Suspiria (1977) 7.4
A newcomer to a fancy ballet academy gradually comes to realize that the staff of the school are actually a coven of witches bent on chaos and destruction. Director:Dario Argento |
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Suspiria (1977) 7.4
A newcomer to a fancy ballet academy gradually comes to realize that the staff of the school are actually a coven of witches bent on chaos and destruction. Director:Dario Argento |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Jessica Harper | ... | ||
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Stefania Casini | ... | |
| Flavio Bucci | ... |
Daniel
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Miguel Bosé | ... |
Mark
(as Miguel Bosè)
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| Barbara Magnolfi | ... | ||
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Susanna Javicoli | ... |
Sonia
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Eva Axén | ... |
Pat Hingle
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Rudolf Schündler | ... |
Prof. Milius
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| Udo Kier | ... | ||
| Alida Valli | ... | ||
| Joan Bennett | ... |
Madame Blanc
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Margherita Horowitz | ... |
Teacher
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Jacopo Mariani | ... | |
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Fulvio Mingozzi | ... |
Taxi Driver
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Franca Scagnetti | ... |
Cook
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A young American dancer travels to Europe to join a famous ballet school. As she arrives, the camera turns to another young woman, who appears to be fleeing from the school. She returns to her apartment where she is gruesomely murdered by a hideous creature. Meanwhile, the young American is trying to settle in at the ballet school, but hears strange noises and is troubled by bizarre occurrences. She eventually discovers that the school is merely a front for a much more sinister organization. Written by Goth <brooks@odie.ee.wits.ac.za>
Dario Argento's crowning achievement in stylish film-making.
Suspiria is the most beautiful horror film ever made. Every single frame of this film is expertly lit and colorful. With this technique Argento manages to create an almost unbearable amount of tension and the extremely brutal and bloody murder sequences look so good one can only admire their beauty. The music score by Goblin is one of the most effective score ever to grace a horror movie.
The story concerns an American ballet student who discovers that a coven of witches run the school as bodies begin piling up.
Not much of a story here, but that's really not the main thing. Style and atmosphere is the main course here, and it's execution is completely flawless. Acting and dubbing are okay and the dialogue is a bit stiff. But these are minor flaws in an operatic horror ride one is not likely to forget that easily.
So sit yourself down, turn out the light, and watch this movie in surround sound, 'cause the music alone will totally give you the creeps.