Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ... See full summary »
The Russian poet Gortchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th century Russian composer. In a ancient spa town, he ... See full summary »
The shepherd Gombo lives with his wife, three children and grandmother in a tent on the Mongolian steppe. They are pleased with their rustic conditions, until a Russian truck driver, ... See full summary »
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law of one of the widow's admirers: a few years before, they had been idealistic lovers and now she can't believe he has settled for a dim wife and a job as a teacher. Amidst parlor games and idle talk of women's rights and peasants' capabilities, Sofia and Misha rekindle their love. Will they flaunt convention, abandon families, and run away to pursue lost dreams? Rescue comes from an unexpected place. Written by
In a scene towards the end of the film where Platonov storms down a hallway, he walks past a person just to his right who is clearly a crew member wearing modern clothing and holding a piece of equipment. See more »
Constantly this film makes you reflect on your own life, your relationships, your place in the world.
This slice of life depicts a day in the life of Russian gentry in the late 19th century, warts and all. They're silly and pensive, boring and fascinating, shallow and profound--in short a mass of contradictions, like most people really are. If the theme is the path taken, the plot might be said to be a glimpse of the path NOT taken.
The photography is gorgeous, and the direction and editing are flawless. What makes the film, what really puts it over, are the superb, subtle, multi-dimensional performances.
There is a scene toward the end of the movie where a character goes careening down a hillside, descending into a fit of madness. The camera just observes, but the scene is completely and totally surreal wholly because of the actor's performance. I cannot recall seeing anything like it ever, either in content or skill.
And the last shot of the movie is absolutely breathtaking in its simplicity, innocence, and composition. Movies don't get much better than this one.
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