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Suspiria (1977)

X  |   |  Horror, Mystery  |  12 August 1977 (USA)
7.5
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Ratings: 7.5/10 from 40,860 users  
Reviews: 495 user | 203 critic

A newcomer to a fancy ballet academy gradually comes to realize that the school is a front for something far more sinister and supernatural amidst a series of grisly murders.

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Title: Suspiria (1977)

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Cast

Cast overview, first billed only:
...
Stefania Casini ...
...
Daniel
Miguel Bosé ...
Mark (as Miguel Bosè)
...
Susanna Javicoli ...
Sonia
Eva Axén ...
Rudolf Schündler ...
Prof. Milius
...
...
...
Madame Blanc
Margherita Horowitz ...
Teacher
Jacopo Mariani ...
Fulvio Mingozzi ...
Taxi Driver
Franca Scagnetti ...
Cook
Edit

Storyline

In a stormy night, the American dancer Suzy Bannion arrives in Freiburg coming from New York to join a famous and expensive ballet school for a three years training. On the next morning, she is informed by the direction of the school that a student she met leaving the place on the previous night was violently murdered and the police is investigating the crime. She becomes friend of another student, Sara, and she realizes that the house is indeed a coven of evil witches. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The Most Frightening Film You'll Ever See! See more »

Genres:

Horror | Mystery

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

12 August 1977 (USA)  »

Also Known As:

Dario Argento's Suspiria  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm optical prints)| (35 mm magnetic prints)

Color:

(Eastmancolor) (prints)| (Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

According to Daria Nicolodi the lead role in the film was written for her, but the studio insisted that an American actress be cast for the lead to make the film more marketable. See more »

Goofs

Dario Argento's face can be seen reflected on the taxi's glass partition in the opening sequence. Assumed by many people to have been a mistake coming from a rushed shoot, Argento has gone on record to say it was intentional. See more »

Quotes

[first lines]
Narrator: Suzy Banyon decided to perfect her ballet studies in the most famous school of dance in Europe. She chose the celebrated academy of Freiburg. One day, at nine in the morning, she left Kennedy airport, New York, and arrived in Germany at 10:40 p.m. local time.
See more »

Crazy Credits

You have been watching "SUSPIRIA" See more »

Connections

Referenced in Ban the Sadist Videos! Part 2 (2006) See more »

Soundtracks

Markos
Aadapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo, and Massimo Morante
Performed by Goblin
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Artistic Nightmare
30 June 2004 | by (Dallas, Texas) – See all my reviews

A German ballet school for girls is the setting for mysterious deaths, in this 1977 horror story, written and directed by Dario Argento. "Suspiria" is a visually stunning film.

The images contain objects we recognize, like people, buildings, and interior decor. But the objects seem vaguely menacing, and less real than surreal, as though they symbolize ideas, repressed desires, or subconscious fears. The vivid, rich colors, strange camera angles, deep shadows, and bright light piercing through darkness, all contribute to the impression that the viewer is trapped in someone else's nightmare.

One haunting segment of the film takes place in a huge, and strangely empty, public square, at night. A blind man and his German shepherd dog stand in the middle of the square, surrounded by imposing buildings of neo-classical architectural style. Some professional reviewers of this film have suggested that the public square is a veiled reference to Hitler and Nazism. Indeed, one could argue that the film's subtext is an indictment of fascism.

"Suspiria" is not for everyone. It is unsettling, and at times grisly. The plot is weak, and plot elements are not really explained. The acting is largely irrelevant. And while the background music is suitably gothic, it is also frantic and monotonous.

The best approach to this "art-house" film is to ignore the superficial plot, and focus instead on the fabulous cinematography, and the gothic images as conceptual metaphors.


90 of 134 people found this review helpful.  Was this review helpful to you?

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