A Secret Service agent is framed as the mole in an assassination attempt on the President. He must clear his name and foil another assassination attempt while on the run from a Secret Service Protective Intelligence Division agent.
A fashion model moves into a house inhabited (on the top floor) by a blind priest. She begins having strange physical problems, has trouble sleeping at night, and has some nasty flashbacks of her attempted suicide. She complains to the real estate agent of the noise caused by her strange neighbors, but finds out that the house is only occupied by the priest and herself, and ultimately discovers that she has been put in the house for a reason. Written by
Ed Sutton <firstname.lastname@example.org>
Cristina Raines, under contract with Universal at the time, almost didn't get the leading role due to a female executive at Universal who was more interested in pushing other clients for parts and ignoring her. Raines was told this directly by Michael Winner, who went against the executive's wishes and cast her anyway. Cristina later said this may not have been for the best, however, and as she didn't like Winner's maddening approach to directing. The actress says she cried every day on her way to work, and admitted in a recent interview that she has never watched this film due to the treatment she received on the set. See more »
When Michael's delivers his ghostly monologue to Allison and his face begins to split open, the monofilament wires that are being pulled from off-camera to create the cracks in his face are visible. Also, actor Chris Sarandon blinks as if startled when the wires are pulled on. See more »
It's all right. Listen, listen. I know everything now. The Latin you saw in that book was an ancient warning from the angel Gabriel to the angel Uriel.
Michael, what are you talking about?
The angel Uriel was stationed at the entrance to Eden to guard it from the devil. Since that time a long line of guardians... sentinels, have guarded the world against evil. Right now it's Father Halliran upstairs. But tonight YOU become the next sentinel. All the people you saw here, the old man, the ...
[...] See more »
Boasting an all-star cast so impressive that it almost seems like the "Mad Mad Mad Mad World" of horror pictures, "The Sentinel" (1977) is nevertheless an effectively creepy film centering on the relatively unknown actress Cristina Raines. In this one, she plays a fashion model, Alison Parker, who moves into a Brooklyn Heights brownstone that is (and I don't think I'm giving away too much at this late date) very close to the gateway of Hell. And as a tenant in this building, she suffers far worse conditions than leaky plumbing and the occasional water bug, to put it mildly! Indeed, the scene in which Alison encounters her noisy upstairs neighbor is truly terrifying, and should certainly send the ice water coursing down the spines of most viewers. Despite many critics' complaints regarding Raines' acting ability, I thought she was just fine, more than ably holding her own in scenes with Ava Gardner, Burgess Meredith, Arthur Kennedy, Chris Sarandon and Eli Wallach. The picture builds to an effectively eerie conclusion, and although some plot points go unexplained, I was left feeling more than satisfied. As the book "DVD Delirium" puts it, "any movie with Beverly D'Angelo and Sylvia Miles as topless cannibal lesbians in leotards can't be all bad"! On a side note, yesterday I walked over to 10 Montague Terrace in Brooklyn Heights to take a look at the Sentinel House. Yes, it's still there, and although shorn of its heavy coat of ivy and lacking a blind priest/nun at the top-floor window, looks much the same as it did in this picture. If this house really does sit atop the entrance to Hell, I take it that Hell is...the Brooklyn Queens Expressway. But we New Yorkers have known THAT for some time!
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