In 1944, in France, the rogue American soldiers Lieutenant Robert Yeager, Private Fred Canfield, the murderer Tony, the thief Nick and the coward Berle are transported to a military prison.... See full summary »
In 1944, in France, the rogue American soldiers Lieutenant Robert Yeager, Private Fred Canfield, the murderer Tony, the thief Nick and the coward Berle are transported to a military prison. However, the convoy is attacked by the Germans and they survive and flee with the intention of cross the border of Switzerland. Along their journey, they fight against a German platoon and capture the German prisoner Adolf Sachs that offers to guide them to the Swiss border. When they meet a German troop, they kill them but sooner they discover that they actually were and American commando in a mission headed by Colonel Buckner to steal a German V2 warhead. Lt. Yeager, Fred, Tony and Nick offer to risk their lives to accomplish the mission. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Nick played by Michael Pergolani is updating the paper work he uses 'Liquid Paper/Correction Fluid' to alter the document. Liquid Paper was not invented until 1951, and was only really widely available in Europe from the mid 70's onwards. See more »
[first title card]
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These guys are doin' a coupla things and a coupla things only, not just killin' Nazis.
Enzo Castellari's B movie "Quel maledetto treno blindato" is nowadays probably most recognizable because its English title "The Inglorious Bastards" inspired the title of Quentin Tarantino's 2009 movie. Castellari's movie contains a similar plot, with American GIs killing Nazis. In this case, our heroes are about to get taken to prison at the beginning, when their captors get killed by Nazi gunfire. So, the now free convicts decide to make their way to neutral Switzerland. Along the way, there's plenty of goose-stepping goons to shoot, and there's even some hot women. The main point of the movie is to show Fred Williamson off as a cool tough guy.
So, this isn't one that you're supposed to interpret as a Fellini-style film. This is pure, unadulterated fun. Really cool.
I bet that Brad Pitt's comment at the end of Tarantino's version not only reflected what Tarantino probably assumed about his movie, but what Castellari probably assumed about this one.
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