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Star Wars: Episode IV - A New Hope (1977)
"Star Wars" (original title)

PG  |   |  Action, Adventure, Fantasy  |  25 May 1977 (USA)
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Ratings: 8.7/10 from 805,065 users   Metascore: 92/100
Reviews: 1,408 user | 257 critic | 14 from Metacritic.com

Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.



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Top Rated Movies #19 | Won 6 Oscars. Another 38 wins & 27 nominations. See more awards »



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Cast overview, first billed only:
Phil Brown ...
Shelagh Fraser ...
Alex McCrindle ...
Eddie Byrne ...
Drewe Henley ...
Red Leader (as Drewe Hemley)


A young boy from Tatooine sets out on an adventure with an old Jedi named Obi-Wan Kenobi as his mentor to save Princess Leia from the ruthless Darth Vader and Destroy the Death Star built by the Empire which has the power to destroy the entire galaxy. Written by Aravind R.

Plot Summary | Plot Synopsis


The force will be with you (re-release) See more »

Motion Picture Rating (MPAA)

Rated PG for sci-fi violence and brief mild language | See all certifications »

Parents Guide:



Official Sites:

| |  »



Release Date:

25 May 1977 (USA)  »

Also Known As:

A New Hope  »

Filming Locations:


Box Office


$11,000,000 (estimated)

Opening Weekend:

$35,906,661 (USA) (31 January 1997)


ESP 1,366,116,825 (Spain) (13 July 2001)

Company Credits

Show detailed on  »

Technical Specs


| (special edition)

Sound Mix:

(70 mm prints)| (35 mm prints)| (as DTS Stereo® in selected theatres)| (as Dolby® Digital in selected theatres)| (as Sony Dynamic Digital SoundTM in selected theatres)| (some 35 mm prints) (other 16 mm prints)



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


George Lucas waived the normal writer/director fee and asked for a mere $175,000 plus 40% of the merchandising rights. After the failure of Doctor Dolittle (1967), when its massive merchandising push proved an equally costly debacle, studio executives saw little if any profit from such matters and agreed. Star Wars: Episode IV - A New Hope (1977) related merchandise has since generated many millions of dollars in sales, allowing Lucas to make movies completely independent of the studio system he decried. Merchandising rights are now a major part of any film contract. See more »


Back in the hangar bay on Yavin after the destruction of the Death Star, as Luke, Han and Leia are jubilant, C-3PO rushes to the side of Luke's X-wing. 'Anthony Daniels' in costume saying "Oh my! Artoo!" in the audio track. Shortly thereafter, C-3PO's proper "Oh my! Artoo!" (replete with robotic audio effect) is heard. See more »


[first lines]
C-3PO: Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
See more »

Crazy Credits

To compensate for the new special edition credits inserted in versions 1997 and beyond, a longer instrumental suite plays during the credits roll, integrating various themes from throughout the film. See more »


Referenced in Parenthood: Orange Alert (2010) See more »


The Dune Sea of Tatooine/Jawa Sandcrawler
Written by John Williams
Performed by London Symphony Orchestrad
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Wield The Sword Of Light Over The Helpless
6 July 2015 | by (United States) – See all my reviews

Spoilers Ahead:

The masterpiece, the legend that made people, like myself stand in line for two hours at ten at night for the midnight show. People coming out of the theater were telling us,"You will not be sorry, it was fantastic, you will not believe it." The first shot of the star destroyer coming across the face of Tatooine provoked loud gasps of awe from the audience. My big brother looked over at me and said," I told you." In 1977, this was not a movie; this was a cultural event that enveloped the entire country. In our city, only the Westgate with its 1100 seat cinema had the honor of showing the movie. They had showings starting from 11 AM to Midnight. Whenever you drove by, there were lines out to the street. The movie, after a thunderous opening, takes the time to develop the main character Luke. The scene of him looking longingly at the two suns with William's music captured the quintessence of youth; the wish to go out there and accomplish something blended with anxiety that time was passing us by. What a scene!! It captured Luke's restlessness that spoke to all the young people in the audience. This is the greatness of the work; the development of Luke. Notice, unlike Guardians Of The Galaxy we do not simply jump into mindless action: Lucas took the time to make us get to know and care about Luke. It gives it its depth.

Even Solo is drawn with greater depth than modern movies. We get Greedo trying to shake him down, his open contempt for Obi Wan and his patronizing "Kid" addressed to Luke derisively. We cannot see Chewie's expression but even his grunts sound like they are laughing at Luke also. Lucas knew where he was going with Luke and he purposely draws him as a pathetic, ingenuous, bumbling dolt at the first. Contrast to his entrance in Jedi, look how far the characterization has come. This is the core of why this trilogy worked and the prequel did not. In the prequels, there simply is not characterization. The cast here will not win any acting awards, besides Guiness, but there is development of characters. This is the point of Luke's humiliation at the Cantina with Kenobi forced to bail his dumb butt out. Lucas wants us to see his development. Even at the end of the movie, Kenobi fires those torpedoes not Luke, he tells Luke to just turn off the computer and use the Force. This, by the way, is what Kenobi meant by,"You can't win Darth, if you strike me down, I shall become more powerful than you can possibly imagine."

While I prefer Empire, this has the best ending of any movie in the history of film. The audiences I was in, people stood and cheered for five minutes when this ended. The timing, the surprise of Solo's intervention, the explosion and the victorious procession: what great writing. It ends with a thunderous crescendo of victory that will lift even the most jaded, world weary person to their feet. It has been forty years now; I still love the movie as much now as I did as that little boy staring up in awe at the screen. We all wanted to be Luke; his nobility was a model to my generation and it molded me into the protector of my family for twenty years. Never underestimate the power of the modeling of good.

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