| Maurizio Merli | ... | Mannaja | |
| John Steiner | ... | Valler | |
| Sonja Jeannine | ... | Deborah McGowan (as Sonya Jeannine) | |
| Donald O'Brien | ... | Burt Craven | |
| Salvatore Puntillo | ... | Johnny Johnny - the impresario | |
| Antonio Casale | ... | Dorman - bandits' head (as Nino Casale) | |
| Enzo Fiermonte | ... | The government Envoy | |
| Rik Battaglia | ... | Gerald Merton - Mannaja's father (as Rick Battaglia) | |
| Aldo Rendine | ... | The Fat Passenger in the Stagecoach | |
| Sergio Tardioli | ... | The Saloon Barman | |
| Sofia Lombardo | ... | Mannaja's Mother (as Sophia Lombardo) | |
| Philippe Leroy | ... | McGowan | |
| Martine Brochard | ... | Angela | |
| rest of cast listed alphabetically: | |||
| Enzo Maggio | |||
| Nick Alexander | ... | Dorman - Bandits' Head (voice: English version) (uncredited) | |
| Domenico Cianfriglia | ... | Valler's Man (uncredited) | |
| Alberto Dell'Acqua | ... | Valler's Man (uncredited) | |
| Ottaviano Dell'Acqua | ... | Rioting Miner (uncredited) | |
| Bruno Di Luia | ... | Stagecoach Guard (uncredited) | |
| Michael Forest | ... | Blade (voice: English version) (uncredited) | |
| Nello Pazzafini | ... | Valler's Man (uncredited) | |
| Riccardo Petrazzi | ... | Valler's Man (uncredited) | |
| Claudio Ruffini | ... | Valler's Man with Whip (uncredited) | |
| Franco Ukmar | ... | Valler's Man (uncredited) | |
| Frank von Kuegelgen | ... | Valler's Man (voice: English version) (uncredited) | |
| José Yepes | ... | Valler's Man (uncredited) | |
Directed by | |||
| Sergio Martino | |||
Writing credits(in alphabetical order) | ||
| Sergio Martino | ||
| Sauro Scavolini | ||
Produced by | |||
| Luciano Martino | .... | producer | |
Original Music by | |||
| Guido De Angelis | |||
| Maurizio De Angelis | |||
Cinematography by | |||
| Federico Zanni | |||
Film Editing by | |||
| Eugenio Alabiso | |||
Production Design by | |||
| Giacomo Calò Carducci | |||
Costume Design by | |||
| Marisa Crimi | |||
Makeup Department | |||
| Mirella Ginnoto | .... | hair stylist | |
| Dante Trani | .... | makeup artist | |
Production Management | |||
| Pietro Innocenzi | .... | production manager | |
| Furio Rocchi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Massimo Manasse | .... | assistant director | |
Art Department | |||
| Adriano Tiberi | .... | property master | |
Sound Department | |||
| Raffaele De Luca | .... | sound | |
| Bruno Moreal | .... | sound mixer | |
| Stefano Piermarioli | .... | sound recordist | |
Special Effects by | |||
| Cataldo Galliano | .... | special effects | |
Stunts | |||
| Riccardo Petrazzi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alberto Anzellotti | .... | key grip | |
| Roberto Belli | .... | gaffer | |
| Sebastiano Celeste | .... | camera operator | |
| Giorgio Garibaldi Schwarze | .... | still photographer (as Baldi Schwarze) | |
| Mario Pastorini | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Luisa Buratti | .... | wardrobe mistress | |
Editorial Department | |||
| Giuseppe Romano | .... | assistant editor | |
Other crew | |||
| Evi Farinelli | .... | production secretary | |
| Mirella Malatesta | .... | publicity secretary | |
| Luigi Padovani | .... | riding master | |
| Riccardo Petrazzi | .... | weapons master | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb Italy section |
The titular character thankfully isn't an ancestor of overrated vampire-hunter Wesley Snipes, but a genuinely old-fashioned and testosterone-laden spaghetti western hero who furiously wanders around the deserts like a one-man-army, hunting down wanted criminals for the rewards on their head. Blade is relentless but fair, he has an imposing charisma and wields hatchets as professionally as he fires shotguns. In short, he's the ideal guy to dedicate another magnificently violent, imaginative and nasty euro-Western to! And, oh yes, Sergio Martino's film can easily compete with the absolute greatest efforts in this sadly extinct sub genre of cult cinema, like Sergio Corbucci's "Django", Sergio Sollima's "The Big Gundown" and perhaps even some of Serio Leoni's lesser known movies. "A Man Called Blade" is a very eventful and exciting film, chock-full of outrageous gun & fistfights, mean & treasonous bandits and wild ambushes. When arriving in the little town of Suttonville to claim the reward on a killer's head, Blade encounters the vicious & corrupt sidekick of a prominent businessman. Blade offers his services to McGowan and Voller, because despite exploiting the local miners, large troops of outlaws continuously steal the silver. Voller wants to get rid of Blade as soon as possible, because he plots to take over the empire, but Blade is tough and has an extra personal score to settle with McGowan. The plot twists perhaps aren't the most original ones ever, but bear in mind "A Man Called Blade" got released during the dying years of spaghetti western cinema. And even though not always original, Martino's film is fast-paced and doesn't feature a single dull moment. The fights are dirty (literally) and the violence is rather graphic, with several cowboys dying from hatches in their foreheads or bullets between the eyes. The outdoor locations are sublime and I absolutely loved the moody theme song that gets repeated during the film's most essential sequences. Other fans seem to disapprove of the music in this film, but I thought it was excellent. Maurizio Merli makes a terrific macho hero. Perhaps not as legendary as Franco Nero or Tomas Milian, but close enough. The film sadly doesn't have a strong female lead, only a sympathetic go-go dancer and the silent daughter of the mayor. The most memorable performance is given by John Steiner as Blade's sadistic opponent Voller. With his ugly face and almost natural aura of arrogance, Steiner gave image of multiple villains in Italian cult films. His role here definitely ranks among the best! Highly recommended.