| Photos (See all 157 | slideshow) | Videos (see all 8) |
Directed by | |||
| George Lucas | |||
Writing credits | ||
| George Lucas | (written by) | |
Produced by | |||
| Gary Kurtz | .... | producer | |
| George Lucas | .... | executive producer | |
| Rick McCallum | .... | producer (1997 special edition) | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Gilbert Taylor | (director of photography) | ||
Film Editing by | |||
| Richard Chew | (film editor) | ||
| T.M. Christopher | (1997 special edition) | ||
| Paul Hirsch | (film editor) | ||
| Marcia Lucas | (film editor) | ||
| George Lucas | (uncredited) | ||
Casting by | |||
| Dianne Crittenden | (as Diane Crittenden) | ||
| Irene Lamb | |||
| Vic Ramos | |||
Production Design by | |||
| John Barry | |||
Art Direction by | |||
| Leslie Dilley | |||
| Norman Reynolds | |||
Set Decoration by | |||
| Roger Christian | |||
Costume Design by | |||
| John Mollo | |||
Makeup Department | |||
| Rick Baker | .... | makeup: second unit | |
| Doug Beswick | .... | makeup: second unit | |
| Stuart Freeborn | .... | makeup supervisor | |
| Rob Bottin | .... | assistant makeup artist (uncredited) | |
| Graham Freeborn | .... | special makeup effects crew (uncredited) | |
| Kay Freeborn | .... | makeup artist (uncredited) | |
| Nick Maley | .... | special makeup effects crew: Cantina sequence (uncredited) | |
| Patricia McDermott | .... | hair stylist (uncredited) | |
| Charles E. Parker | .... | special makeup effects crew: Cantina sequence (uncredited) | |
| Christopher Tucker | .... | special makeup effects crew: Cantina sequence (uncredited) | |
Production Management | |||
| Peter V. Herald | .... | production manager: second unit (as Peter Herald) | |
| Joseph Lenzi | .... | production manager: second unit (as Pepi Lenzi) | |
| David V. Lester | .... | production manager: second unit (as David Lester) | |
| Bruce Sharman | .... | production manager | |
| Robert Watts | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Gerry Gavigan | .... | assistant director (uncredited) | |
| Terry Madden | .... | assistant director | |
| Anthony Waye | .... | assistant director (as Tony Waye) | |
| Gary White | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Frank Bruton | .... | property master | |
| Leon Ericksen | .... | art director: second unit (as Leon Erickson) | |
| Al Locatelli | .... | art director: second unit | |
| Ralph McQuarrie | .... | production illustrator | |
| Alan Roderick-Jones | .... | assistant to production designer | |
| John Alvin | .... | poster artist (uncredited) | |
| Gerry Bourke | .... | props (uncredited) | |
| Richard Brown | .... | carpenter (uncredited) | |
| Peter Childs | .... | draughtsman (uncredited) | |
| John Chisholm | .... | prop man (uncredited) | |
| Ron Cobb | .... | conceptual creature designer (uncredited) | |
| Steve Cooper | .... | set designer (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
| Aaron L. Lucas | .... | art department production assistant (uncredited) | |
| Kieron Mcnamara | .... | props (uncredited) | |
| Liz Moore | .... | sculptor (uncredited) | |
| Brian Muir | .... | sculptor (uncredited) | |
| Tony Musk | .... | carpenter (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
| Bill Welch | .... | construction manager (uncredited) | |
Sound Department | |||
| Derek Ball | .... | production sound mixer | |
| Ben Burtt | .... | sound designer (1997 special edition) | |
| Ben Burtt | .... | special dialogue and sound effects | |
| Gene Corso | .... | sound editor | |
| Gordon Davidson | .... | sound editor | |
| Teresa Eckton | .... | sound editor (1997 special edition) | |
| Les Fresholtz | .... | re-recording mixer (as Lester Fresholtz) | |
| Roxanne Jones | .... | assistant sound editor | |
| Stephen Katz | .... | sound consultant: Dolby | |
| Robert J. Litt | .... | re-recording mixer (as Robert Litt) | |
| Don MacDougall | .... | re-recording mixer | |
