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New York, New York (1977)

 -  Drama | Music | Musical  -  21 June 1977 (USA)
6.7
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Ratings: 6.7/10 from 11,339 users  
Reviews: 67 user | 51 critic

An egotistical saxophonist and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long, up-hill climb.

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(screenplay), (screenplay), 1 more credit »
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New York, New York (1977) on IMDb 6.7/10

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Nominated for 4 Golden Globes. Another 2 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Tony Harwell
Barry Primus ...
Paul Wilson
...
Bernice Bennett
Georgie Auld ...
Frankie Harte
George Memmoli ...
Nicky
...
Palm Club Owner
Murray Moston ...
Horace Morris
Leonard Gaines ...
Artie Kirks (as Lenny Gaines)
...
Cecil Powell
Kathi McGinnis ...
Ellen Flannery
Norman Palmer ...
Desk Clerk
Adam David Winkler ...
Jimmy Doyle Jr.
...
Desk Clerk
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Storyline

The day WWII ends, Jimmy, a selfish and smooth-talking musician, meets Francine, a lounge singer. From that moment on, their relationship grows into love as they struggle with their careers and aim for the top. Written by Steve Richer <sricher@sympatico.ca>

Plot Summary | Add Synopsis

Taglines:

A love story is like a song. It's beautiful while it lasts. See more »

Genres:

Drama | Music | Musical

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 June 1977 (USA)  »

Also Known As:

Nea Yorki, Nea Yorki  »

Box Office

Budget:

$14,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1981 re-issue) | (re-cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Originally four and a half hours long. Director Martin Scorsese cut it to 153 minutes, then to 136 minutes. In 1981 some material (mainly the 'Happy Endings' sequence) was restored and the film became 163 minutes long. See more »

Goofs

During the VJ dance sequence when Jimmy (DeNiro) is initially trying to pick up Francine (Minnelli), the cherry in her drink disappears (when she eats it in one shot) but then reappears in her drink only to disappear in subsequent shots. See more »

Quotes

Jimmy: Let me ask you something. You got any other advice for me?
Tony Harwell: Yes. Stay off the junk, and you'll go far.
Jimmy: Fine. Thanks a lot. Swell of you to say that.
See more »


Soundtracks

Theme from New York, New York
Music by John Kander
Lyrics by Fred Ebb
Performed by Liza Minnelli (uncredited)
See more »

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User Reviews

Does Marty love 'em or hate 'em?
1 November 2004 | by (Washington, DC) – See all my reviews

There *are* things to love in NYNY. But over and over again I kept coming back to this thought: does director Martin Scorsese (a genius storyteller) really love musicals, or is he, in fact, satirizing them here? I can't find any other explanation for the creation of a leading character (DeNiro) so self-absorbed, rude, brutish, and jealous of his future wife's (Minnelli) growing fame, while at the same time trying so hard to establish his own fortune with a tenor sax. It's like there's a highly pitched voice of reason trying to remind the audience that in real life, people aren't so happy as they always seem to be in musicals. I know everyone doesn't love (some of you proudly hate) musicals, but usually one can find something redeeming in the characters who populate the stories. For 2 1/2 hours of film, we are presented with a love story which borders on spousal abuse, and somehow be expected to care about the husband. It doesn't work. And yet, Scorsese bends over backward to recreate the 1940's musical/big band atmosphere, from Hawaiian shirts and two-tone spectator shoes to sumptuous big band pieces, not to mention a charming pair of dancers (channeling Gene Kelly and Vera-Ellen?) spotted on a subway ledge or a sultry torch singer in a Harlem nightclub (a cameoed Diahnne Abbott, whose 11th-hour performance of 'Honeysuckle Rose' tips a well-fitted hat to Billie Holiday). One critic seemed to personally resent the channeling of mother Garland through daughter Minnelli (particularly in the supper club where the title song is stunningly performed with all guns blazing), but I think that was very much on purpose. Even though she got much bigger acclaim for "Cabaret," I think Minnelli reached the peak of her musical talents in this film. I loved her. I just didn't love them, and unfortunately, that kept me from loving the whole project. Watch it on DVD, and skip to your favorite parts.


23 of 27 people found this review helpful.  Was this review helpful to you?

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Anybody else feel...just mixed about it? tarantinolover12
because someone has to admit it... AndiePandie11
Ending prideandpredj
Just seen the film.. Usarajevo879303
Scorsese on drugs? NeilMcCauley
The Happy Endings sequence ruined the flow of the movie... jamia2283
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