The Inglorious Bastards (1978) Quel maledetto treno blindato (original title)

Director:

Enzo G. Castellari

Writers:

Sandro Continenza (story) &
Sergio Grieco (story) ...
(more)

Release Date:

December 1981 (USA)

Genre:

Action | Adventure | Comedy | Drama | War

Tagline:

Whatever the Dirty Dozen did they do it dirtier!

Plot:

In 1944, in France, the rogue American soldiers Lieutenant Robert Yeager, Private Fred Canfield, the murderer Tony...

Plot Keywords:

American | Prisoner | France | Murder | Nazi

Cast

Bo Svenson	...	Lt. Robert Yeager
Peter Hooten	...	Tony
Fred Williamson	...	Pvt. Fred Canfield
Michael Pergolani	...	Nick
Jackie Basehart	...	Berle
Michel Constantin	...	Veronique
Debra Berger	...	Nicole
Raimund Harmstorf	...	Adolf Sachs
Ian Bannen	...	Col. Charles Thomas Buckner
Flavio Andreini
Peter Boom	...	German Officer on Train
Vito Fornari
Manfred Freyberger	...	SS Commander
Joshua Sinclair	...	The Sergeant (as John Loffredo)
Mike Morris	...	Colonel Hauser
Donald O'Brien	...	SS Commander (as Donald O'Brian)
Gerard Schwarz
Bryan Rostron		(as Rostron Brian Torquil)
Massimo Vanni	...	French Resistance Member
Bill Vanders	...	German General on Train (as William Vanders)
Mauro Vestri	...	French Resistance Member
rest of cast listed alphabetically:
Nick Alexander	...	Examination Corporal (voice: English version) (uncredited)
Enzo G. Castellari	...	German Officer (uncredited)
Larry Dolgin	...	Marshall / Sachs (voice: English version) (uncredited)
Ulla Johannsen	...	Naked Woman with Machine Gun (uncredited)
Rocco Lerro	...	German Gate Guard (uncredited)
Edward Mannix	...	Redneck Bastard (voice: English version) (uncredited)
Pietro Plinio Quinzi	...	(uncredited)
Franco Ukmar	...	American Troop Leader (uncredited)

Directed by
Enzo G. Castellari

Writing credits
Sandro Continenza		(story) &
Sergio Grieco		(story) &
Romano Migliorini		(story) &
Laura Toscano		(story) &
Franco Marotta		(story)
Sandro Continenza		(screenplay) &
Sergio Grieco		(screenplay) &
Romano Migliorini		(screenplay) &
Laura Toscano		(screenplay) &
Franco Marotta		(screenplay)
Sandro Continenza		(dialogue) &
Sergio Grieco		(dialogue) &
Romano Migliorini		(dialogue) &
Laura Toscano		(dialogue) &
Franco Marotta		(dialogue)
Alberto Piferi		(Italian dialogue)

Original Music by
Francesco De Masi

Cinematography by
Giovanni Bergamini		(director of photography)

Film Editing by
Gianfranco Amicucci

Production Design by
Pier Luigi Basile		(as Pierluigi Basile)
Aurelio Crugnola

Set Decoration by
Pier Luigi Basile		(as Pierluigi Basile)
Aurelio Crugnola

Costume Design by
Ugo Pericoli

Makeup Department
Giancarlo De Leonardis	....	hair stylist
Giovanni Morosi	....	makeup artist (as Gianni Morosi)

Production Management
Ennio Di Meo	....	unit manager
Pino Mangogna	....	unit manager
Roberto Sbarigia	....	production manager

Second Unit Director or Assistant Director
Mario Maffei	....	assistant director

Art Department
Enrico Sanchini	....	drapes

Sound Department
Nick Alexander	....	dubbing editor
Domenico Dubbini	....	sound recordist
Mario Ottavi	....	sound recordist

Special Effects by
Gino De Rossi	....	special effects

Stunts
Rocco Lerro	....	stunt coordinator
Angelo Ragusa	....	stunts
Clemente Ukmar	....	stunts
Franco Ukmar	....	stunts

Camera and Electrical Department
Gianfranco Massa	....	still photographer
Luciano Micheli	....	key grip
Silvano Michisanti	....	gaffer
Enrico Priori	....	assistant camera
Stefano Sbarigia	....	assistant camera
Otello Spila	....	camera operator
Gaetano Valle	....	camera operator

Costume and Wardrobe Department
Otello Polci	....	costumer

Editorial Department
Roberto Amicucci	....	second assistant editor
Cesarina Casini	....	first assistant editor

Music Department
Francesco De Masi	....	conductor

Other crew
Silvia Caperna	....	administrator
Gioia Donati	....	script supervisor
Armando Grilli	....	armorer
Egle Guarino	....	script supervisor
Alfonso Licata	....	administrator
Adalberto Spadoni	....	production accountant

Production Companies

• Film Concorde (as Film Concorde S.R.L.)