| Robert Marty | .... | assistant sound editor (1997 special edition) | |
| Bob Minkler | .... | re-recording mixer | |
| Michael Minkler | .... | re-recording mixer (as Mike Minkler) | |
| Richard Portman | .... | re-recording mixer | |
| Gary Rizzo | .... | digital mix technician (1997 special edition) (as Gary A. Rizzo) | |
| Ronald G. Roumas | .... | re-recordist (1997 special edition) | |
| Robert R. Rutledge | .... | sound editor | |
| Karen Sharp | .... | assistant sound editor | |
| Sam F. Shaw | .... | supervising sound editor (as Sam Shaw) | |
| Gary Summers | .... | sound re-recording mixer (1997 special edition) | |
| Ray West | .... | re-recording mixer | |
| Richard L. Anderson | .... | sound effects editor (uncredited) | |
| Fred Clemons | .... | machine room operator (1997 special edition) (uncredited) | |
| Samuel C. Crutcher | .... | assistant sound editor (uncredited) | |
| Steve Kinsey | .... | sound mixing technician (1997 special edition) (uncredited) | |
| Cathy McKelvey | .... | assistant sound editor (uncredited) | |
| Ken Nightingall | .... | boom operator (uncredited) | |
| Brian Slack | .... | sound consultant: DTS (1997 special edition) (uncredited) | |
| Jack Snyder | .... | sound engineer (uncredited) | |
| David E. Turner | .... | machine room operator (1997 special edition) (uncredited) | |
Special Effects by | |||
| John Stears | .... | special production & mechanical effects supervisor | |
| Tony Dyson | .... | R2D2 designer (uncredited) | |
| Bob Keen | .... | model builder (uncredited) | |
| Robert Nugent | .... | special effects technician (uncredited) | |
| Petro Vlahos | .... | special effects engineer (uncredited) | |
Visual Effects by | |||
| Julie Adrianson-Neary | .... | computer graphics artist: ILM (1997 special edition) (as Julie Neary) | |
| Richard Alexander | .... | camera and mechanical design: miniature and optical effects unit | |
| Karen Ansel | .... | computer graphics artist: ILM (1997 special edition) | |
| Caleb Aschkynazo | .... | optical camera assistant: miniature and optical effects unit | |
| Greg Auer | .... | miniature explosions: miniature and optical effects unit | |
| Mark Austin | .... | computer graphics artist: ILM (1997 special edition) | |
| Al Bailey | .... | digital plate restoration artist: ILM (1997 special edition) (as Alan Bailey) | |
| Scott Balcerek | .... | assistant visual effects editor: ILM (1997 special edition) | |
| Douglas Barnett | .... | special mechanical equipment: miniature and optical effects unit | |
| David Beasley | .... | model builder: miniature and optical effects unit | |
| Adam Beckett | .... | animation and rotoscope design: miniature and optical effects unit | |
| Jon Berg | .... | stop motion animation: miniature and optical effects unit | |
| David Berry | .... | optical printer operator: miniature and optical effects unit | |
| John Andrew Berton Jr. | .... | computer graphics supervisor: ILM (1997 special edition) (as John Berton) | |
| Robert Blalack | .... | composite optical photography: (Praxis : miniature and optical effects unit) | |
| Rod G. Bogart | .... | software development: ILM (1997 special edition) (as Rod Bogart) | |
| Scott Bonnenfant | .... | digital plate restoration artist: ILM (1997 special edition) | |
| Ronn Brown | .... | digital production assistant: ILM (1997 special edition) | |
| Chris Bushman | .... | optical supervisor (1997 special edition) | |
| Colin Cantwell | .... | additional spacecraft design: miniature and optical effects unit | |
| Dave Carson | .... | visual effects supervisor: ILM (1997 special edition) | |
| Chris Casady | .... | animator: miniature and optical effects unit | |
| Amelia Chenoweth | .... | computer graphics artist: ILM (1997 special edition) | |
| Terry Chostner | .... | computer graphics artist: ILM (1997 special edition) | |
| Larry Cuba | .... | computer animation and graphic displays: miniature and optical effects unit | |
