Suspiria (1977)

A newcomer to a fancy ballet academy gradually comes to realize that the staff of the school are actually a coven of witches bent on chaos and destruction.

Director:

Dario Argento

Writers:

Dario Argento, Daria Nicolodi,

Stars:

Jessica Harper, Stefania Casini, Flavio Bucci

2 nominations.

Cast

Cast overview, first billed only:
Jessica Harper	...	Suzy Bannion
Stefania Casini	...	Sara
Flavio Bucci	...	Daniel
Miguel Bosé	...	Mark (as Miguel Bosè)
Barbara Magnolfi	...	Olga
Susanna Javicoli	...	Sonia
Eva Axén	...	Pat Hingle
Rudolf Schündler	...	Prof. Milius
Udo Kier	...	Dr. Frank Mandel
Alida Valli	...	Miss Tanner
Joan Bennett	...	Madame Blanc
Margherita Horowitz	...	Teacher
Jacopo Mariani	...	Albert
Fulvio Mingozzi	...	Taxi Driver
Franca Scagnetti	...	Cook

Storyline

A young American dancer travels to Europe to join a famous ballet school. As she arrives, the camera turns to another young woman, who appears to be fleeing from the school. She returns to her apartment where she is gruesomely murdered by a hideous creature. Meanwhile, the young American is trying to settle in at the ballet school, but hears strange noises and is troubled by bizarre occurrences. She eventually discovers that the school is merely a front for a much more sinister organization.

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Plot Keywords:

ballet | american | apartment | europe | ballet school | 

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Taglines:

Once You've Seen It, You Will Never Again Feel Safe In The Dark

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Genres:

Horror

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Certificate:

X

Details

Official Sites:

Wild Side Films [fr]

Country:

Italy

Language:

Italian Russian English German Latin

Release Date:

12 August 1977 (USA)

Also Known As:

Dario Argento's Suspiria

Filming Locations:

BMW Building, Munich, Bavaria, Germany

Company Credits

Production Co:

Seda Spettacoli

Technical Specs

Runtime:

98 min

Sound Mix:

Mono (35 mm optical prints) 4-Track Stereo (35 mm magnetic prints)

Color:

Color (Eastmancolor) (prints) Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

A glass feather is plucked from an ornament. Director Dario Argento's feature film debut was directing The Bird with the Crystal Plumage.

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Goofs

When Pat is drying off, we see through the window, some washing hanging on the line. Then in an outside shot, we see the same washing, but now arranged differently.

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Quotes

[first lines]
Narrator: Suzy Banyon decided to perfect her ballet studies in the most famous school of dance in Europe. She chose the celebrated academy of Freiburg. One day, at nine in the morning, she left Kennedy airport, New York, and arrived in Germany at 10:40 p.m. local time.

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Crazy Credits

"You have watched Suspiria"

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Connections

Referenced in Crying Freeman (1995)

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Soundtracks

"Markos"
Aadapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo, and Massimo Morante
Performed by Goblin

User Reviews

Artistic Nightmare

A German ballet school for girls is the setting for mysterious deaths, in this 1977 horror story, written and directed by Dario Argento. "Suspiria" is a visually stunning film.

The images contain objects we recognize, like people, buildings, and interior decor. But the objects seem vaguely menacing, and less real than surreal, as though they symbolize ideas, repressed desires, or subconscious fears. The vivid, rich colors, strange camera angles, deep shadows, and bright light piercing through darkness, all contribute to the impression that the viewer is trapped in someone else's nightmare.

One haunting segment of the film takes place in a huge, and strangely empty, public square, at night. A blind man and his German shepherd dog stand in the middle of the square, surrounded by imposing buildings of neo-classical architectural style. Some professional reviewers of this film have suggested that the public square is a veiled reference to Hitler and Nazism. Indeed, one could argue that the film's subtext is an indictment of fascism.

"Suspiria" is not for everyone. It is unsettling, and at times grisly. The plot is weak, and plot elements are not really explained. The acting is largely irrelevant. And while the background music is suitably gothic, it is also frantic and monotonous.

The best approach to this "art-house" film is to ignore the superficial plot, and focus instead on the fabulous cinematography, and the gothic images as conceptual metaphors.