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The Squeeze (1977)

 -  Crime | Drama  -  20 March 1977 (UK)
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Ratings: 6.4/10 from 284 users  
Reviews: 18 user | 4 critic

A gang kidnaps a women and her daughter to extort money from her rich husband. He and her down on his luck ex-husband who's an ex cop, decide to try to deal with the kidnappers themselves.



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Title: The Squeeze (1977)

The Squeeze (1977) on IMDb 6.4/10

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Cast overview, first billed only:
Jim Naboth
Carol White ...
Hilary Gasson ...
Rod Beacham ...
Doctor Jenkins
Stewart Harwood ...
Roy Marsden ...
Leon Greene ...
Maureen Sweeney ...
Sauna Receptionist
Lucinda Duckett ...
Alison Portes ...


A gang kidnaps a women and her daughter to extort money from her rich husband. He and her down on his luck ex-husband who's an ex cop, decide to try to deal with the kidnappers themselves.

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Crime | Drama


R | See all certifications »

Parents Guide:





Release Date:

20 March 1977 (UK)  »

Also Known As:

The Squeeze  »

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Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


Final film of actor Stephen Boyd according to the British VHS cover but this is likely dependent on various global release dates for a number of Boyd's final appearances in films that launched in 1977. See more »


Jim Naboth: Would you mind if I sit down Vic?
Vic: Oh I don't know, you wiped your arse lately?
Taff: I wouldn't have thought so, not by the state of his underpants!
See more »


Qoquaq En Transic/Naon
Performed by Olias of Sunhillow
Music and lyrics by Jon Anderson
Courtesy of Atlantic Records
See more »

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User Reviews

rougher than a pair of sandpaper underpants
16 August 2000 | by (Glasgow, Scotland) – See all my reviews

Diminutive funnyman Freddie Starr will no doubt always be associated with slapstick antics and pratfalls but his career also contains a few unexpected bursts of genius. In the sixties he bothered the beat clubs of Britain as the lead singer of the rockin' combo, and Joe Meek protoges, Freddie Starr & the Midnighters. Then in the seventies, at the peak of his comedy career, he gave a powerful performance in one of British cinema's most cruelly neglected crime flicks.

Any film brave enough to feature Yank actor Stacy Keach as a Londoner with Starr as his sidekick, has got to be worthy of praise. The Squeeze (1977) is a hard-boiled cockney crime caper directed by Michael Apted, reknowned documentary maker and helmer of the latest Bond movie. The film, described by the Daily Mail as 'a package tour of thuggery', stars Keach as Jim Naboth a drunken ex-cop who can not keep his 'private dick' business together and regularly wakes in the gutter after endless binges. Starr is Teddy, Naboth's shoplifting mate who attempts to keep him on the wagon.

Just released from a drying-out clinic, Naboth is no sooner back on the bottle than he discovers his ex-wife Jill (Carol White) and daughter have been kidnapped. The abduction has been master-minded by Irish villain Vic Smith in an attempt to force Jill's new lover (Edward Fox) into revealing route plans for his compny's fleet of security vans. Carrying out the dirty deed is Smith's right-hand man Keith (David Hemmings), a leering thug who enjoys tormenting and humiliating his prisoners.

Naboth stumbles in a drunken haze through the London underworld and endless seedy nightspots, shadowed protectively by Teddy. Despite a succession of beatings and batterings Naboth finally rescues his ex but not before the capital is littered with blood-slattered blaggers, disgarded 'shootahs' and trashed transit vans. All this from the pen of writer Leon Griffiths the creator of knockabout 'mockney' masterpiece Minder, a show which rarely portrayed east-end crims in such a brutal fashion.

Despite matching other UK crime classics, such as Get Carter, Villain and The Long Good Friday, for sheer quality The Squeeze remains (generally) unknown, unavailable on video and destined to lurk between tatty TV movies and cheap titillation on Channel Five's late-night slots.

Keach is fantastic throughout and Starr plays an oddly maternal character, constantly protecting Naboth, feeding him and even cleaning him up when he finds him surrounded by winos and knocked out on cheap booze. Despite this challenging role, Starr never attempts to wring some comedy from the part and it is surprising his later acting career led to no more than a disappointing BBC drama.

Add to these performances an authentic selection of bleak London locations and you have a gritty, urban drama that is rougher than a pair of sandpaper underpants. >

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