| Fon Davis | .... | model maker: ILM (1997 special edition) | |
| David Deuber | .... | computer graphics artist: ILM (1997 special edition) | |
| Natasha Devaud | .... | computer graphics artist: ILM (1997 special edition) | |
| David Dozoretz | .... | animatics artist: ILM (1997 special edition) | |
| Patricia Rose Duignan | .... | production staff: miniature and optical effects unit | |
| John Dykstra | .... | special photographic effects supervisor | |
| Selwyn Eddy | .... | computer graphics artist: ILM (1997 special edition) (as Selwyn Eddy III) | |
| Richard Edlund | .... | first cameraman: miniature and optical effects unit | |
| Harrison Ellenshaw | .... | matte artist: miniature and optical effects unit (as P.S. Ellenshaw) | |
| TyRuben Ellingson | .... | visual effects art director: ILM (1997 special edition) (as Ty Ruben Ellingson) | |
| Jonathan Erland | .... | model builder: miniature and optical effects unit (as Jon Erland) | |
| Phillip Feiner | .... | optical supervisor (1997 special edition) | |
| Steve Gawley | .... | model builder: miniature and optical effects unit | |
| Lyn Gerry | .... | animator: miniature and optical effects unit | |
| Howard Gersh | .... | computer graphics artist: ILM (1997 special edition) | |
| Paul Giacoppo | .... | computer graphics artist: ILM (1997 special edition) | |
| Ned Gorman | .... | visual effects producer: ILM (1997 special edition) | |
| Bruce Green | .... | assistant editor: opticals (as Bruce Michael Green) | |
| Jerry Greenwood | .... | special mechanical equipment: miniature and optical effects unit | |
| Grant Guenin | .... | Sabre artist: ILM (1997 special edition) | |
| Joanne Hafner | .... | computer graphics artist: ILM (1997 special edition) | |
| James Hagedorn | .... | computer graphics artist: ILM (1997 special edition) | |
| Carol Hayden | .... | computer graphics artist: ILM (1997 special edition) | |
| Matthew Hendershot | .... | computer graphics artist: ILM (1997 special edition) (as Matt Hendershot) | |
| Kela Hicks | .... | digital production assistant: ILM (1997 special edition) | |
| Guy Hudson | .... | computer graphics artist: ILM (1997 special edition) | |
| Paul Huston | .... | digital matte artist: ILM (1997 special edition) | |
| Paul Huston | .... | model builder: miniature and optical effects unit | |
| Cindy Isman | .... | film librarian: miniature and optical effects unit | |
| Joe Johnston | .... | effects illustrator and designer: miniature and optical effects unit (as Joseph Johnston) | |
| David Jones | .... | model builder: miniature and optical effects unit | |
| Doug Jones | .... | negative supervisor: ILM (1997 special edition) | |
| Tom Kennedy | .... | visual effects producer: ILM (1997 special edition) | |
| Forest Key | .... | assistant visual effects editor: ILM (1997 special edition) | |
| Mark Kline | .... | production staff: miniature and optical effects unit | |
| Brian Knep | .... | software development: ILM (1997 special edition) | |
| John Knoll | .... | visual effects supervisor: ILM (1997 special edition) | |
| Peter Kuran | .... | animator: miniature and optical effects unit | |
| Angela Leaper | .... | assistant visual effects editor: ILM (1997 special edition) | |
| Joe Letteri | .... | visual effects supervisor: ILM (1997 special edition) (as Joseph Letteri) | |
| Stewart Lew | .... | computer graphics artist: ILM (1997 special edition) | |
| Mary M. Lind | .... | film control coordinator: miniature and optical effects unit | |
| Bruce Logan | .... | second unit photography: miniature and optical effects unit | |
| Nancy Luckoff | .... | CG resource manager: ILM (1997 special edition) (as Nancy Jill Luckoff) | |
| Margaret B. Lynch | .... | visual effects coordinator: ILM (1997 special edition) (as Margaret Lynch) | |
| Jodie Maier | .... | computer graphics artist: ILM (1997 special edition) | |
