Sixteen years after Ruby Claire's gangster boyfriend was shot and killed by four associates, a series of gruesome murders takes place at the drive-in movie theatre she now owns. Meanwhile, ... See full summary »
Sixteen years after Ruby Claire's gangster boyfriend was shot and killed by four associates, a series of gruesome murders takes place at the drive-in movie theatre she now owns. Meanwhile, the behaviour of her mute daughter Leslie is becoming increasingly strange and a visiting psychic claims that forces from beyond are out for revenge. Written by
Ross Horsley <firstname.lastname@example.org>
The producer chose to change the ending, and both Curtis Harrington and Piper Laurie refused to be involved in the re-shoot. It was allegedly shot by Stephanie Rothman, who has neither confirmed nor denied her involvement. This ending, featured in the TV commercials at the time of the theatrical release, helped make it the box office success it was. See more »
A former gun moll runs a sleazy 1950's Florida drive-in that becomes a scene for several creepy and deadly supernatural occurences.
This oddball horror/possession flick was yet another '70's film made in the race to rip-off the super horror hit THE EXORCIST. However, this one is better than most because it was directed by cult favorite Curtis Harrington who pays special attention to plot, character, atmosphere and detail rather than reverting to spinning heads and vomiting pea soup. Furthermore, Piper Laurie(who won an Oscar nomination the previous year for her role in CARRIE) gives a marvellous performance in the title role, and Janit Baldwin is also impressive as Laurie's disturbed young daughter. Roger Davis(of DARK SHADOWS fame) also does well with his role as a psychologist who gets caught up in this eerie tale of the supernatural. BEWARE: Although most video editions of the film run fifteen minutes longer than the version that was originally released to theatres, they slash much of the gore(which wasn't really all that graphic to begin with) and substitute it with dull, pointless footage featuring supporting characters that really have no connection to the plot or action of the film. This version of the film is credited to the pseudonymous Allen Smithee and was apparantly the version that first aired on network television. If you are lucky enough to find the 84-minute version credited to Curtis Harrington, the film's original director, you"ll fare much better.
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