| Chantal Akerman | ... | (voice) |
Directed by | |||
| Chantal Akerman | |||
Writing credits(in alphabetical order) | ||
| Chantal Akerman | ||
Produced by | |||
| Alain Dahan | .... | producer | |
| Guy Cavagnac | .... | co-producer (uncredited) | |
| Liliane de Kermadec | .... | co-producer (uncredited) | |
Cinematography by | |||
| Jim Asbell | |||
| Babette Mangolte | |||
Film Editing by | |||
| Francine Sandberg | |||
Second Unit Director or Assistant Director | |||
| Epp Kotkas | .... | assistant director | |
| Paule Zadjermann | .... | assistant director | |
Sound Department | |||
| Dominique Dalmasso | .... | sound editor | |
| Dominique Dalmasso | .... | sound | |
| Larry Haas | .... | sound | |
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| Hôtel Monterey | Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | Look at Me | Toute une nuit | Mammoth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I saw this film yesterday in a theatre, and admittedly the print looked like it has seen better days. While the idea of letters from home-- in this case from the filmmaker's mother in Belgium-- being used as a narrative device over images is an intersting idea, "News from Home" proves that it's difficult to keep up a device for very long... or, in any case, that it has to be more carefully structured. Besides some interesting shots of 1970's New York (when we all should have been snatching up real estate) and the mesmserizing silence of urban landscape and isolated people, this film is largely tedious.