| Greg Maloney | .... | computer graphics artist: ILM (1997 special edition) | |
| Pamela Malouf | .... | film librarian: miniature and optical effects unit | |
| Stuart T. Maschwitz | .... | computer graphics artist: ILM (1997 special edition) (as Stuart Maschwitz) | |
| Bill Mather | .... | digital matte artist: ILM (1997 special edition) (as William Mather) | |
| George E. Mather | .... | production supervisor: miniature and optical effects unit | |
| C. Cory M. McCrum-Abdo | .... | film librarian: miniature and optical effects unit (as Connie McCrum) | |
| David McCue | .... | optical printer operator: miniature and optical effects unit | |
| Grant McCune | .... | chief model maker: miniature and optical effects unit | |
| Dan McNamara | .... | Sabre group supervisor: ILM (1997 special edition) (as Daniel McNamara) | |
| Ralph McQuarrie | .... | planet and satellite artist: miniature and optical effects unit | |
| Gary Meyer | .... | production engineering: ILM (1997 special edition) | |
| Fred Meyers | .... | production engineering: ILM (1997 special edition) | |
| Alvah J. Miller | .... | electronics design: miniature and optical effects unit | |
| Marty Luigi Miramontez | .... | production engineering: ILM (1997 special edition) (as Marty Miramontez) | |
| Mark Moore | .... | visual effects art director: ILM (1997 special edition) | |
| John C. Moulds | .... | optical camera assistant: miniature and optical effects unit | |
| Dennis Muren | .... | second cameraman: miniature and optical effects unit | |
| Dennis Muren | .... | visual effects supervisor: ILM (1997 special edition) | |
| Joe Murray | .... | second unit director & cameraman: ILM (1997 special edition) | |
| Ron Nathan | .... | production staff: miniature and optical effects unit | |
| Bruce Nicholson | .... | optical camera assistant: miniature and optical effects unit | |
| Bruce Nicholson | .... | visual effects supervisor: ILM (1997 special edition) | |
| Kerry Nordquist | .... | computer graphics artist: ILM (1997 special edition) | |
| Masaaki Norihiro | .... | special components assistant: miniature and optical effects unit (as Masaaki Norihoro) | |
| Dan O'Bannon | .... | computer animation and graphic displays: miniature and optical effects unit | |
| Scott Pasko | .... | computer graphics artist: ILM (1997 special edition) | |
| Rhonda Peck | .... | production staff: miniature and optical effects unit | |
| Richard Pecorella | .... | optical printer operator: miniature and optical effects unit | |
| Lorne Peterson | .... | model builder: miniature and optical effects unit | |
| Joshua Pines | .... | digital scanning supervisor: ILM (1997 special edition) | |
| Eleanor Porter | .... | special components assistant: miniature and optical effects unit | |
| Ken Ralston | .... | assistant cameraman: miniature and optical effects unit (as Kenneth Ralston) | |
| Eldon Rickman | .... | optical printer operator: miniature and optical effects unit | |
| David Robman | .... | assistant cameraman: miniature and optical effects unit | |
| Corey Rosen | .... | digital plate restoration artist: ILM (1997 special edition) | |
| Michael Ross | .... | animator: miniature and optical effects unit | |
| Paul Roth | .... | optical photography coordinator: miniature and optical effects unit | |
| Christian Rouet | .... | software development: ILM (1997 special edition) | |
| David Scott | .... | special mechanical equipment: miniature and optical effects unit | |
| Jonathan Seay | .... | animator: miniature and optical effects unit | |
| Alex Seiden | .... | visual effects supervisor: ILM (1997 special edition) | |
| Robert Shepherd | .... | production manager: miniature and optical effects unit (as Bob Shepherd) | |
| Jamie Shourt | .... | special components: miniature and optical effects unit (as James Shourt) | |
| William Shourt | .... | camera and mechanical design: miniature and optical effects unit | |
