George Burns is back as God, but oops, here he is as Satan, too. A young rock star is ready to sell his soul to Satan, and Satan is all too happy to oblige. Oops! Seems the fellow was ... See full summary »
Jack Watson is celebrating his 81st birthday. He is a charismatic, successful patriarch who still enjoys life. He makes a wish that he could be 18 again. Later he is living it up with his ... See full summary »
Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
Jerry Landers, a supermarket assistant manager and a good yet non-religious person, suddenly finds a note in the mail one day that grants him an "interveiw" with God. Thinking it to be a hoax he tosses it away, but when it keeps reappearing he finally gives in. Skeptical at first, he ends up carrying His personal message - that the world can work with what God's given us. Written by
Towards the end of the film, when Jerry is driving away from the grocery store, he appears to be on a rural highway. When we cut to a view of Jerry driving, the background is an urban area with multiple store-fronts. See more »
How can you permit all the suffering that goes on the world?
Ah, how can I permit the suffering?
I don't permit the suffering. You do. Free will. All the choices are yours.
Choices? What choices?
You can love each other, cherish and nurture each other or you can kill each other. Incidentally, "kill" is the word. It's not "waste." If I had wanted "waste" I would have written "thou shalt not waste." You're doing some very funny things with words. You're also turning the sky into mud. I look ...
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Something tells me this film would work a lot better if it was shot today; and by that I don't mean a remake, but if somehow we could transport the cast and crew (Reiner, Burns, Denver, et al) to 2004, let them shoot the film, and release it, it would be the super sleeper smash hit of the decade. A remake would fall flat on its face.
The story is quasi-original. The notion of a higher or supreme being asking one of us mortals to do his bidding is nothing new, but to place the gentle and warm spin on it, and to take that legend out of its biblical era context, and place it in (what was then) contemporary times, is really a stroke of genius.
Burns plays a grandfatherly God who is concerned, though not wrathful. This God is not Cecil B. DeMille's fire-and-brimstone God from "The Ten Commandments." Nor is Burns' God the detached entity that is less hands on than God's foes in "The Exorcist" or "Omen" series. In "Oh God" we have a creator who wants to instill a little reassurement to Earthbound souls. Burns' character is one with a need that must be fulfilled. But Burns' God doesn't go about it by creating apocalyptic scenarios to threaten nor coax mankind into the task. Instead this God approaches the problem with a more thoughtful plan. Veteran Vaudevillian George Burns' does a superb job portraying the Almighty, and does so with sublime humor and grandfatherly frankness.
Denver portrays an honest grocery store manager whose sole purpose is to satisfy his customers. That is until George Burns beckons him hither. What's even more amazing is the fact that, to the best of my knowledge anyway, Denver gives us an exceptionally convincing performance but with little professional experience. The Jerry Landers character he portrays is honest, thoughtful, earnest and full of conviction. Denver lets his own character shine in this performance.
The real genius of this film is that the comedy is very sedate while still being funny. The film doesn't try to be something more than what it already is. A film with God as a character could've gone anywhere, but Reiner doesn't take too many liberties with the material at hand. Instead he keeps film focused and even keeled, while tossing in good humorous bits to keep up the levity. Even so, please be warned, the laughs are spaced out. This is not a film filled with wall to wall gags. Both humor and overall energy are kept low to drive home the storie's message.
This is in comparison to a recent "reincarnation" of the God theme/film in "Bruce Almighty," which has often been compared to Reiner's 1977 work by commentators on this website. I finally saw "Bruce Almighty" recently, and where I found sections of it humorous it really didn't hold a candle to "Oh God." The theme was selfish, the character was selfish, the overall feel was typical 90's corporate art, with Jim Carry's absurdities thrown in for poor measure. This is largely because "Bruce Almighty" is really a different film, with a different premise, and regrettably (though not unexpectedly) botches most of the affair. "Bruce Almighty" satisfies a juvenile curiosity. "Oh God" is a soothing uplift, and, by contrast, is the better film.
"Oh God" doesn't have any direct and explicit sexual references, there're no body function jokes, nor obvious and readable plot points nor plot holes, unlike a good number of today's films. There's no rap "song" at the end credits, nor cameo by some pop artist (other than Denver, who plays the lead), nor any product placement. Nor is there even any CGI (though it may've benefited from one or two CGI shots). "Oh God" a basic film with a timeless premise, and very simply message.
See "Oh God." It's food for the soul.
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