Scotty Smalls moves to a new neighborhood with his mom and stepdad, and wants to learn to play baseball. The neighborhood baseball guru Rodriquez takes Smalls under his wing, and soon he's ... See full summary »
Located in the US Rust Belt, Charlestown is home of the hapless Chiefs, a losing Federal League hockey team whose games are poorly attended. To make money, the team's unknown owner makes its manager, Joe McGrath, do cheesy publicity much to the players' chagrin. Rumors abound among the players that if the local mill closes, the team will fold. Just before the official announcement is made, the team's aging player/coach, Reggie Dunlop, does get wind that the mill is indeed closing and that this season will be the team's last. Beyond efforts to reconcile with his wife Francine, who loves Reggie but doesn't love his career, Reggie begins to focus on how to renew interest in the team for a possible sale as he knows if the team folds, his hockey career is over. Without telling anyone of his plan, he begins a rumor that the owner is negotiating a sale with a city in Florida. He also decides that "goon" hockey - most especially using the untapped talents of the recently acquired childlike ... Written by
The character of Ogie Ogilthorpe was based upon Bill 'Goldie' Goldthorpe, a WHA and NAHL player in the '70s. See more »
Reggie Dunlop leaves a tavern to go record a radio interview. When he leaves the bar, he announces that the interview will air on the radio later that day at four o'clock. During the interview, he states that he will offer a "bounty" for the first Chiefs player to assault the other team's captain on the ice in the upcoming game. After the interview, Dunlop goes home and tries to get some sleep. He listens to his own interview on the radio, including the remark about the bounty. After he turns off the radio and tries to go to bed to have a nap, the clock on his bedside table reads a quarter to four, fifteen minutes before the interview was supposed to air. See more »
One of the knocks that has always been given to Paul Newman was that he was not right for comedy. When you're talking about stuff like A New Kind of Love or Rally Round the Flag Boys that's probably true. But Slapshot shows that what Paul Newman needed to be good for comedy was something not quite so sophisticated.
Slapshot ain't Oscar Wilde, but it's not quite to the level of the Police Academy movies. It's just right for Paul Newman as the veteran player/coach with a team of misfits from one of hockey's minor leagues who's forever looking for a break from the majors.
The Charlestown Chiefs who seem to be the hockey equivalent of the New York Mets are having a perennial losing season. The town itself is one flush away from despondency with a mill that was the main employer in the town shutting down. That means the paltry attendance the Chiefs already have will diminish more. It's an uncertain future.
So with nothing to lose, Newman's boys turn the sport into a hockey facsimile of the World Wrestling Federation. In no other sport are fights among the players so accepted. But Newman ratchets it up to an exponential level.
And his team actually starts to win and the Charlestown Chiefs become a gate attraction.
There's a lot more to the resolution of the team's problems, but that championship game is unforgettable.
All Hail the Brothers Hanson.
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