| Douglas Smith | .... | assistant cameraman: miniature and optical effects unit | |
| Gary Smith | .... | optical camera assistant: miniature and optical effects unit | |
| Damian Steel | .... | computer graphics artist: ILM (1997 special edition) | |
| David Tanaka | .... | visual effects editor: ILM (1997 special edition) | |
| Chad Taylor | .... | Sabre artist: ILM (1997 special edition) | |
| Danny Gordon Taylor | .... | computer graphics artist: ILM (1997 special edition) (as Danny Taylor) | |
| Jay Teitzell | .... | computer animation and graphic displays: miniature and optical effects unit | |
| Bert Terreri | .... | optical camera assistant: miniature and optical effects unit | |
| Paul Theren | .... | computer graphics artist: ILM (1997 special edition) | |
| Lon Tinney | .... | production manager: miniature and optical effects unit | |
| Phil Tippett | .... | stop motion animation: miniature and optical effects unit (as Philip Tippett) | |
| Lisa Todd | .... | visual effects coordinator: ILM (1997 special edition) | |
| James Tooley | .... | computer graphics artist: ILM (1997 special edition) | |
| Suzie Vissitzky Tooley | .... | CG production manager: ILM (1997 special edition) (as Suzie Vissotzky Tooley) | |
| Christopher Townsend | .... | computer graphics artist: ILM (1997 special edition) (as Chris Townsend) | |
| Donna Tracy | .... | optical camera assistant: miniature and optical effects unit | |
| Don Trumbull | .... | camera and mechanical design: miniature and optical effects unit | |
| Yusei Uesugi | .... | digital matte artist: ILM (1997 special edition) | |
| Lam Van To | .... | CG resource manager: ILM (1997 special edition) | |
| James Van Trees Jr. | .... | optical printer operator: miniature and optical effects unit | |
| Bruce Vecchitto | .... | digital color timing supervisor: ILM (1997 special edition) | |
| Joe Viskocil | .... | miniature explosions: miniature and optical effects unit | |
| Tim Waddy | .... | computer graphics artist: ILM (1997 special edition) (as Timothy Waddy) | |
| John C. Wash | .... | computer animation and graphic displays: miniature and optical effects unit (as John Wash) | |
| Jim Wells | .... | optical camera assistant: miniature and optical effects unit | |
| Stephen Williams | .... | visual effects supervisor: ILM (1997 special edition) | |
| Diana Wilson | .... | animator: miniature and optical effects unit | |
| Vicky Witt | .... | optical camera assistant: miniature and optical effects unit | |
| Stuart Ziff | .... | special mechanical equipment: miniature and optical effects unit | |
| Rita E. Zimmerman | .... | Sabre artist: ILM (1997 special edition) (as Rita Zimmerman) | |
| Les Bowie | .... | visual effects (uncredited) | |
| Daniel Brimer | .... | digital effects resource assistant: ILM (1997 special edition) (uncredited) | |
| Ronn Brown | .... | digital matte artist: ILM (1997 special edition) (uncredited) | |
| Beth D'Amato | .... | digital paint and roto lead: ILM (1997 special edition) (uncredited) | |
| Sheena Duggal | .... | Inferno artist: ILM (1997 special edition) (uncredited) | |
| Dave Gregory | .... | optical effects lineup & plotting: Ray Mercer & Co. (uncredited) | |
| Aaron Haye | .... | model maker: ILM (1997 special edition) (uncredited) | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital (1997 special edition) (uncredited) | |
| Laine Liska | .... | model effects (uncredited) | |
| Tom Martinek | .... | senior digital effects artist: ILM (1997 special edition) (uncredited) | |
| Todd Mitchell | .... | scanning operator: ILM (1997 special edition) (uncredited) | |
| Barry Nolan | .... | effects animator (uncredited) | |
| Bridgid O'Donnell | .... | restoration supervisor (uncredited) | |
| Olivier Sarda | .... | digital compositor (1997 special edition) (uncredited) | |
| Nina Saxon | .... | effects animator (uncredited) | |
| Nelson Shin | .... | animator: lightsaber (uncredited) | |
