A series of unexplainable accidents befall the people and companies responsible for developing the world's first supersonic airliner (SST1). A British agent is sent to investigate and with ... See full summary »
Ah Jie lost everything in the stock market due to a severe economic crisis. He spends his days in his sealed apartment, smoking joints and looking after the marijuana plants that he ... See full summary »
"Papa Pede" is one of the most powerful people in the city, but he has been marked for death by his enemies. He forcibly recruits two guys, Kieb and Jeng, who have just been released from ... See full summary »
A woman searches for her missing lover, a psychiatrist who has suddenly vanished for no apparent reason. She ends up at a villa populated by a group of eccentric individuals. A string of murders commence immediately.
This little gem has been overlooked and underrated by film buffs, and I think it is time to bring some credit to it. Maybe the reason was the mixed nature of the movie itself, somewhere between giallo and Italian social satires of Italian contemporary society. I guess giallo fans were disappointed of the general treatment Zampa made of the genre rules (he put in a mysterious psycho killer using a hammer and leaving strange footnotes, but there were no gruesome killings graphically shown), while on the other side, intellectual audiences ignored the very interesting social comment in the film and decided it was just another giallo junk. As a result, nobody seems to care nowadays about this one. But it has a great deal to offer for sensitive audiences. Johnny Dorelli brings in a warm and complex character with who we can easily sympathize, and this gives to the end a terrible turn and a smell of despair about human nature that makes you think about for a long time. You will be astonished to discover why the killer was committing crimes. Not only this makes for a strong sense of menace through the entire film, but it also delivers a very well crafted story which shows the deep real motivations a psycho killer may have (and this is rare for a giallo). It is also interesting to notice than the social comment included in the screenplay (back in the 70s) is still up to the 2005, which is much more that can be said about many Italian films of that period. Add to this a marvelous Ennio Morricone soundtrack and a guest starring appearance by gorgeous starlet Sydne Rome. Give it a try!
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