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Mrs. Emily Pollifax of New Jersey goes to the CIA to volunteer for spy duty, being in her own opinion, expendable now that the children are grown and she's widowed. And being just what the ... See full summary »
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Corporate smuggling of South American killer bees into the United States results in huge swarms terrorizing the northern hemisphere. A small team of scientists work desperately to destroy ... See full summary »
An American secret agent is sent to Iran to investigate the murder of a fellow agent and comes across a crazed international businessman called The Baron who has stolen a Soviet nuclear cruise missile which the Baron plots to use on a peace summit in the Persian Gulf region. Written by
Peter Graves is the iconic 70's agent material, and MISSLE X is one of his lesser features exploiting the MISSION IMPOSSIBLE persona. However, the non-Hollywood production atmosphere fills this one up with highly paid stars doing some exploitation work that you can't usually see under the major studio banner.
MISSILE X delivers violence, menace and a few neat Packinpah influenced shootouts in this noirish and yet very Bondian tale o stolen Soviet cruise missile being smuggled into Iran and put on wholesale.
The whole American male agent alternately versus and with Russian female agent fighting the villain played by Kurt Jurgens makes MISSILE X look like a THE SPY WHO LOVED ME rip-off. And that definition holds. However, this film is derivative that it simply cannot stand such singled out rip-off allegation.
Tehran is well used as a location and the mixture of Iranian luxury juxtaposed on very poor suburbs precisely explains why the revolution eventually took place there. This film, with its' unashamed Western jive and aim to exploit the Persian setting may as well be used as the epitome of Iranian revolution and the Shah's decadence.
Overall, MISSILE X is the ideal programmer for the 70's superagent fare hounds. It may as well be worth the search.
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