A member of the English upper class dies, leaving his estate and his business to an American, whom he thinks is his son who was lost as a baby and then found again. An Englishman who thinks... See full summary »
In this mock-documentary, John Cleese narrates a series of sketches on irritation -- types and techniques. Included are parents irritating their children, old ladies irritating movie-goers ... See full summary »
Bolt, a British linguist, develops a universal language, so he's a sudden sensation and receives a Nobel prize. An ambitious diplomat, capitalizing on Bolt's celebrity, arranges for the U.S... See full summary »
The grandchild of Professor James Moriarty had promised the world that it has only five days left to live. Moriarty is a master of disguise, a crack shot, and is very patient. Several government figures are shot to death, and it seems that it truly is the end of civilization as we know it- until the President learns that the grandson of Sherlock Holmes is living at 221B Baker Street, and send the Police Commisioner of Scotland Yard to employ him. Unfortunately, Arthur Sherlock Holmes is a quick-tempered, ranting, violent bungler, and his assistant, Dr. William Watson (grandson of Dr. John H. Watson) is one of the most moronic creatures ever to walk the earth, although he is invaluable because he has "bionic bits". Holmes has inherited a drug habit from his grandfather, one which his housekeeper, Mrs. Hudson, is less than discreet about, and the sleek Moriarty is also one step ahead of him, eventually murdering the police commisioner. Finally, Holmes decides to hold a party, inviting ... Written by
The strange case has been made through studies that kids will laugh when presented with something out of place, like a funny face, if the face is made by someone with whom they are acquainted, but they will repel if it's presented by a stranger. This conveys that our reactions to inconsistencies, oddities, unanticipated discrepancies with normalcy and established ranks will differ in terms of particular circumstances. If the incongruity happens in a context where it's threatening, it'll dispose us toward a threatened reaction. This is maybe the seed of the horror genre. On the other hand, if the context is one that is distinguished as non-threatening, where the possibility of hurt and fear has been withheld, the scenarios are opportune for humor.
We follow the attempts of Sherlock Holmes, Dr. Watson and various governments to stop all civilization from being destroyed, but everyone is too terminally stupid or apathetic to be successful at it. We need not worry about the targets of all the brutality and cruelty in blacker realms of comedy, including slapstick, because they're not completely human.
It's an accelerated, often hilarious jaunt that heckles at just about everything mystery, espionage or potboiler in English and American media. Holmes, Bond, Columbo, etc., little more than a vaudeville act in breadth and elaboration. The peak of this film is Arthur Lowe as the guileless, blundering Watson, his stupidity and listlessness always counterblowing Cleese's temperamental ingenuity.
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