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Outlaw Blues (1977)

 -  Drama  -  August 1977 (USA)
5.9
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Ratings: 5.9/10 from 215 users  
Reviews: 8 user | 7 critic

Susan St. James helps Peter Fonda, an ex-convict who goes after the country music star who stole his song and made it a hit.

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Cast

Complete credited cast:
...
Bobby Ogden
...
Tina Waters
John Crawford ...
Buzz Cavenaugh
...
Garland Dupree
...
Hatch
Steven Fromholz ...
Elroy (as Steve Fromholz)
Richard Lockmiller ...
Associate Warden
...
Billy Bob
Jan Rita Cobler ...
Cathy Moss
...
Leon Warback
Curtis Harris ...
Big Guy
Jerry Greene ...
Disc Jockey
Dave Helfert ...
Anchorman
Jeffrey Friedman ...
Newsman
James N. Harrell ...
Cop Chauffeur
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Storyline

Susan St. James helps Peter Fonda, an ex-convict who goes after the country music star who stole his song and made it a hit.

Plot Summary | Add Synopsis

Taglines:

His song is a runaway hit while he's a hit runaway. See more »

Genres:

Drama

Certificate:

PG | See all certifications »
Edit

Details

Country:

Language:

Release Date:

August 1977 (USA)  »

Also Known As:

All'ultimo secondo  »

Filming Locations:

 »

Box Office

Budget:

$1,900,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Kris Kristofferson was offered the male lead. He turned it down to do Convoy (1978). See more »

Goofs

When they are at the football game, close up shots of the band were done earlier during the week and the field was dry. Long shots were done on an actual game on a rainy Saturday, so there are two colors of Astroturf being shown back and forth. See more »

Connections

Referenced in Angel (1982) See more »

Soundtracks

Water for My Horses
Written by Hoyt Axton
See more »

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User Reviews

Creates a new movie-making rule
17 November 2011 | by (www.moviemoviesite.com) – See all my reviews

When it comes to making movies there are a few no-no's, a few rules that should rarely be broken: supermodels should not be given roles that require them to speak lines; action stars should throw the towel in before their 60th birthday; classic movies should never be 'reworked' (or even worse, rebooted), that sort of thing. Now, having watched Outlaw Blues, I can add another rule to this small collection: Peter Fonda should never sing on screen. It's not that he's a particularly bad singer it's just that he's not very good. So when you get an entire nation supposedly going crazy over his song credibility tends to be snapped beyond breaking point.

Fonda plays a jailbird who plays his eponymous song to a visiting country & western star (Jim Callahan), who isn't Johnny Cash and is at pains to make that clear to the audience in case it should contain any of Mr Cash's lawyers. This C&W star is named Garland Dupree, and he's not beneath filching Fonda's song and passing it off as his own. When Fonda is eventually released he hotfoots it straight around to Dupree's recording studio and accidentally shoots him in the foot. Somewhere along the line, he hooks up with one of Dupree's backing singers (Susan Saint James) who turns out to be something of a publicity whiz, and soon has Fonda's own version of his song racing up the charts.

Outlaw Blues starts off seeming as if it's going to be a fairly straightforward drama, but shortly after Fonda shoots Dupree it takes off in an entirely different direction, tacks a few hillbilly chords onto the soundtrack and turns into a kind of Duke of Hazzard, let's-make-asses-of-the-law comedy. It's not a good move. While it was trying to remain realistic it was reasonably engaging, but once Fonda is back on the run the whole thing just gets increasingly silly. Fonda is no leading man, something which is borne out by his relative lack of an acting career, so why the producers of this film thought he had enough about him to carry the story is a mystery. Susan Saint James is a pleasant enough co-star, but she too is too lightweight to offer much more than something pleasing to look at. Jim Callahan as Garland Dupree – the film's equivalent to Boss Hogg, I suppose – is probably the best thing about it, but he disappears for most of the middle section of the film.

Like the film's eponymous song, even if this movie manages to make any kind of impression it will quickly fade from your memory.


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