Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to ... See full summary »
The day WWII ends, Jimmy, a selfish and smooth-talking musician, meets Francine, a lounge singer. From that moment on, their relationship grows into love as they struggle with their careers and aim for the top. Written by
Steve Richer <email@example.com>
Liza Minnelli used her mother's (Judy Garland's) old dressing room, her mother's old hairdresser (Sydney Guilaroff) and worked on mother's old MGM sound stages during the filming of this. Additionally, during interviews she did her mother's famous "oh-uh, ah, ohs" with hand gestures. See more »
During the VJ dance sequence when Jimmy (DeNiro) is initially trying to pick up Francine (Minnelli), the cherry in her drink disappears (when she eats it in one shot) but then reappears in her drink only to disappear in subsequent shots. See more »
What's the Theory of Relativity, that light is curved?
I don't know.
They say that only five people in the whole world, you know, know really what it's about.
Well, the Japs understand, from what I know.
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This was a real change of pace for director Martin Scorsese--he decided to do a drama/love story with music set in the 1940s. But he wanted a DOWNBEAT film. It was released in 1977 (after about 20 minutes were cut out by the studio) and was torn apart by the critics. It was reissued in 1981 with all the cut footage restored (it now runs 165 minutes) and the critics raved about it! Go figure. After that, however, it seemed to disappear. Too bad--it's actually good.
It's about clarinet player Jimmy Doyle (Robert De Niro) falling in love with Francine Evans (Liza Minnelli). She's a singer and they preform together in the same band. But Jimmy has serious temper problems and when Francine gets pregnant things go out of control.
The film is certainly stunning to look at--the sets and cinematography are just great. Some of the sets are (quite obviously) fake but it actually works in this movie. It seems to be a homage to the big, splashy Technicolor musicals of the 1940s and 1950s--but has its characters act like real people and deal with adult situations. The direction by Scorsese is (of course) wonderful. What's especially surprising is his directing of the big "Happy Endings" musical number (which was originally completely cut)--who knew Scorsese could direct a musical?
The acting is good--almost too good. Minnelli is very good as Francine--she's just magical when she sings and there's a powerful sequence when she just explodes in the back of a car. De Niro plays Doyle as an insensitive jerk--and that's the main problem with this film. His character is loud, immature, obnoxious and always pushing Minnelli around. More than once I wanted her to turn around and punch him out. His character is so unlikable it's hard to really give a damn about him. But Minnelli is beautiful and likable and the sets are unbelievable. The music is great and when Minnelli sings "New York New York" you can't take your eyes from the screen. Also old time stage actor Larry Kert (who sadly died on AIDS in 1991) pops up at the "Happy Endings" sequence--what a voice!
A lot of people find this film sick and too dark--it is, but it IS a Martin Scorsese film. It should be reissued again and find a new audience. It's been over 20 years. Well worth seeing.
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