A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is back again and his new mission is to find out how a Royal Navy Polaris submarine holding sixteen nuclear warheads simply disappears whilst on patrol. Bond joins Major Anya Amasova and takes on a a web-handed mastermind, known as Karl Stromberg, as well as his henchman Jaws, who has a mouthful of metal teeth. Bond must track down the location of the missing submarine before the warheads are fired. Written by
"THE END of THE SPY WHO LOVED ME JAMES BOND will return in FOR YOUR EYES ONLY" - though in fact the next film in the series was switched to Moonraker in light of the success of sci-fi movie Star Wars. Thus Moonraker went unannounced and For Your Eyes Only was promised twice. For the other incidence in the series of the next film being announced in error, see Octopussy. See more »
Roger Moore rated this as his best Bond film. I don't agree, but it's certainly an entertaining and spectacular one.
Roger Moore has always maintained that The Spy Who Loved Me is the best of his Bond films. Personally I prefer Octopussy and For Your Eyes Only, but this one certainly has its moments. The original novel by Ian Fleming was an odd-one-out in the book series, describing as it did how an off-duty Bond saved a female hotelier from a couple of nasty hoodlums. However, in this film adaptation the novel has been completely jettisoned and replaced with a story about Bond thwarting a megalomaniac from achieving world domination.
Bond (Moore) is partnered with Russian agent Anya Amasova (Barbara Bach
most beautiful of all the many Bond girls) to solve the mysterious
disappearance of two nuclear submarines, one British the other Russian. They follow the clues to the underwater lair of Karl Stromberg (Curt Jurgens), an elegant and educated psychopath with a plan to destroy the world in a nuclear holocaust and retreat to his undersea empire. To add to their complications, Anya learns that her recently killed boyfriend was eliminated by Bond during an assignment.
The pre-credit sequence is among the better pre-credit sequences in the series, involving an extraordinary ski stunt which many consider to be the most breathtaking stunt ever devised for a Bond film. Moore is good as Bond, Bach stunningly attractive as his partner (though not very convincing as an actress), and Jurgens provides a suitably over-confident villain. The location work in various locations, most notably Egypt, is nicely photographed. Marvin Hamlisch provides the music, marking a change from the usual composer John Barry, and Hamlisch's score is decent enough though it does have a dated '70s quality to it when listened to nowadays. The plot is totally implausible and self-parodic (if they'd stuck to the plot in the book though, it would've been almost impossible to make a Bond movie in the expected sense of the phrase), but director Lewis Gilbert cleverly plays it with tongue-in-cheek so that the absurdness of the on-screen events becomes curiously endearing. The Spy Who Loved Me is silly, entertaining and extravagantly spectacular.
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