Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord... See full summary »
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
A young man is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
A young boy from Tatooine sets out on an adventure with an old Jedi named Obi-Wan Kenobi as his mentor to save Princess Leia from the ruthless Darth Vader and Destroy the Death Star built by the Empire which has the power to destroy the entire galaxy. Written by
70 mm 6-Track
(70 mm prints)|Dolby
(35 mm prints)|DTS-Stereo
(as DTS Stereo® in selected theatres)|Dolby Digital
(as Dolby® Digital in selected theatres)|SDDS
(as Sony Dynamic Digital SoundTM in selected theatres)|Mono
(some 35 mm prints) (other 16 mm prints)
In the Italian version of the trilogy, the Death Star is called La Morte Nera (Black Death), and Darth Vader is called Lord Fener. See more »
When Princess Leia grabs the bar to stop the compactor, her hand puts a dent in the bar itself. See more »
Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
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The film has no opening credits. Instead, the first credits seen at the end of the film are presented in the order in which they would have otherwise been shown at the start. Although by the late 1990s it was commonplace for films to not have opening credits, in 1977 it was somewhat unusual for a major film to not have opening credits. See more »
The masterpiece, the legend that made people, like myself stand in line for two hours at ten at night for the midnight show. People coming out of the theater were telling us,"You will not be sorry, it was fantastic, you will not believe it." The first shot of the star destroyer coming across the face of Tatooine provoked loud gasps of awe from the audience. My big brother looked over at me and said," I told you." In 1977, this was not a movie; this was a cultural event that enveloped the entire country. In our city, only the Westgate with its 1100 seat cinema had the honor of showing the movie. They had showings starting from 11 AM to Midnight. Whenever you drove by, there were lines out to the street. The movie, after a thunderous opening, takes the time to develop the main character Luke. The scene of him looking longingly at the two suns with William's music captured the quintessence of youth; the wish to go out there and accomplish something blended with anxiety that time was passing us by. What a scene!! It captured Luke's restlessness that spoke to all the young people in the audience. This is the greatness of the work; the development of Luke. Notice, unlike Guardians Of The Galaxy we do not simply jump into mindless action: Lucas took the time to make us get to know and care about Luke. It gives it its depth.
Even Solo is drawn with greater depth than modern movies. We get Greedo trying to shake him down, his open contempt for Obi Wan and his patronizing "Kid" addressed to Luke derisively. We cannot see Chewie's expression but even his grunts sound like they are laughing at Luke also. Lucas knew where he was going with Luke and he purposely draws him as a pathetic, ingenuous, bumbling dolt at the first. Contrast to his entrance in Jedi, look how far the characterization has come. This is the core of why this trilogy worked and the prequel did not. In the prequels, there simply is not characterization. The cast here will not win any acting awards, besides Guiness, but there is development of characters. This is the point of Luke's humiliation at the Cantina with Kenobi forced to bail his dumb butt out. Lucas wants us to see his development. Even at the end of the movie, Kenobi fires those torpedoes not Luke, he tells Luke to just turn off the computer and use the Force. This, by the way, is what Kenobi meant by,"You can't win Darth, if you strike me down, I shall become more powerful than you can possibly imagine."
While I prefer Empire, this has the best ending of any movie in the history of film. The audiences I was in, people stood and cheered for five minutes when this ended. The timing, the surprise of Solo's intervention, the explosion and the victorious procession: what great writing. It ends with a thunderous crescendo of victory that will lift even the most jaded, world weary person to their feet. It has been forty years now; I still love the movie as much now as I did as that little boy staring up in awe at the screen. We all wanted to be Luke; his nobility was a model to my generation and it molded me into the protector of my family for twenty years. Never underestimate the power of the modeling of good.
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