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The Private Files of J. Edgar Hoover (1977)

The story of the late J. Edgar Hoover, who was head of the FBI from 1924-1972. The film follows Hoover from his racket-busting days through his reign under eight U.S. presidents.

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Cast

Cast overview, first billed only:
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Lionel McCoy
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Florence Hollister
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Dwight Webb
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Carrie DeWitt (as Roneé Blakley)
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Dave Hindley
Michael Sacks ...
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Hoover's Mother
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Storyline

The story of the late J. Edgar Hoover, who was head of the FBI from 1924-1972. The film follows Hoover from his racket-busting days through his reign under eight U.S. presidents.

Plot Summary | Add Synopsis

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The files that escaped the shredder have become an incredible motion picture. From the Kennedys to Martin Luther King. From cab drivers to Congressmen. From housewives to hostesses. He had something on 58 million people. It was all in his files. Now you can see how he used it.

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Biography | Drama

Certificate:

PG | See all certifications »
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Details

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Release Date:

December 1977 (USA)  »

Also Known As:

F.B.I. Arquivo Secreto  »

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Did You Know?

Trivia

The film cast includes three Oscar winners: Broderick Crawford', Celeste Holm and José Ferrer; and three Oscar nominees: Rip Torn, John Marley and Ronee Blakley. See more »

Quotes

Lionel McCoy: [sarcastically] Give my regards to the Wizard of Oz!
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Connections

Referenced in This Week in Horror: It's Alive! (2011) See more »

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User Reviews

A dish-the-dirt, cranked-out cheapie.
27 February 2001 | by (Orlando, FL) – See all my reviews

I saw this film theatrically (in a revival) and was astonished. It was an attempt to turn Hoover into Citizen Kane, with the supposed "burning" of Hoover's secret files the equivalent of the burning of "Rosebud." Crawford does make an interesting Hoover - considering he was most famous for playing America's first TV cop in "Highway Patrol," seeing him play a deliberately abusive cop is fun. But he's the only actor who pulls off his part convincingly; the other actors look distracted, like they're worried that their paychecks might not clear. The script plods from event to event - blackmail on Roosevelt, Martin Luther King and others - and gets numbing. (The film came out before revelations that Hoover may have been a transvestite and homosexual - seeing Crawford in drag might have provided an extra kick.) Supposedly, this was filmed without official approval around the original FBI headquarters in Washington, which caused some official heat. But aside from that courage, you don't get the feeling of getting inside Hoover's life, which other movies have done. You get the feeling you're being told this story by a gossipy wife under the hair dryer in a salon.


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