Surreal, sketch based TV comedy series. Two series were produced in 1967 by the commercial company Associated Rediffusion. In style and content, a forerunner of 'Monty Python's Flying ... See full summary »
Long running BBC comedy show consisting of sketches and humourous musical routines involving the large Ronnie Barker and the small Ronnie Corbett. Most sketches involved both men, but ... See full summary »
The Fred Tomlinson Singers
In this mock-documentary, John Cleese narrates a series of sketches on irritation -- types and techniques. Included are parents irritating their children, old ladies irritating movie-goers ... See full summary »
Armitage runs a chemical company that is on the verge of producing a gas that causes temporary disability. Clearly the military want it but it is also sought by a group of Japanese. Both ... See full summary »
Uneven but very funny record of the meeting of comic minds
It was the meeting of the giants of British comedy from the 1960's and 1970's, Monthy Python(minus Eric Idle), Fringe (minus Dudley Moore),The Goodies, Dame Edna, Elenor Bron, Neil Innes... pretty much everyone other than the Goons performing in the first of the Amensty International events that were later the stuff of legend in the Secret Policeman's Balls. The legends of comedy performing the classics of comedy to mixed results.
The show is funny. Of that there is no doubt but its strangely put together. Mixing both on stage material with the performers backstage it shows you stuff that no other film of the events does. Its mostly wonderful stuff always bringing smiles if not down right laughs to the viewer but whom ever put it together chopped up the bits in a very awkward way so that you get the Peter Cook piece on being a miner broken in parts by backstage talk or the lecture on comedy inter-cut with Jonathan Miller talking about the bit on stage. Its nice for a documentary, but not as a record of a comedy performance in that it kills the timing.
The film also suffers from the fact that the film was shot in an almost archaic style of one or two cameras in one position filming all of the action. There are almost not cut aways only a shift in focus or a turn of the camera to follow the action. Its quaint, but they never considered how it might look years later with changes in camera technique.
The problem of time ravaging the print is a serious one. Although the running time is 75 minutes the print I saw runs several minutes shorter and is extremely scratchy. Its sad that a cultural document like this wasn't better cared for. I would love to see all the footage shot (especially the backstage stuff) but my guess is that its probably gone or in in such poor condition there could never be a restoration. Then again considering how some of the later Policema's Ball films of more recent vintage are also in bad shape and are now missing entire performances we should feel lucky to have what we have.
If you want 70 odd minutes of mirth see the film. And if you can buy it, the money goes to a good cause.
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