Mimi Miceli Jr. is, the son of a Mafia don who was exiled back to Sicily. He wants to get back into the family business and transplant it from New York to Hollywood. After the kidnapping ... See full summary »
"Piñero" tells the story of the explosive life of a Latino icon, the poet-playwright-actor Miguel Piñero, whose urban poetry is recognized as a pre-cursor to rap and hip-hop. After doing ... See full summary »
A Polish contractor, Nowak, leads a group of workmen to London so they can provide cheap labor for a government official based there. Nowak (Irons) has to manage the project and the men as ... See full summary »
Christine (Sandy McLeod) takes a job selling tickets at a porno theater near Times Square. Instead of distancing herself from the dark and erotic nature of this milieu, she develops an ... See full summary »
Richard M. Davidson
Bill Cosby and Robert Culp ("I Spy") are united again as private eyes in this Walter Hill-scripted "film noir." Searching for a missing girl, they find themselves involved with vicious criminals and precipitating a string of deaths.
Gallo Morales is the proud patriach returning home after a seven-year stint for manslaughter. Seeking to re-establish his legendary status as a champion breeder, he comes back for the ... See full summary »
Robert M. Young
Edward James Olmos,
A black-and-white love letter to pre-gentrification New York City, Phil Hartman's NO PICNIC captures a remote time and place - the East Village circa 1985, a vibrant, seedy neighborhood ... See full summary »
A timid bank teller anticipates a bank robbery and steals the money himself before the crook arrives. When the sadistic crook realizes he's been fooled, he tracks down the teller and engages him in a cat-and-mouse chase for the cash.
A young man who is charged with child molestation is placed in New York City's infamous Tombs prison. When the other inmates in his cell block find out what he is charged with, life becomes extremely difficult for him. Written by
Someday, I'm gonna be walking down the streets, minding my own business, and - BAM! - I'm gonna be shot by some pig who's gonna swear that it was a mistake. I accept that as a part of my destiny.
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Maybe the best prison film ever made because its origin is people who were actually in prison, most notably its main author, Miguel Piñero. The film deals with the interrelationship between the prisoners of a cell block. That's what most of the film is, the observation of these men and their culture. The plot of the film is about a new arrival (Bruce Davison) who has been arrested as a suspect on a child molestation charge. He's never been in prison, and he's very afraid, which, of course, he should be. Short Eyes doesn't make any easy choices at all, which makes for a particularly uncomfortable movie to watch. But it also makes it one of the gutsiest and most important films ever made, and it's one of the best movies I've ever seen. It's one of only two movies that I've ever watched twice right in a row. Well, the second time was with commentary by the director (and another man, whose participation in the film I don't exactly know), because I wanted to know exactly how this film came about, and to confirm my guess that there was some kind of inside track to prison life behind the scenes. There was far more than I could have guessed; the commentary also ranks as one of the best I've ever listened to. A masterpiece.
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