Fresh-faced young Michael Rimmer worms his way into an opinion poll company and is soon running the place. He uses this as a springboard to get into politics, and in the mini-skirted ... See full summary »
The members of SADUSEA (Song And Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets in the late 1940s. Not only that, they have to contend ... See full summary »
When Newman decides she doesn't want to be burdened with children, she decides to take the pill--which, as we all know from those ubiquitous posters of the 1960s, was a "No No" so far as the Pope was concerned.
A bassist shows up early for the betrothal ball of a beautiful princess, and whiles away the time having a dip in the river. The princess is doing the same, unbeknownst to the bass player, ... See full summary »
Surreal, sketch based TV comedy series. Two series were produced in 1967 by the commercial company Associated Rediffusion. In style and content, a forerunner of 'Monty Python's Flying ... See full summary »
The grandchild of Professor James Moriarty had promised the world that it has only five days left to live. Moriarty is a master of disguise, a crack shot, and is very patient. Several government figures are shot to death, and it seems that it truly is the end of civilization as we know it- until the President learns that the grandson of Sherlock Holmes is living at 221B Baker Street, and send the Police Commisioner of Scotland Yard to employ him. Unfortunately, Arthur Sherlock Holmes is a quick-tempered, ranting, violent bungler, and his assistant, Dr. William Watson (grandson of Dr. John H. Watson) is one of the most moronic creatures ever to walk the earth, although he is invaluable because he has "bionic bits". Holmes has inherited a drug habit from his grandfather, one which his housekeeper, Mrs. Hudson, is less than discreet about, and the sleek Moriarty is also one step ahead of him, eventually murdering the police commisioner. Finally, Holmes decides to hold a party, inviting ... Written by
The strange case has been made through studies that kids will laugh when presented with something out of place, like a funny face, if the face is made by someone with whom they are acquainted, but they will repel if it's presented by a stranger. This conveys that our reactions to inconsistencies, oddities, unanticipated discrepancies with normalcy and established ranks will differ in terms of particular circumstances. If the incongruity happens in a context where it's threatening, it'll dispose us toward a threatened reaction. This is maybe the seed of the horror genre. On the other hand, if the context is one that is distinguished as non-threatening, where the possibility of hurt and fear has been withheld, the scenarios are opportune for humor.
We follow the attempts of Sherlock Holmes, Dr. Watson and various governments to stop all civilization from being destroyed, but everyone is too terminally stupid or apathetic to be successful at it. We need not worry about the targets of all the brutality and cruelty in blacker realms of comedy, including slapstick, because they're not completely human.
It's an accelerated, often hilarious jaunt that heckles at just about everything mystery, espionage or potboiler in English and American media. Holmes, Bond, Columbo, etc., little more than a vaudeville act in breadth and elaboration. The peak of this film is Arthur Lowe as the guileless, blundering Watson, his stupidity and listlessness always counterblowing Cleese's temperamental ingenuity.
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