| Robert Forster | ... | Glen Wilson | |
| Fiona Lewis | ... | B.J. Parswell | |
| Ray Sharkey | ... | Paul Salerno | |
| Joanna Cassidy | ... | Patti Johnson | |
| Bruce Glover | ... | Chuck Johnson | |
| Richard Lynch | ... | Pete Lustig | |
| Darrell Fetty | ... | Dave Allison | |
| James Luisi | ... | Alvin Blake | |
| Candice Rialson | ... | Judy Blake | |
| Malachi Throne | ... | Earl O'Brien | |
| Janet Hadland | ... | Doctor | |
| H.B. Haggerty | ... | Redneck | |
| Dave Shelley | ... | Jack | |
| Gary Davis | ... | Greg Wilson (as Gary Charles Davis) | |
| Alex Kubik | ... | Gas Station Attendant | |
| Erica Paige | ... | Groupie 1 | |
| Cindy Correll | ... | Groupie 2 | |
| Cheré Bryson | ... | Bimbo 1 (as Sherie Bryson) | |
| Lucette Dussaud | ... | Bimbo 2 | |
| Fran Dukehart | ... | Nurse | |
| Cass Martin | ... | Policeman |
Directed by | |||
| Mark L. Lester | |||
Writing credits | ||
| Raymond Lofaro | (story) | |
| Dennis Johnson | (screenplay) and | |
| Barney Cohen | (screenplay) | |
| Michael Harpster | scenario | |
| Robert Shaye | scenario | |
Produced by | |||
| Peter S. Davis | .... | executive producer | |
| Raymond Lofaro | .... | producer | |
| William N. Panzer | .... | producer | |
| Sara Risner | .... | associate producer | |
| Robert Shaye | .... | executive producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Bruce Logan | (director of photography) | ||
Film Editing by | |||
| Corky Ehlers | |||
Casting by | |||
| Harriet B. Helberg | |||
Makeup Department | |||
| Dorothy J. Pearl | .... | hair stylist | |
| Dorothy J. Pearl | .... | makeup artist | |
Production Management | |||
| David Crawshaw | .... | production supervisor: second unit | |
| Joe Fineman | .... | post-production supervisor | |
| Carl Olson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carl Olson | .... | first assistant director | |
| Hal Reed | .... | second assistant director | |
Art Department | |||
| Max Mendes | .... | assistant property master | |
| Erik L. Nelson | .... | property master (as Erik Nelson) | |
Sound Department | |||
| Lowell Cannon | .... | boom operator | |
| Robert Canton | .... | sound effects | |
| Robert Leclerc | .... | assistant sound (as Robert Le Clerc) | |
| Mark Hopkins McNabb | .... | sound mixer (as Mark McNabb) | |
| Dan Thomas | .... | sound effects | |
| Hal Watkins | .... | re-recording engineer | |
| Burton Weinstein | .... | loop editor (as Burt Weinstein) | |
Special Effects by | |||
| Richard O. Helmer | .... | special effects | |
| Peter von Bartheld | .... | special effects: second unit | |
Stunts | |||
| Phil Adams | .... | rappelling stunt | |
| Richard E. Butler | .... | stunts: fire gag (as Dick Butler) | |
| Joie Chitwood | .... | ski car and special stunt driving | |
| Deanna Dae Coleman | .... | motorcycle stunt (as Deanna Coleman) | |
| Jean Coulter | .... | stunts | |
| Bud Davis | .... | stunts: fire gag (as Bud George) | |
| Gary Davis | .... | motorcycle and helicopter stunts (as Gary Charles Davis) | |
| Ted Duncan | .... | cannon gag | |
| Larry Dunn | .... | additional driving (stunts) | |
| Beau Gibson | .... | additional driving (stunts) | |
| 'Wild' Bill Mock | .... | additional driving (stunts) | |
| Paul Nuckles | .... | stunt coordinator | |
| Lee Pulford | .... | bar fight stunts | |
| Dar Robinson | .... | high fall stunt | |
| Charles A. Tamburro | .... | helicopter stunt pilot (as Chuck Tamburro) | |
| A.J. Bakunas | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bob Bailin | .... | director of photography: second unit | |
| Jay Borin | .... | still photographer | |
| Brink Brydon | .... | gaffer | |
| Rick Chambers | .... | still photographer | |
| Jerry Deats | .... | grip | |
| Sal Guida | .... | assistant camera: second unit | |
| Kim Hubbard | .... | assistant grip | |
| Carey Jones | .... | second assistant camera | |
| Ron Lavery | .... | assistant camera | |
| Gus Makris | .... | key grip: second unit | |
| William R. Maxham | .... | camera operator (as Willy Maxham) | |
| Bob McVay | .... | key grip (as Robert McVay) | |
| Robert Meisner | .... | grip | |
| Scott Spencer | .... | best boy | |
| Daniel Pearl | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Jean Frost | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Amanda J. Flick | .... | assistant wardrobe (as Amanda Flick) | |
| Nan Hinds | .... | wardrobe | |
Editorial Department | |||
| Scott Hancock | .... | assistant editor | |
Music Department | |||
| Michael Kamen | .... | conductor | |
| Bruce Tergesen | .... | music recordist | |
Other crew | |||
| Howard Berkowitz | .... | production executive | |
| John De Troia | .... | production assistant | |
| Jan Kemper | .... | script supervisor | |
| Alex Kubik | .... | production assistant | |
| Larry Margo | .... | production assistant | |
| Cass Martin | .... | location manager | |
| Jane Prosnit | .... | assistant to producer | |
| Charles A. Tamburro | .... | helicopter pilot | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
In the late 70s and early 80s, action films didn't rely on CGI to wow the audiences; stunts were what packed in the crowdsreal stunts performed by real stuntmen.
Anything with cars flying 30 feet through the air would be guaranteed to fill the theatres and the limits were pushed by these 'fall guys' as to what they would do in order to impress. StuntsAKA 'Who Is Killing the Stuntmen?' AKA 'The Deadly Game' (UK video title)tells of one such guy, Glen Wilson (Robert Forster), who becomes involved in the making of a movie after his brother mysteriously dies performing a stunt. Suspecting foul play, he searches for clues between filming, aided by a feisty female reporter (Fiona Lewis).
Director Mark L. Lester, who later helmed the 80s 'classics' Class of 1984 and Commando, packs the film with all manner of death defying feats, but struggles to make anything special from the run-of-the-mill script. Despite a good performance from the ever-reliable Forster and good support from a raft B-movie regulars (including the great Richard Lynch), the result feels very much like a made-for-TV movie, and lacks the grittiness I was hoping for.
Stunts is enjoyable on a nostalgic level (if you love the vibe of 70s flicks, then there is some fun to be had from the movie's general atmosphere), and it does contain a few fairly impressive action sequences, but I found that, even at a running time of less than an hour and a half, the film only just managed to keep my attention.