dream was written into the film, but it's a porcelain panther that explodes.
Jessica Harper said in interviews that the most frightening scene in the film for her was the grand finale where everything explodes and shatters around her as she flees the academy. Harper said that the rigged explosions were quite unnerving as they went off close to her.
Stefania Casini had a difficult time shooting her death scene. Though the "barbed wire" that she falls into was fake, the coils of wire still got wrapped around her tightly and pinched her skin painfully.

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Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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