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Release Date:
8 June 1977 (France) See more »
Chantal Akerman, the Belgian filmmaker, lives in New York. Filmed images of the City are accompanied... See more » | Add synopsis »
(10 articles)
Chantal Akerman Discusses "No Home Movie"
 (From MUBI. 27 August 2015, 12:23 PM, PDT)

Locarno 2015. Day 6
 (From MUBI. 12 August 2015, 3:56 AM, PDT)

Locarno Film Review: ‘No Home Movie’
 (From Variety - Film News. 10 August 2015, 7:41 AM, PDT)

User Reviews:
Another intriguing experiment from the wonderful Chantal Akerman See more (5 total) »



Chantal Akerman ... (voice)

Directed by
Chantal Akerman 
Writing credits
(in alphabetical order)
Chantal Akerman 

Produced by
Alain Dahan .... producer
Guy Cavagnac .... co-producer (uncredited)
Liliane de Kermadec .... co-producer (uncredited)
Cinematography by
Jim Asbell 
Babette Mangolte 
Film Editing by
Francine Sandberg 
Second Unit Director or Assistant Director
Epp Kotkas .... assistant director
Paule Zadjermann .... assistant director
Sound Department
Dominique Dalmasso .... sound editor
Dominique Dalmasso .... sound
Larry Haas .... sound

Production CompaniesDistributors

Additional Details

Also Known As:
85 min
Color (Eastman Color)
Sound Mix:


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1 out of 1 people found the following review useful.
Another intriguing experiment from the wonderful Chantal Akerman, 1 June 2010
Author: runamokprods from US

Chantal Akerman is arguably the most important and interesting female director of her era, yet she is sadly under-known here in the U.S. The range of her work is astounding, from largely experimental 'difficult' works like this, to frothy musical-comedy, to dark, thoughtful dramas, and just about everything in between. I'm so glad Criterion is finally putting out much of her early work.

As for this film, it's an interesting experiment, if far from Akerman's most important.

It's all images of New York City, mostly still at first, with ever more movement as it goes along. The soundtrack is all letters to Ackerman from her mother in France being read aloud over the images. Odd as it sounds, it easily held my attention, though never really got emotionally involving. Once again, Akerman's city images are great, evoking Edward Hopper's paintings. But both the images and overall impact seem less powerful to me than Akerman's somewhat similar - and to my taste far better -- 'Hotel Monterey'.

However with this kind of experimental film, everyone is likely to react differently, and I'd urge you to see it for yourself.

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