| Denise Shurtleff | .... | visual effects production assistant (uncredited) | |
| Chris Silagyi | .... | matte painter (uncredited) | |
| Jeff Wells | .... | digital effects artist: Pacific Title Digital (1997 special edition) (uncredited) | |
Stunts | |||
| Peter Diamond | .... | stunt coordinator | |
| Bob Anderson | .... | stunt double (uncredited) | |
| Bob Anderson | .... | stunts (uncredited) | |
| Lightning Bear | .... | stunts (uncredited) | |
| Peter Brace | .... | stunt double: Chewbacca (uncredited) | |
| Peter Brace | .... | stunts (uncredited) | |
| Andy Bradford | .... | stunts (uncredited) | |
| Tim Condren | .... | stunts (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Jim Dowdall | .... | stunts (uncredited) | |
| Richard Graydon | .... | second stunt guard at cellblock AA-23 (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Richard Hammatt | .... | stunts (uncredited) | |
| Reg Harding | .... | stunts (uncredited) | |
| Frank Henson | .... | stunts (uncredited) | |
| Arthur Howell | .... | stunts (uncredited) | |
| Mags Kavanaugh | .... | stunt double (uncredited) | |
| Mags Kavanaugh | .... | stunts (uncredited) | |
| Wendy Leech | .... | stunt double: C-3P0 (uncredited) | |
| Wendy Leech | .... | stunts (uncredited) | |
| Rick Lester | .... | stunts (uncredited) | |
| Bronco McLoughlin | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Colin Skeaping | .... | first stunt guard at cellblock AA-23 (uncredited) | |
| Colin Skeaping | .... | stunt double: Luke Skywalker (uncredited) | |
| Colin Skeaping | .... | stunts (uncredited) | |
| Bill Weston | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Carroll Ballard | .... | second unit photography | |
| Rick Clemente | .... | second unit photography | |
| Robert Dalva | .... | second unit photography | |
| Tak Fujimoto | .... | second unit photography | |
| Geoff Glover | .... | camera operator | |
| John Jay | .... | still photographer | |
| Ron Tabera | .... | gaffer | |
| Ronnie Taylor | .... | camera operation | |
| Steve Birtles | .... | supervising electrician (uncredited) | |
| Peter Bloor | .... | electrician (uncredited) | |
| Maurice Gillett | .... | gaffer (uncredited) | |
| Bruce Hill | .... | ultra high speed photography (uncredited) | |
| Brian Q. Kelley | .... | photographer: additional footage (1997 special edition) (uncredited) | |
| Terry Lewis | .... | best boy (uncredited) | |
| Michael E. Matteson | .... | grip (uncredited) | |
| Madelyn Most | .... | second assistant camera (uncredited) | |
| David Robman | .... | camera operator (uncredited) | |
| Peter Taylor | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
| Dominic Jack Pizzo Sr. | .... | stormtrooper costumes (uncredited) | |
Editorial Department | |||
| Todd Boekelheide | .... | assistant film editor | |
| Ted Gagliano | .... | post-production executive (1997 special edition) | |
| Bob Hart | .... | negative cutter (1997 special edition) | |
| Samuel H. Hinckley | .... | assistant editor (1997 special edition) (as Samuel Hinckley) | |
| Colin Michael Kitchens | .... | assistant film editor (as Colin Kitchens) | |
| Bonnie Koehler | .... | assistant film editor | |
| Jay Miracle | .... | assistant film editor | |
| Robert Raring | .... | color timer (1997 special edition) (as Robert J. Raring) | |
| Ray Sabo | .... | negative continuity (1997 special edition) | |
| Brian Q. Kelley | .... | editor: additional material (1997 special edition) (uncredited) | |
| Mark Nakamine | .... | colorist (digital color correction) (uncredited) | |
| Jim Passon | .... | color timer (1997 special edition) (uncredited) | |
Music Department | |||
| Herbert W. Spencer | .... | orchestrator | |
| Eric Tomlinson | .... | music scoring mixer | |
| Kenneth Wannberg | .... | supervising music editor | |
| Israel Baker | .... | musician: violin soloist (uncredited) | |
| John Beal | .... | composer: trailer (uncredited) | |
