A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »
In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.
The devil has a stye in his eye, caused by the purity of a vicar's daughter. To get rid of it, he sends Don Juan up from hell to seduce the 20 year old Britt-Marie and to rob her of her ... See full summary »
The Queen of the Night offers her daughter Pamina to Tamino, but he has to bring her back from her father and priest Sarastro. She gives a magic flute to Tamino and magic bells to the bird ... See full summary »
A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home. But he is an emotionally scarred man, a Jewish survivor... See full summary »
Max von Sydow
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with ... See full summary »
Ingmar Bergman's The Serpent's Egg follows a week in the life of Abel Rosenberg, an out-of-work American circus acrobat living in poverty-stricken Berlin following Germany's defeat in World War I. When his brother commits suicide, Abel seeks refuge in the apartment of an old acquaintance Professor Veregus. Desperate to make ends meet in the war-ravaged city, Abel takes a job in Veregus' clinic, where he discovers the horrific truth behind the work of the strangely beneficent professor and unlocks the chilling mystery that drove his brother to kill himself. Written by
Trade paper 'Variety' erroneously stated that the film was Ingmar Bergman's first film made outside of Sweden which is incorrect as part of The Touch (1971) shot in London. See more »
The Nazi-looking thugs that are beating up people are wearing Model 1943 German army caps and 1940s style clothing. This film is supposed to take place in the 1920s. See more »
[explains the upcoming social and political developments in Germany to Abel Rosenberg]
It's like a serpent's egg. Through the thin membranes, you can clearly discern the already perfect reptile.
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This must have seemed like such a great idea at the time. Put Ingmar Bergman (arguably one of the finest filmmakers of our time) at the helm of a big-budget international horror film starring the notable David Carradine and his can-do-no-wrong leading lady Liv Ullmann. As a concept, it's faultless; as a film, it's amazing this has as many moments as it does.
Taking place over a period of one week (November 3-11) in 1923 Berlin, "The Serpent's Egg" zeroes in on two desperate characters who are slowly overtaken by the horror of their situation. The country has virtually come apart around them; the German mark is practically worthless, unemployment is astronomical, and Adolf Hitler is laying the plans for his first attempt to seize power. Abel Rosenberg (Carradine) and Manuela (Ullmann) are out-of-work circus performers whose third partner Max (Abel's brother) commits suicide in the opening of the film. The rest of the movie concerns itself with their gradual awakening to the horrors perpetuated by their current employer Vergerus (Heinz Bennett).
Actually, the rest of the movie concerns itself with taking as hysterical and pessimistic view of life as possible. While not entirely unfamiliar to Bergman's fans, here the gloom is so all-pervasive and the time and place so alien, that the film is often nearly impossible to sit through. It becomes instead a movie of moments, each breaking out of the general tedium to grab the viewer by the throat.
The opening is brilliant, and promises something really special. Likewise, the rat-infested piles of garbage are not something the viewer is likely to forget. But the conclusion they build up to is disappointing and unenlightening. Worst of all, we know no more about the characters at the end of the film than we did at the outset (Liv Ullmann, whose performance is wonderful considering the circumstances, has virtually nonexistent character development to work with).
Any fan of Bergman should try to see this once, if only for the light it sheds on his other films of the period, and his personal turmoil at that moment in time. Casual viewers need not apply.
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