| Cast overview, first billed only: | |||
| Roy Scheider | ... |
Jackie Scanlon - 'Juan Dominguez'
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| Bruno Cremer | ... | ||
| Francisco Rabal | ... |
Nilo
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| Amidou | ... |
Kassem - 'Martinez'
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Ramon Bieri | ... |
Corlette
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Peter Capell | ... |
Lartigue
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Karl John | ... |
'Marquez'
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Friedrich von Ledebur | ... |
'Carlos'
(as Fredrick Ledebur)
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Chico Martínez | ... |
Bobby Del Rios
(as Chico Martinez)
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| Joe Spinell | ... |
Spider
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Rosario Almontes | ... |
Agrippa
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Richard Holley | ... |
Billy White
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| Anne-Marie Deschodt | ... |
Blanche
(as Anne Marie Descott)
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Jean-Luc Bideau | ... |
Pascal
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Jacques François | ... |
Lefevre
(as Jacques Francois)
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A group of outcasts from different backgrounds and nationalities are forced by misfortune to work in an oil-drilling operation in South America. When fire breaks out of control, four of the outcasts are given the opportunity to earn enough money to get out by transporting six crates of unstable dynamite through miles of jungle in two ancient trucks. Written by Keith Loh <loh@sfu.ca>, David Lee (dave@madebydave.com)
Sorcerer is a unique, brutal, brilliant film burdened underneath a terrible, wholly unappropriate title. Watching this film, it is not only easy to see why the film was both a huge financial and commercial disaster, it is downright obvious. This is the most un-american/ hollywood/ commercial film backed by a major studio I have ever seen. It is a tough, gruelling 126 minutes that goes nowhere fast, yet holds you firm in its tight grip and beats you senseless throughout. I was exhausted when the film finally arrived at it's rather downbeat ending. The multi-national cast is faultless. Scheider is magnificent. This is an exceptionally demanding, difficult role and he hits it head on, creating an anti-hero who is very, very real: desperate, frightened and desructable. Taking this role, at the height of his fame, was either very brave or very stupid. I'm going with brave. His performance here is a million miles away from his work on Jaws and Jaws 2, yet equally compelling. The photography is in a league of it's own (I only wish the DVD came with an original 2:35:1 print, assuming there is one, as the current disc is presented in a 4:3 full frame), and the music from Tangerine Dream complements the vision perfectly. This is a brilliant piece of film making from the most daring decade of cinema, made by one of cinema's true unpredictable's. Tense, dazzling, dark and fresh, this is an underated film that deserves to be re-evaluated.