Directed by | |||
| Eric Le Hung | |||
Writing credits(in alphabetical order) | ||
| Philippe Bourgoin | ||
| Eric Le Hung | ||
Original Music by | |||
| François d'Aime | |||
Cinematography by | |||
| Marcel Combes | |||
Film Editing by | |||
| Christiane Lack | |||
Production Design by | |||
| Tony Roman | |||
Makeup Department | |||
| Jacqueline Pipard | .... | key makeup artist | |
| Jean Pipard | .... | key makeup artist | |
Production Management | |||
| Jean Bastia | .... | production manager | |
| Jean-Claude Moulière | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Franck Robert Houdin | .... | second assistant director | |
| Alain Vandercoille | .... | first assistant director | |
Art Department | |||
| Patrick Gemahling | .... | property master | |
| Guérin Spapperi | .... | property master | |
Sound Department | |||
| Alain Contreault | .... | sound | |
| Geneviève Louveau | .... | sound editor | |
| Jacques Maumont | .... | sound mixer | |
Camera and Electrical Department | |||
| Olivier Benoist | .... | camera operator | |
| Jean Lopez | .... | electrician | |
| Michel Mallet | .... | gaffer | |
| Rémy Merey | .... | key grip | |
| Georges Raspaud | .... | still photographer | |
Other crew | |||
| Odile Margerand | .... | script supervisor | |
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| 2 Days in Paris | The Virgin Suicides | The Rainbow | Stealing Beauty | The Good Life |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
15-year-old schoolgirl in Paris (Jodie Foster), living with her supermodel sister following the death of their mother, is eager to "get laid" and sets her sights on the trenchcoat-wearing detective who's been hired by a Jewish truck driver to locate the busty sister, whom he's smitten with. One of two French films from 1977 which Jodie co-starred in (the other being "Casotto"), this one a decidedly sloppy enterprise which blatantly trades on the young star's budding insouciance and wise-beyond-her-years sexuality to propel its skinny plot. There are some brief flashes of skin (not Foster's) and endless chatter about love and sex, but no actual characters. As Max, hairy-chested Jean Yanne (who reportedly directed under a pseudonym) has a hangdog sort of charm, but his working-class personality isn't nurtured and his attraction to the teenager is never resolved. The soundtrack features the blurry ballad "When I Looked at Your Face", vocalist Foster's first foray into pop music. * from ****