Distributors

• Capitol International (1978) (Italy) (theatrical)
• Alemannia-Filmverleih (1978) (West Germany) (theatrical) (cut)
• Universal Film Agency (1978) (Netherlands) (theatrical)
• Entertainment Film Distributors (1978) (UK) (theatrical)
• American Transcontinental (1981) (USA) (theatrical) (dubbed)
• Hokushin Audio Visual (1981) (UK) (VHS)
• Entertainment (1979) (UK) (theatrical)
• Valio-Filmi (1978) (Finland) (theatrical)
• Another World Entertainment (2009) (Denmark) (DVD)
• Avid Home Video (1994) (USA) (video) (as "Deadly Mission")
• Dutch FilmWorks (DFW) (2009) (Netherlands) (DVD)
• Firebox (2007) (Finland) (DVD)
• K & C Video (19??) (Australia) (VHS)
• Koch Media (2007) (Germany) (DVD)
• Lightning Video (1986) (USA) (VHS) (as "Deadly Mission")
• Madman Entertainment (2009) (Australia) (DVD)
• Pole Vídeo Comunicações Ltda. (19??) (Brazil) (VHS)
• Severin Films (2008) (USA) (DVD) (3-disc explosive edition)
• Severin Films (2009) (USA) (DVD) (Blu-ray)
• Tribanda Pictures (2009) (Spain) (DVD)
• Yleisradio (YLE) (2007) (2008) (Finland) (TV)

Other Companies

• Cinecittà  sound post-production
• Vides Cinematografica  sound post-production (as Centro Cinematografico Vides)
• Elettronica Calpini  dubbing (as Sincronizzazione Elettronica Calpini)
• Società Attori Sincronizzatori (SAS)  dubbing collaboration
• Costumi d'Arte  wardrobe
• L.C.P.  footwear
• St. A.C.C.  weaponry
• Armando Grilli  weaponry
• Ditta Rancati  props (as Rancati)
• D'Angelo  props
• Set  props
• Sanchini  drapes (as Enrico Sanchini)
• Ditta Maggi  wigs (as Maggi)
• ATA  military vehicles furnished by (as A.T.A.)

Also Known As:

"Quel maledetto treno blindato" - Italy (original title)
"Counterfeit Commandos" - USA (reissue title)
"Deadly Mission" - USA (video title)
"G.I. Bro" - USA (recut version)
"Hell's Heroes" - USA (video title)
"The Dirty Bastard" - Philippines (English title)

Runtime:

99 min | UK:90 min (cut version) | Germany:76 min (cut version)

Country:

Italy

Language:

Italian | German | French | English

Color:

Color (Telecolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Sweden:(Banned) | Iceland:16 | Netherlands:16 (US version) | Sweden:15 (video rating) | Norway:15 (uncut DVD version) (2007) | Singapore:M18 | Finland:K-18 (uncut) (2007) | Australia:M | Portugal:M/12 | Germany:18 (DVD rating) | West Germany:18 (nf) | France:U | UK:15 | Spain:13 | Finland:K-16 (cut) (1978) | USA:R | Norway:16 (video) (1981) (unrated video version) | Norway:(Banned) (1978-2003) (cinema release)

Filming Locations:

Barbarano Romano, Viterbo, Lazio, Italy

Company:

Film Concorde

Trivia:

When Quentin Tarantino wrote Inglourious Basterds (2009), even though the plot is different, he bought the copyrights of this film so the title could be the same.

Goofs:

Continuity: When he steals a motorcycle you can see that it is an old opposed twin BMW. But for all the stunt riding it is clear to see that he is not on the same motorcycle, he is using a single cylinder dirt bike.

Quotes:

[first title card]
Title Card:FRANCE 1944

Movie Connections:

Referenced in The Big Sleaze (2010)

These guys are doin' a coupla things and a coupla things only, not just killin' Nazis.

Enzo Castellari's B movie "Quel maledetto treno blindato" is nowadays probably most recognizable because its English title "The Inglorious Bastards" inspired the title of Quentin Tarantino's 2009 movie. Castellari's movie contains a similar plot, with American GIs killing Nazis. In this case, our heroes are about to get taken to prison at the beginning, when their captors get killed by Nazi gunfire. So, the now free convicts decide to make their way to neutral Switzerland. Along the way, there's plenty of goose-stepping goons to shoot, and there's even some hot women. The main point of the movie is to show Fred Williamson off as a cool tough guy.

So, this isn't one that you're supposed to interpret as a Fellini-style film. This is pure, unadulterated fun. Really cool.

I bet that Brad Pitt's comment at the end of Tarantino's version not only reflected what Tarantino probably assumed about his movie, but what Castellari probably assumed about this one.