Sixteen years after Ruby Claire's gangster boyfriend was shot and killed by four associates, a series of gruesome murders takes place at the drive-in movie theatre she now owns. Meanwhile, ... See full summary »
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Sixteen years after Ruby Claire's gangster boyfriend was shot and killed by four associates, a series of gruesome murders takes place at the drive-in movie theatre she now owns. Meanwhile, the behaviour of her mute daughter Leslie is becoming increasingly strange and a visiting psychic claims that forces from beyond are out for revenge. Written by
Ross Horsley <email@example.com>
The producer chose to change the ending, and both Curtis Harrington and Piper Laurie refused to be involved in the re-shoot. It was allegedly shot by Stephanie Rothman, who has neither confirmed nor denied her involvement. This ending, featured in the TV commercials at the time of the theatrical release, helped make it the box office success it was. See more »
Despite a multitude of minor blemishes, RUBY stands as an effectually devised psychological/supernatural chiller which gainsays its deficient funding.
Piper Laurie turns out an impressive performance as Ruby, a hard-drinking harlot in ownership of a weatherbeaten old drive-in movie theater. In years past, she was a knockout gangster's moll whose man was murdered gangland style. Before he died, he vowed to return from the grave...a promise which, it seems, he has kept.
A cleverly formulated B quickie thick with gloom and disquietude, RUBY is an honorable short-order undertaking which emanates a pleasingly differential mood of foreboding creepiness.
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