After a long spate of bad luck, the little criminal Tony and his gang successfully rob one of Brink's security transports, taking $30,000. Surprisingly their coup doesn't make the press. ... See full summary »
Phil and Kate have a baby boy named Jake. They hire a baby-sitter, Camilla, to look after Jake and she becomes part of the family. The Sheridan's friend and neighbor, Ned, takes a liking to... See full summary »
Rachel arrives in New York from her Amish community intent on becoming a dancer. Unfortunately Billy Minsky's Burlesque is hardly the place for her Dances From The Bible. But the show's ... See full summary »
A group of outcasts from different backgrounds and nationalities are forced by misfortune to work in an oil-drilling operation in South America. When fire breaks out of control, four of the outcasts are given the opportunity to earn enough money to get out by transporting six crates of unstable dynamite through miles of jungle in two ancient trucks. Written by
Keith Loh <firstname.lastname@example.org>, David Lee (email@example.com)
William Friedkin wanted the car crash in the Elizabeth (NJ) prologue to look as real as possible. Twelve cars were destroyed before the stunt was deemed satisfactory. See more »
One of the soldiers killed by Nilo is seen breathing and moving after dead. See more »
We're carrying three cases each. One is enough to blow out your fire, six cases will blow out the whole field. That means you don't think all the trucks will make it, one of us is a backup.
We want double, and legal residence... or we don't drive.
You leave in four hours.
See more »
The only opening credits at the beginning of the film are the studios' names followed by the film's graffiti style font title. Although by the late 1990's it was quite common to not have credits at the beginning of a film, in 1977 it was very unusual. See more »
Friedkin's unacknowledged masterpiece is clearly superior in the 1st and 2nd acts as he gives superb backdrops into the individual stories of the main protagonists. When we see them in the 2nd act, amidst the grit and grime of a backwater Latin American nation, we understand the desperation that would have led them to such a place.
The seering reality of the depravity they now live in was much more effective in Friedkin's movie. You don't expect to see a gorgeous hooker in this environment, unlike the unrealistic Wages of Fear. Oddly enough, Wages of Fear is actually much more Holly-wood like in its storytelling than Sorcerer.
Mind you, I do like Wages of Fear and actually thought it was a great movie, but I have to revise my opinion after seeing a movie that actually does it right.
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