| Tom Boyd | .... | musician: oboe and solo English horn (uncredited) | |
| Tom Boyd | .... | oboe soloist (uncredited) | |
| Sandy DeCrescent | .... | orchestral contractor (uncredited) | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| George Lucas | .... | music producer (uncredited) | |
| Angela Morley | .... | additional orchestrator (uncredited) | |
| Arthur Morton | .... | additional orchestrator (uncredited) | |
| Maurice Murphy | .... | musician: trumpet (uncredited) | |
| Lionel Newman | .... | music supervisor (uncredited) | |
| Tom Raney | .... | musician (uncredited) | |
| Steve Schaeffer | .... | musician: percussion (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
| Don Williams | .... | musician: xylophone solos (uncredited) | |
| Jerry Williams | .... | musician: percussion (uncredited) | |
| John Williams | .... | additional orchestrator (uncredited) | |
| John Williams | .... | conductor (uncredited) | |
| Albert Woodbury | .... | additional orchestrator (uncredited) | |
Other crew | |||
| Bunny Alsup | .... | assistant to producer | |
| Leon Briggs | .... | film restoration consultant (1997 special edition) | |
| Patricia Carr | .... | production assistant (as Pat Carr) | |
| Pete Comandini | .... | film restoration supervisor (1997 special edition) | |
| Steve Cullip | .... | assistant auditor | |
| Brian Doyle | .... | unit publicist | |
| Kim Falkinburg | .... | assistant auditor | |
| Tim Fox | .... | archivist (1997 special edition) | |
| Brian Gibbs | .... | production controller | |
| Miki Herman | .... | production assistant | |
| Ralph M. Leo | .... | location auditor | |
| Charles Lippincott | .... | advertising/publicity supervisor | |
| Penny McCarthy | .... | assistant auditor | |
| Dan Perri | .... | titles | |
| Arnold Ross | .... | location manager | |
| Ann Skinner | .... | continuity | |
| Lucy Autrey Wilson | .... | assistant to director | |
| Bob Anderson | .... | fight arranger (uncredited) | |
| Michael Bell | .... | adr loop group (uncredited) | |
| Stanley Bielecki | .... | advertising and publicity consultant (uncredited) | |
| Stephen Calcutt | .... | stand-in: Peter Mayhew and David Prowse (uncredited) | |
| Jack Dearlove | .... | stand-in: Harrison Ford (uncredited) | |
| Kathryn Farrar | .... | production controller (1997 special edition) (uncredited) | |
| Stuart Freeborn | .... | creature design supervisor (uncredited) | |
| Ralph Helfer | .... | animal supervisor: Gentle Jungle (uncredited) | |
| Terence McGovern | .... | adr loop group (uncredited) | |
| Craig Miller | .... | marketing consultant (uncredited) | |
| Len Piper | .... | stand-in: Declan Mulholland (uncredited) | |
| Harry Shearer | .... | adr loop group (uncredited) | |
| Edward Summer | .... | marketing consultant (uncredited) | |
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| Star Wars: Episode VI - Return of the Jedi | Star Wars: Episode V - The Empire Strikes Back | Star Wars: Episode I - The Phantom Menace | Star Wars: Episode III - Revenge of the Sith | Star Wars: Episode II - Attack of the Clones |
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| Full cast and crew | Company credits | External reviews |
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| IMDb USA section |
Though now known as "Episode IV-A New Hope," for many of us, namely those of us who first saw this exhilarating entertainment in theaters back in '77, this will always be the first "Star Wars." We will always think of it as just "Star Wars" - plain & simple, no pretensions, no aspirations to deep film-making or high art. This is where we first met them all: Luke, Han Solo, Princess Leia, Obi-Wan Kenobi (old 'Ben'), Chewbacca, the 2 robots C3PO & R2D2 and, of course, Darth Vader. They were instant pop culture icons; you got the sense you'd seen them before somewhere, but were sure this wasn't possible. But they'd been there before in