7.8/10
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124 user 88 critic

Sorcerer (1977)

Four unfortunate men from different parts of the globe agree to risk their lives transporting gallons of nitroglycerin across dangerous South American jungle.

Director:

Writers:

(screenplay), (novel)

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Nominated for 1 Oscar. Another 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jackie Scanlon - 'Juan Dominguez'
...
...
Nilo
...
Kassem - 'Martinez'
...
Corlette
...
Lartigue
...
'Marquez'
...
'Carlos' (as Fredrick Ledebur)
Chico Martínez ...
Bobby Del Rios (as Chico Martinez)
...
Spider
...
Agrippa
Richard Holley ...
Billy White
...
Blanche (as Anne Marie Descott)
Jean-Luc Bideau ...
Pascal
...
Lefevre (as Jacques Francois)
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Storyline

A gangster, a crooked banker, a hitman and an arab terrorist are stranded and on the run in a small village in South America. Their only chance of escape is to drive two trucks filled with unstable nitroglycerin up a long and rocky mountain road in order to plug an escalating oil refinery blaze. With their deadly cargo likely to explode at the slightest bump, the four men must put aside their differences and work together to survive.

Plot Summary | Plot Synopsis

Taglines:

Die "Really" Hard See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

24 June 1977 (USA)  »

Also Known As:

The Wages of Fear  »

Box Office

Budget:

$12,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (international)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A deleted scene shows Nilo (Francisco Rabal), driving the truck when the truck suddenly comes to a very steep and bumpy road down a large hill. Scanlon (Roy Scheider) quickly jumps to Nilo's side to help him steer as the truck descends the hill too fast while shaking violently. This scene was cut from the film but a clip of it still remains in the sequence towards the end where Scanlon has his emotional breakdown while driving and begins having flashbacks. See more »

Goofs

In the wide shots of the trucks crossing the bridge you can see the tow cables/anchor lines to the bridge going in and out of the water as the bridge rocks back and forth. See more »

Quotes

Nilo: Where are you from?
Scanlon: Listen Pancho, I've been clocking you every second you've been in this town. If you wanna pick your nose in this truck, you better clear it with me first, otherwise I'm taking you and this nitro right into a ditch!
See more »

Crazy Credits

The only opening credits at the beginning of the film are the studios' names followed by the film's graffiti style font title. Although by the late 1990's it was quite common to not have credits at the beginning of a film, in 1977 it was very unusual. See more »


Soundtracks

I'll Remember April
Written by Gene de Paul (uncredited), Patricia Johnston (uncredited) and Don Raye (uncredited)
Performed by Charlie Parker
Courtesy Verve Records
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Frequently Asked Questions

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User Reviews

Lost Classic
1 December 2002 | by (Sheffield, U.K.) – See all my reviews

Sorcerer is a unique, brutal, brilliant film burdened underneath a terrible, wholly unappropriate title. Watching this film, it is not only easy to see why the film was both a huge financial and commercial disaster, it is downright obvious. This is the most un-american/ hollywood/ commercial film backed by a major studio I have ever seen. It is a tough, gruelling 126 minutes that goes nowhere fast, yet holds you firm in its tight grip and beats you senseless throughout. I was exhausted when the film finally arrived at it's rather downbeat ending. The multi-national cast is faultless. Scheider is magnificent. This is an exceptionally demanding, difficult role and he hits it head on, creating an anti-hero who is very, very real: desperate, frightened and desructable. Taking this role, at the height of his fame, was either very brave or very stupid. I'm going with brave. His performance here is a million miles away from his work on Jaws and Jaws 2, yet equally compelling. The photography is in a league of it's own (I only wish the DVD came with an original 2:35:1 print, assuming there is one, as the current disc is presented in a 4:3 full frame), and the music from Tangerine Dream complements the vision perfectly. This is a brilliant piece of film making from the most daring decade of cinema, made by one of cinema's true unpredictable's. Tense, dazzling, dark and fresh, this is an underated film that deserves to be re-evaluated.


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