Jamie is a young man growing up in the small Australian town of Bundaberg during the early 1940's. Jamie loves his tranquil life, surrounded by the friendly locals, and being brought up by ... See full summary »
Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. ... See full summary »
George Pearson, who works for a underwear firm that is 20 years out of date, invests his own money in a new type of thread. The company are not interested in changes, and he is fired. Later... See full summary »
Parrish McLean lives with his mother Ellen on Sala Post's tobacco plantation in the Connecticut River Valley. His mother winds up marrying Sala's rival Judd Raike, ruthless planter who ... See full summary »
At the port of Sète, Mr. Slimani, a tired 60-year-old, drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by. He is a divorced father ... See full summary »
Jamie is a young man growing up in the small Australian town of Bundaberg during the early 1940's. Jamie loves his tranquil life, surrounded by the friendly locals, and being brought up by his warm caring grandmother. But when a local preacher goes nutty, all hell breaks loose for the community, and Jamie leaves Bundaberg for the city. Written by
Known mostly for being an actor, this film's screen-writer and producer Michael Pate does not appear at all in this film. See more »
The color patch worn by the Light Horse trooper (who assists the Professor in the early scene) is back-to-front. The leading edge of the patch should show the Brigade color (white for the 1st Light Horse Brigade), while the battalion color (green in this instance) should be to the rear. See more »
Advance Australia Fair
Written by Peter Dodds McCormick
Played by the band at the political rally See more »
Well let's get one thing straight - it's the end of World War One not Two when the film is set (look at the cars, planes, sets etc). Anyway it's an interesting and charming film well worth a look as it meanders through the town and the characters of the time. From a film makers point of view though it's a bit frustrating - there's lots of shots where the focus is too shallow and some of the characters and action are out of focus or too soft - partly through the depth of field not being allowed for correctly, and also partly because of the lense not being that sharp to begin with I think. The DVD release also leaves a bit to be desired. The panning and scanning is pretty bad and it's impossible to get an idea of the framing and real feel for the film when 2.35:1 is cut down to 1.33:1 The transfer really should have had some colour correction work done on it too - there are quite a few scenes where the colours fade in and out a little bit. Not enough to ruin it, but enough to be a little bit distracting. There's also a few scratches that could have been improved or removed digitally.
For me the depth of characterisation in the script and then the acting wasn't enough to make it feel like a real piece. But enough of the criticisms it's an enjoyable and charming film that is worth a look if you want a relaxed pace in a film. The cinematography will definitely be worth a look if a proper widescreen release is made, and the film can be given it's due credit.
Helpmann's speech in the rally is interesting - imploring everyone to embrace their country - a speech clearly intended for the film's audience in the 1970's, not the rally audience in the film. If you look at the film in the context of Australian culture at the time, you can see why they were so interested in history - the 70's and early 80's was the tail end of British Australia - and all of these films were analysing that history from the point of view of it being part of their own culture. By the late 80's and early 90's multiculturalism, globalisation, Americanisation and political correctness all set in and history now is largely avoided or viewed through detached revisionist eyes. Not that that's necessarily bad - just that the culture that fueled the film industry here in the 70's is different to the one fuelling it now - each with their own strengths and weaknesses, and to consider the Mango Tree's position in that is interesting too.
3 of 6 people found this review helpful.
Was this review helpful to you?