After a long spate of bad luck, the little criminal Tony and his gang successfully rob one of Brink's security transports, taking $30,000. Surprisingly their coup doesn't make the press. ... See full summary »
Arms dealers from several companies vie to sell the most expensive and highest tech weapons to a South American dictator. There are complications; understanding the exact nature of how '... See full summary »
Phil and Kate have a baby boy named Jake. They hire a baby-sitter, Camilla, to look after Jake and she becomes part of the family. The Sheridan's friend and neighbor, Ned, takes a liking to... See full summary »
A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
A group of outcasts from different backgrounds and nationalities are forced by misfortune to work in an oil-drilling operation in South America. When fire breaks out of control, four of the outcasts are given the opportunity to earn enough money to get out by transporting six crates of unstable dynamite through miles of jungle in two ancient trucks. Written by
Keith Loh <email@example.com>, David Lee (firstname.lastname@example.org)
The film's location shooting was estimated to cost so much money that Universal Pictures partnered with Paramount Pictures to share expenses. William Friedkin and producer David Salven (who was his associate producer for The Exorcist (1973)) had frequent clashes regarding the expensive location shoots. Friedkin eventually fired Salvin and took the producer credit for himself. See more »
When Sorcerer is attempting to cross the dilapidated wooden bridge, a shot of the outermost log falling away is used twice. See more »
The only opening credits at the beginning of the film are the studios' names followed by the film's graffiti style font title. Although by the late 1990's it was quite common to not have credits at the beginning of a film, in 1977 it was very unusual. See more »
I love this film, its my favorite William Friedkin film, and i believe its probably his best film ever. The film stays true to his style as an intense filmmaker, who wants everything to be reality based and realistic as possible. The only problem with the film is the title, it gives off the wrong image in peoples mind of what to expect. They should have call it "Wages of Fear." Another disappointment for me is i heard that a special edition digitized version of the movie was about to be released and over a year later nothing is even out. I love this movie and it should have gotten at least 5 Oscar nominations for 1977. I hope Friedkin makes another movie soon. Universal and Paramount needs to release the DVD now or I'm gonna cry.
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