A wide variety of eccentric competitors participate in a wild and illegal cross-country road race. However, the eccentric entrants will do anything to win the road race, including low-down, dirty tricks.
Big and Little Enos are opening a sea food restaurant. They bet Sheriff Buford T. Justice that he cannot drive from Miami to the Enos ranch in Texas in a given amount of time. If Buford loses he has to give up his badge.
Bandit and Cledus are two truck-driving southerners who accept a dare from big-shots Big and Little Enos to pick up a truckload of beer from Texas and return it to them within a specified amount of time. Picking it up is simple enough, but as they are leaving Texas, Bandit unwittingly picks up Carrie, a hitchhiking bride-to-be who just left her groom, Junior, at the altar. Junior, however, is the son of Sheriff Buford T. Justice. And when Buford and Junior discover what has happened, they go on a "high-speed pursuit" across the Southeast to catch the bandit. Written by
Hal Needham asked Jerry Reed to write a theme song for the film. A couple of hours later, Reed presented "East Bound and Down" to Needham. With an acoustic guitar, Reed started to play it and Needham immediately stopped him. Thinking Needham didn't like it, Reed offered to re-write the song. To which Needham replied: "If you change one note, I'll kill you!" The song went on to become one of Reed's biggest hits. See more »
When Carrie (Sally) first gets into the Trans-Am, she exclaims "Are we really going a hundred and ten?" In reality, they were going 110 kilometers per hour which is only 68 miles per hour and no cause for alarm. See more »
One of the first films to tap into the anti-authoritarian aspects of the Citizen's Band (CB) radio craze, "Smokey" is basically a movie-length car chase and a pleasantly insipid slice of late-'70's Americana.
The tissue-thin plot has good ole boy pals The Bandit (Reynolds) and Cletus (a surprisingly good Jerry Reed) running a load of Coors cross-country on a tight deadline while trying to avoid an assortment of less-than-bright cops, led by pompous blowhard Buford T. Justice (Jackie Gleason). Sally Field, as a runaway bride who thumbs her way into Reynolds' car, brings charm and a welcome sense of irony to the macho proceedings.
Stunt coordinator-turned-director Hal Needham stages the action competently, and the actors, who supposedly improvised much of the dialogue, obviously enjoy themselves. A good choice for those who want to relive the glory days of CB rebels, long sideburns, plaid western shirts, and black Trans-Ams with "screaming chicken" decals on the hood. Avoid the two vastly inferior sequels.
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