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Saturday Night Fever (1977)

 -  Drama | Music  -  16 December 1977 (USA)
6.8
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Ratings: 6.8/10 from 42,444 users   Metascore: 77/100
Reviews: 193 user | 74 critic | 7 from Metacritic.com

A Brooklyn youth feels his only chance to get somewhere is as the king of the disco floor.

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Title: Saturday Night Fever (1977)

Saturday Night Fever (1977) on IMDb 6.8/10

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Nominated for 1 Oscar. Another 7 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Stephanie
Barry Miller ...
Bobby C.
Joseph Cali ...
Joey
...
Double J.
...
Annette
Bruce Ornstein ...
Gus
Julie Bovasso ...
Flo
Martin Shakar ...
Frank Jr.
...
Dan Fusco (as Sam J. Coppola)
Nina Hansen ...
Grandmother
Lisa Peluso ...
Linda
...
Doreen
Bert Michaels ...
Pete
...
Paint Store Customer (as Robert Costanza)
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Storyline

Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a paint store. However, things begin to change when he spies Stephanie in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to the big city just over the bridge soon change Tony's life forever. Written by alfiehitchie

Plot Summary | Plot Synopsis

Plot Keywords:

disco | dance | moving | bridge | teenager | See more »

Taglines:

Catch it. See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong language, sexuality/nudity and some drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 December 1977 (USA)  »

Also Known As:

Saturday Night  »

Box Office

Gross:

$94,213,184 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (PG)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Director John Badham claims in the DVD commentary that for performing product placement of a Trojan condom in one scene of the movie, he was given a lifetime supply - and that he "donated" them all to someone else. See more »

Goofs

The story that Tony tells Stephanie that a worker was buried in the Verrazano Bridge is false. See more »

Quotes

Frank Manero Jr.: Tony, the only way you're gonna survive is to do what you think is right, not what they keep trying to jam you into. You let 'em do that and you're gonna end up in nothing but misery!
See more »

Connections

Referenced in WarGames: The Dead Code (2008) See more »

Soundtracks

Salsation
Composed and Arranged by David Shire
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Modern, and Misunderstood, Classic
17 June 2003 | by (Houston, TX) – See all my reviews

While the movie is more apt to be recalled for its impact on American pop culture, few who watch the movie will ever see beyond the admittedly fantastic dance sequences. As a result, many people might never recognize Saturday Night Fever as perhaps one of the best movies ever made about class struggles among white ethnics.

While his quick study under Denny Terrio for those dance sequences showed a great deal of determination, Travolta's Tony Manero shines in so many other way. The looks of embarrassment and exasperation that his character expresses when confronted with the possibility of working in a Bay Ridge paint store all of his life, or the prejudice and regional chauvinism of his friends, or the behavior of his friends at White Castle or his initial inability to express himself to Stephanie in any way that might impress her, all of these and more contribute to a fully realized character.

While Tony's friends idolize him, the movie never really does, but it does allow empathy for his plight, because even Tony realizes that he is virtually trapped by the current conditions of his existence. While much might be made of the homophobia, racism, and misogyny of the protagonist and his friends, these things are never excused and the movie goes to some lengths to express Tony's own recognition that these are shortcomings in not only his character, but those borne of a provincial mentality which he desperately longs to escape.

Forget those who call this a musical. While the music is an intricate part of the film and setting, Travolta's performance is what sets this film apart.


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