| Christopher Lee | ... | On-Screen Narrator | |
| Larry Justin | ... | Mason Harrue | |
| J. Arthur Craig | ... | Detective Wexler | |
| James Habif | ... | Professor Cantrell | |
| Robert Clark | ... | Sean Allen | |
| Doug Senior | ... | Dirk Kramer | |
| Bob Mead | ... | Phil Jones | |
| Alisa Beaton | ... | Darlene | |
| Pat Nagel | ... | Sean's Girlfriend | |
| Woody Wise | ... | Doctor | |
| Paul Kelleher | ... | Detective Shaye | |
| Undine Hampton | ... | Mrs. Cantrell | |
| Lisette Kremer | ... | Tina Cantrell (as Lisette Kramer) | |
| Doug Ely | ... | Roddy Cantrell | |
| Maria Arnold | ... | Patty (as Natasha) | |
| Carol Silverman | ... | 2nd Girl in Massage Parlour | |
| Dawna Walden | ... | 3rd Girl in Massage Parlour | |
| John DeRose | ... | Massage Parlour Bouncer | |
| Charles Woodard | ... | Street Preacher | |
| Lyle Steven | ... | Professor in Cantrell's Class | |
| Ellen Nicklous | ... | Nurse | |
| Guerdon Trueblood | ... | Boy in Mask (as Guerdon Trueblood XIV) | |
| Dorian Crane | ... | 1st Drunk Okie | |
| Phil Meyer | ... | 2nd Drunk Okie | |
| Miklos Gyulai | ... | Campus Poet | |
| Guerdon Trueblood | ... | Nuthouse Doctor | |
| Drew Michaels | ... | 1st Medical Student | |
| Don Ling | ... | 2nd Medical Student / Monster | |
| Steve Singer | ... | Grease Monkey | |
| Marge Kazan | ... | Woman In Crowd | |
| James R. Bagdonas | (as Jim Bagdonas) | ||
| Carol Wood | ... | Woman In Crowd | |
| Toni Teld | ... | Man In Crowd | |
| Ollie West | ... | Man In Crowd | |
| Ken Horne | ... | Man In Crowd | |
| George Selin | ... | Man In Crowd | |
| Ed Wood | ... | Photographer |
Directed by | |||
| Evan Lee | |||
Writing credits | ||
| Keith Burns | (original screenplay) & | |
| Ray Atherton | (original screenplay) | |
| Miklos Gyulai | (additional material) & | |
| Steve Singer | (additional material) | |
Produced by | |||
| Ray Atherton | .... | producer | |
| Julie Ellen Fine | .... | executive producer | |
| Mark L. Rosen | .... | producer (uncredited) | |
Original Music by | |||
| Joe Azarello | |||
| Gary Ray | |||
| Ed Scannell | |||
| Steve Singer | |||
| Jay Stewart | |||
Cinematography by | |||
| Guerdon Trueblood | (director of photography) | ||
| Roy H. Wagner | (uncredited) | ||
Film Editing by | |||
| Jim Bryan | (recut) | ||
| Miklos Gyulai | |||
Makeup Department | |||
| Don Ling | .... | makeup artist: disgusting makeups | |
Art Department | |||
| Manuel Jaramillo Rodriguez | .... | painter: oil paintings | |
Sound Department | |||
| Tom Papke | .... | sound | |
| George Selin | .... | dialogue recordist | |
Camera and Electrical Department | |||
| James R. Bagdonas | .... | camera operator (as James Bagdonas) | |
| Wernher Krutein | .... | camera operator | |
| Phil Meyer | .... | gaffer | |
| Jim Nyberg | .... | key grip | |
Editorial Department | |||
| Bill Collier | .... | negative cutter (as William Collier) | |
| Sheryl Levine | .... | assistant editor | |
Other crew | |||
| Ray Etheridge | .... | utilities | |
| Bob Greenberg | .... | title designer | |
| Victoria Hofer | .... | production office coordinator | |
| Steve Singer | .... | production executive | |
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| Final Exam | Pledge Night | Psycho Sisters | Toolbox Murders | Dark Reel |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The one and only reason why "Meatcleaver Massacre" hasn't vanished into complete obscurity and oblivion just yet is solely the fault of Christopher Lee. This living horror legend appears as the narrator at the beginning and ending of this film and afterwards attempted to initiate a lawsuit against the producers because he wasn't aware for what movie he was hired to narrate. Well, when comparing Lee's monologues to the actual content of the film, I definitely do believe he didn't have a clue about what for the footage would eventually be used for. The narrations at the beginning & end are completely irrelevant to the film's actual substance. Christopher Lee, reliable and stern-voiced as ever, compellingly proclaims wonderful stories about the strength of the soul and how it can be a foreteller of great things to come. I particularly enjoyed the parable about the soul of great knight leaving its host while he was asleep and then afterwards leading him to great undiscovered treasures. Or the cute little saga at the end, about two sorcerers engaging in a magic showdown and gradually involving the entire world. In other words, I actually enjoyed listening to Christopher Lee a lot more than I did watching the mediocre middle-section of the film. If this man would have lectured at my university, perhaps I would have attended some more of the classes. But in all honesty, the rest of the film isn't as bad as reputed to be. "Meatcleaver Massacre" which doesn't contain any sequences with meat cleavers whatsoever is a standard and derivative story about spiritual retribution, occult summoning and teenage hoodlums. Professor at college and expert in demonology Dr. Cantrell embarrasses one of his students, tough kid Mason Harrue, in front of his friends. The kid is obviously quite offended because he promptly recruits three of his docile friends to pay a nightly visit to the professor's house. The gang sadistically murders the professor's wife, son, daughter and dog. The dog's name was Poopers, so I guess the poor thing is better off dead. Prof. Cantrell himself survives the attack though just barely but has enough strength left to summon an avenging demon from his hospital bed. The demon, which remains invisible throughout in order to save budget and because probably nobody knew what it should look like, imaginatively ticks off the assailants one by one but keeps something extra special in store for Mason. "Meatcleaver Massacre" is a largely unoriginal film with several tedious moments and amateurish production values, but I've seen movies that are a lot worse. The dialogs are quite hilarious ("The professor is lying in his coma like a carrot") and the murder sequences are pretty decent (especially the head-crushed under car hood moment). All in all, this is still a much better film than "Funny Man" in which to my recollection Christopher Lee appeared voluntarily!