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Sahara Cross (1977)

 -  Action | Crime | Thriller  -  1977 (Italy)
6.8
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Ratings: 6.8/10 from 52 users  
Reviews: 3 user | 1 critic

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Title: Sahara Cross (1977)

Sahara Cross (1977) on IMDb 6.8/10

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Cast

Complete credited cast:
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John Ballard
Pamela Villoresi
Mauro Barabani
Emilio Locurcio
Luciano Bartoli
Luca Biagini
Geoffrey Copleston
Giorgio Del Bene
Antonio Ferrante
Pietro Valsecchi ...
Arabian terrorist
Antonio Cantafora ...
(as Michael Coby)
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Action | Crime | Thriller

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1977 (Italy)  »

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Sahara Cross  »

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User Reviews

 
SAHARA CROSS (Tonino Valerii, 1977) **1/2
3 January 2008 | by (Naxxar, Malta) – See all my reviews

I'd never heard of this one prior to happening upon its German DVD at a local rental outlet; it deals with three characters (and their African guide) who, after meeting up in the Sahara desert for a mystery job, become involved with a group of terrorists. The situation sees the two sides constantly double-crossing one another to gain the upper hand – the title (which is also how the film's called on its home ground), then, refers to their lengthy trek over a period of scorching days and freezing nights (via numerous means of transportation).

Though not a great "Euro-Cult" effort, SAHARA CROSS is a reasonably entertaining ride (co-written by the ubiquitous Ernesto Gastaldi and with a twist ending that makes of the film a sort of lighthearted RABID DOGS [1974]!). It's rendered all the more tolerable by the exotic location work, a cast that includes Franco Nero (his undeniable star quality takes some time to emerge here but, once it does, he invests his role with a typical blend of irony and machismo – conveniently, one of the terrorists is a good-looking girl!), Michel Constantin and Michael Coby, and a pounding score from Riz Ortolani.

Director Valerii maintains a good rhythm throughout between action, politics and suspense. This is the sixth film of his that I've watched, following four Spaghetti Westerns – DAY OF ANGER (1967), THE PRICE OF POWER (1969), A REASON TO LIVE, A REASON TO DIE (1972) and MY NAME IS NOBODY (1973) – and the semi-poliziottesco VAI GORILLA (1975); one I've missed out on in the past and would love to catch is the giallo MY DEAR KILLER (1972).


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