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Directed by | |||
| Lou Antonio | |||
Writing credits | ||
| Jerry McNeely | (written by) | |
| Geraldine Page | ... | Ann Cappelletti | |
| Gerald S. O'Loughlin | ... | John Cappelletti Sr | |
| Marc Singer | ... | John Cappelletti | |
| Jeff Lynas | ... | Joey Cappelletti | |
| Linda Kelsey | ... | Joyce Cappelletti, Narrator | |
| Brian Farrell | ... | Marty Cappelletti | |
| Kathleen Beller | ... | Jean Cappelletti | |
| Steve Guttenberg | ... | Mike Cappelletti | |
| Paul Picerni | ... | Joe Paterno | |
| Stephen Parr | ... | Eddie O'Neil | |
| David Hooks | ... | Archbishop | |
| June Dayton | ... | Mrs. Frome | |
| James Karen | ... | Dr. Wingreen | |
| David Garfield | ... | Dr. Klunick | |
| Kevin McKenzie | ... | Mark | |
| Joe George | ... | Man at Practice #1 (as Joseph George) | |
| Ted Noose | ... | Man at Practice #2 | |
| Odessa Cleveland | ... | Judy | |
| Alan McRae | ... | Intern (as Allen McRae) | |
| Patrik Baldauff | ... | Reporter | |
| Mel Gallagher | ... | Steve | |
| Brett Marx | ... | Joey's Teammate | |
| Marcy Vosburgh | ... | T.V. Reporter | |
| Charles Bracy | ... | Player in Locker Room #1 | |
| J. Andrew Kenny | ... | Player in Locker Room #2 | |
| Franko C. Spolar | ... | Umpire (as Frank Spolar) |
Produced by | |||
| Jerry McNeely | .... | producer | |
| Roger Young | .... | associate producer | |
Original Music by | |||
| David Shire | |||
Cinematography by | |||
| Gayne Rescher | (director of photography) | ||
Film Editing by | |||
| Gary Griffin | |||
Art Direction by | |||
| Sydney Z. Litwack | |||
Set Decoration by | |||
| Warren Welch | |||
Costume Design by | |||
| Robert Harris Jr. | (as Bob Harris Jr.) | ||
| Aida Swinson | |||
Makeup Department | |||
| Jean Austin | .... | hair stylist | |
| Robert Sidell | .... | makeup artist (as Robert A. Sidell) | |
Production Management | |||
| Ted Rich | .... | post-production supervisor | |
| Abby Singer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Nichols | .... | assistant director (as Paul L. Nichols) | |
Art Department | |||
| Pat Grande | .... | construction coordinator | |
| Richard T. Marino | .... | property foreman | |
| Gary Seybert | .... | property master | |
Sound Department | |||
| Tony Garber | .... | dialogue editor | |
| Darren Knight | .... | sound mixer | |
| Tom Stevens | .... | sound effects editor | |
Camera and Electrical Department | |||
| John C. Flinn III | .... | camera operator | |
| Joe Meshelski | .... | key grip | |
| Thor Sundby | .... | gaffer | |
| Doug J. Campbell | .... | dolly grip (uncredited) | |
Casting Department | |||
| Meryl O'Loughlin | .... | executive in charge of casting | |
Editorial Department | |||
| Edilberto Cruz | .... | assistant film editor | |
Music Department | |||
| Else Blangsted | .... | music editor | |
Transportation Department | |||
| Paul Shoemaker | .... | transportation captain | |
Other crew | |||
| Lionel A. Ephraim | .... | production executive | |
| Kristine Fredriksson | .... | assistant to producer | |
| Victoria Weisbart | .... | script supervisor (as Vicki Weisbart) | |
| Company credits | Box office and business | Technical specifications |
| Main details |