our minds. We'd read about them constantly in science fiction novels and short stories - tales of outer space civilizations, of spaceships zooming through asteroid belts, of exotic-looking aliens hanging around space ports. We'd dream about them at night and try to imagine ourselves in their midst; up until then, we could only imagine such things - there were no projected images to realize such dreams. "Forbidden Planet" from 1956 came close, and then there were the "Star Trek" and "Lost in Space" TV series, both hampered by dime store budgets and cheesy sets. We ate 'em up since there was nothing else. Then Lucas made it real.
I remember when I first got wind of the upcoming movie, to open in May of 1977, I think. I saw the first publicized poster and bought the novel adaptation. On the poster, a young man stood with some light sword raised, a princess at his feet, numerous spaceships flying all over the place. I was in my mid-teens and felt the first pulse of building excitement as I realized all those fantastic tales I'd been reading the past few years were going to come alive on the big screen for me. It didn't disappoint. Luke Skywalker, who stood in for all the boys pretending to be on a galactic adventure, gets swept away from his mundane desert home smack dab into the middle of an honest-to-gosh galaxy-wide civil war! The strength of the narrative is / was amazing. There are no slow spots and you can't wait for the next scene during the entire experience; and, experience is the better description for it, rather than just 'movie.' You can't wait, for example, for the moment when Luke actually meets the princess; what will happen then? It's a textbook case of an exciting narrative and what I believe makes this superior to all the sequels (knowing that many feel "The Empire Strikes Back" is superior - I must disagree).
The one character you really can't wait to see again is the ominous Vader, naturally. The instant he steps into view during the first few minutes of the story, you just know this is the ultimate villain. This is the baddest of the bad, the coolest of the cool, the supreme uber-evildoer of the entire galaxy. You just know it by his stance, by his attitude, and by the electric chill that runs through your frail form as he steps down the corridor, moving into the annals of film history with one fell swoop. You can't wait to see what he does next, what nefarious action will send someone or some planet to its doom. Sure, he seems under the control of Tarkin (Cushing) here and later, the Emperor, but you just know he's simply biding his time until he takes over the whole damn universe. There is no precedent for Vader, and nothing close to him after. He's at his best here where there's still much mystery attached to his dark frightful form, a minion of Satan and Nazi stormtroopers all rolled into one.
This was also the movie-experience which catapulted Harrison Ford (Solo) into superstardom. He seems almost childish here, not really straining to create a character, and it's this flip charm that makes it work, against all odds. He really does appear to have stepped out of the pages of some juvenile space opera, laser guns blazing, all snide remarks and foolhardy bravado. But he also becomes the older brother figure to Luke, who cannot carry the story by himself. Hamill, whose movie career began & ended with Luke, epitomizes the center of destiny for a galaxy. Both humble and arrogant, he's perfect in the role. Fisher's main surprise is that she's not all sugar and sweet as one would expect of a princess. These three characters evolved in the next two films, but they were always at their best here, icons given life for a short period - but also forever in film. The same could be said for Alec Guinness as Kenobi, a first class act all the way. You almost believe this elderly warrior could topple an empire, given enough time. Unless he runs into Vader...