After a long spate of bad luck, the little criminal Tony and his gang successfully rob one of Brink's security transports, taking $30,000. Surprisingly their coup doesn't make the press. ... See full summary »
Phil and Kate have a baby boy named Jake. They hire a baby-sitter, Camilla, to look after Jake and she becomes part of the family. The Sheridan's friend and neighbor, Ned, takes a liking to... See full summary »
A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
A group of outcasts from different backgrounds and nationalities are forced by misfortune to work in an oil-drilling operation in South America. When fire breaks out of control, four of the outcasts are given the opportunity to earn enough money to get out by transporting six crates of unstable dynamite through miles of jungle in two ancient trucks. Written by
Keith Loh <firstname.lastname@example.org>, David Lee (email@example.com)
Cinematographer Dick Bush found Friedkin so demanding and difficult to work with that he left the film halfway through. Friedkin used second unit cinematographer John M. Stephens for the remaining production. Both received screen credit. See more »
When Sorcerer is attempting to cross the dilapidated wooden bridge, a shot of the outermost log falling away is used twice. See more »
Where are you from?
Listen Pancho, I've been clocking you every second you've been in this town. If you wanna pick your nose in this truck, you better clear it with me first, otherwise I'm taking you and this nitro right into a ditch!
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At the end of the film as the last of the end credits scroll up, the music fades away and is replaced by the sound of an idling truck. See more »
Friedkin's unacknowledged masterpiece is clearly superior in the 1st and 2nd acts as he gives superb backdrops into the individual stories of the main protagonists. When we see them in the 2nd act, amidst the grit and grime of a backwater Latin American nation, we understand the desperation that would have led them to such a place.
The seering reality of the depravity they now live in was much more effective in Friedkin's movie. You don't expect to see a gorgeous hooker in this environment, unlike the unrealistic Wages of Fear. Oddly enough, Wages of Fear is actually much more Holly-wood like in its storytelling than Sorcerer.
Mind you, I do like Wages of Fear and actually thought it was a great movie, but I have to revise my opinion after seeing a movie that actually does it right.
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