A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is back again and his new mission is to find out how a Royal Navy Polaris submarine holding sixteen nuclear warheads simply disappears whilst on patrol. Bond joins Major Anya Amasova and takes on a a web-handed mastermind, known as Karl Stromberg, as well as his henchman Jaws, who has a mouthful of metal teeth. Bond must track down the location of the missing submarine before the warheads are fired. Written by
The first appearance of recurring character Defence Minister Frederick Gray (played by Geoffrey Keen). While walking along the docks, Bond addresses him as "Freddy" for the only time in the series (in all subsequent films, he uses the more formal address "Minister"). See more »
When Bond and Jaws are fighting on the train, he breaks a lamp, and uses the live wires to "electrocute" Jaws. Since Bond and Jaws are struggling and their bodies are making contact, Bond would get shocked equally as much as Jaws does. See more »
"THE END of THE SPY WHO LOVED ME JAMES BOND will return in FOR YOUR EYES ONLY" - though in fact the next film in the series was switched to Moonraker in light of the success of sci-fi movie Star Wars. Thus Moonraker went unannounced and For Your Eyes Only was promised twice. For the other incidence in the series of the next film being announced in error, see Octopussy. See more »
Undeniably one of the finest James Bond films to star Roger Moore, the film has plenty of excess, top notch special effects (for 1977) anyway, the humor less overt and left over for puns and one liners, and one of the first strong and independent Bond women, paving the way for future love interests like Jinx and Wai Lin. The Spy Who Loved Me scarcely puts a foot wrong. Sure the plot is far fetched to the extreme (an underwater building and a villain looking to repopulate the earth in his underwater city), but it has plenty of charm and is frequently enjoyable. Moore looks very confident in his performance as Bond, the one liners oozing effort and confidence, showing he has hit his stride in this, his third appearance as the character. His chemistry with Barbara Bach is in full swing, despite her odd Russian accent, and the two of them make for a great on screen couple.
This is a return to the values of many of the Bond films that were missing the last time around. The extravagant sets are back, the villain has plenty of henchman for Bond and the cavalry to fight and the gadgets are in full swing. Everything from a parachute with the Union Jack on it to the Lotus with just about every conceivable gadget at Bond's disposal. The emphasis on sight gags and overt comedy is gone and replaced with moments of genuine suspense, just check out Bond having to steal the detonator of a nuclear weapon, not to mention the superb theme tune Nobody Does it Better by Carly Simon.
It's an apt song for a series that found its footing and gave its lead actor his first classic Bond film.
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