6.8/10
58,182
226 user 106 critic

Saturday Night Fever (1977)

A Brooklyn teenager feels his only chance to succeed is as the king of the disco floor. His carefree youth and weekend dancing help him to forget the reality of his bleak life.

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(story "Tribal Rites of the New Saturday Night"), (screenplay)
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Nominated for 1 Oscar. Another 4 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Stephanie
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Bobby C.
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Joey
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Double J.
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Annette
Bruce Ornstein ...
Gus
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Flo
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Frank Jr.
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Dan Fusco (as Sam J. Coppola)
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Grandmother
Lisa Peluso ...
Linda
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Doreen
Bert Michaels ...
Pete
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Paint Store Customer (as Robert Costanza)
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Storyline

Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

...Catch it! See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong language, sexuality/nudity and some drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 December 1977 (USA)  »

Also Known As:

Saturday Night  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$3,878,099 (USA) (18 December 1977)

Gross:

$94,213,184 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (PG)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Five additional instrumental cues by David Shire were recorded for the film: "Barracuda Hangout", "Tony and Stephanie", "Near the Brooklyn Bridge", "Death on the Bridge" and "All Night Train". However, only one was credited, and all remained unreleased. See more »

Goofs

The required (white square) NYS safety-inspection sticker appears and then disappears and then reappears from the lower driver's corner of the windshield of the 1964 Chevrolet Impala that the boys drive. See more »

Quotes

[first lines]
Pizza Girl: Hi ya, Tony. Two or three?
Tony Manero: Two. Two. Give me two. That's good.
See more »

Crazy Credits

When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking. See more »

Connections

Referenced in ER: I Don't (2007) See more »

Soundtracks

K-Jee
Courtesy of Philadelphia International Records Inc., Dunbar Music Inc. and Rutri Music, Inc.
Written by Harvey Fuqua and Charlie Hearndon
Performed by MFSB (as M.F.S.B.)
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Frequently Asked Questions

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User Reviews

Living Vicariously Through the Weekends.
23 June 2004 | by (United States) – See all my reviews

An uneducated Brooklyn teen (John Travolta, in an Oscar-nominated role) lives in a dream world over the weekends as the king of a disco dance floor. Disillusioned, quietly upset with where his life is, Travolta finds solace by dancing in public to Bee Gee's music and finds love with his newest dance partner (Karen Lynn Gorney). The duo practice for an upcoming contest that could mean total success at last for Travolta and the opportunity to get discovered doing what he really loves. Travolta and his friends seem destined to go down a path of destruction though as a soap opera develops for all the key people found within. "Saturday Night Fever" is a total over-achiever as it could have fallen to exploitation tactics of the 1970s, but becomes one of those iconic films that still stands the test of time. Travolta is a revelation in arguably his greatest role. The other players are adequate and the screenplay is deceptively smarter than it appears on the surface. The movie also works as a time capsule to a part of contemporary American history where discos and bell-bottoms were all the rage. Still one of the finer films of the time period. 4.5 out of 5 stars.


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