Even before she discovers she is pregnant, Christine Kinsey's life is spiraling downward at a fast pace. She uses cocaine with her boyfriend, Gabriel; she has a destructive relationship ... See full summary »
Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
A young man is in love for the first time. However, his girlfriend is older than him, from a rich family and has more experience with relationships. Their love is sometimes emotionally draining, but physically very passionate. Can it last?
The stormy relationship of a young teenage boy with his troubled older brother is told in an extended flashback segment bookended by what happens when the two meet again 15 years later. ... See full summary »
Vickie Daniel, a low born woman who was married to rich man is accused for the assassination of her husband. But the trial reveals that in the marriage existed bad treatment and torture by ... See full summary »
Charming working class boy Eric is moving up by pimping in Martin Duvall's nightclub. He falls in love with naive Jessica 'Jesse' Kerner, who enjoys the luxury life and doesn't have to do a... See full summary »
Based on a true case, this tells the story of two parents in New Jersey whose daughter has lapsed into a coma from which doctors say she will never recover. The parents must decide whether ... See full summary »
Writer Joanna Lee never quite got out of the television rut; having written for "The Flinstones" and "Gilligan's Island" (among others), she finally got to write a piece based on her own life which became the acclaimed TV-drama "I Want To Keep My Baby" in 1976. Fresh off that triumph, Lee attempted to score again with this child-abuse soaper, and her heart was certainly in it (if not her sense of reality-based dynamics). Susan Dey is the young single mother, afraid of her wealthy papa, who takes out her frustrations on her little girl; Tricia O'Neil is the bleeding-heart doctor who treats the battered kid and sees exactly what's going on. Though well-produced and acted, the film takes such a rigid stand against the mother's character (with no subtlety in the handling) that O'Neil's do-gooder comes off rather laughably (she's like a private detective in a murder mystery). It's possible that impressionable viewers will be moved by the denouement here, but the handling is stiff and turgid, and Lee's teleplay (failing to examine all points of this story with depth) is straight-forward in all the wrong ways. She's compassionate, yes, but her soap-box rantings are wearisome.
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