| Ezio Miani | ... | Werner von Uhland | |
| Fred Williams | ... | Helmut von Danzig | |
| Francesca Righini | ... | Frau von Uhland | |
| Rosita Torosh | ... | Ursula Tanner | |
| Isabelle Marchall | ... | Isabelle | |
| Mike Morris | ... | General von Guderwal | |
| Luca Sportelli | ... | Arthur Bering | |
| Luciano Rossi | ... | Erich Schwab | |
| Alessandra Palladino | ... | Greta | |
| Almina De Sanzio | ... | Martha | |
| Niki Penati | ... | Esther | |
| Giorgio Cerioni | ... | Walter Wagner | |
| Carla Schiavanovic | ... | Linda | |
| Daniele Dublino | ... | Hauptsturmführer Ritter | |
| Corrado Gaipa | ... | Udo Kassbaum | |
| Tino Polenghi | ... | Heinrich Himmler | |
| Katya Riccioli | ... | Hilde / Eva | |
| Nando Marineo | ... | Felix Toten | |
| Franco Patano | ... | Friedrich Schatz | |
| Paola Maiolini | ... | Bertha | |
| Giusy Riccioli | |||
| Pier Luigi Murri | |||
| Daniela Vigilante | |||
| Giorgio Modena | |||
| rest of cast listed alphabetically: | |||
| Inga Alexandrova | ... | Fräulein Tahring (uncredited) | |
| Tom Felleghy | ... | Professor Strauss (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Fabio De Agostini | |||
Writing credits(in alphabetical order) | ||
| Fabio De Agostini | ||
| Oscar Righini | ||
| Bertha Uhland | novel "The Red Nights of the Gestapo" | |
Produced by | |||
| Oscar Righini | .... | producer | |
Original Music by | |||
| Francesco Valgrande | |||
Cinematography by | |||
| Antonio Maccoppi | |||
Film Editing by | |||
| Giancarlo Venarucci | |||
Art Direction by | |||
| Amedeo Mellone | |||
Costume Design by | |||
| Andrea Zani | |||
Makeup Department | |||
| Gerardo Raffaeli | .... | hair stylist | |
| Mario Scutti | .... | makeup artist | |
| Alfredo Tiberi | .... | makeup artist | |
Production Management | |||
| Cesare Seratti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marco Righini | .... | assistant director | |
Sound Department | |||
| Angelo Spadoni | .... | boom | |
| Pietro Spadoni | .... | sound engineer | |
Special Effects by | |||
| Libero Daffin | .... | special effects | |
| Cataldo Galliano | .... | special effects | |
| Basilio Patrizi | .... | special effects | |
Camera and Electrical Department | |||
| Aldo Bergamini | .... | assistant camera | |
| Renato Doria | .... | camera operator | |
| Angelo Lannutti | .... | camera operator | |
Costume and Wardrobe Department | |||
| Anna Onori | .... | wardrobe | |
Other crew | |||
| Ulderico Arditi | .... | production secretary | |
| Augusto Caddeo | .... | production secretary | |
| Annamaria Liguori | .... | continuity | |
|
|
|
|
|
| Salon Kitty | Casa privata per le SS | Captive Women 4 | Hitler's Last Train | SS Experiment Love Camp |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
Although "Red Nights of the Gestapo" is extremely boring, poorly made and totally unmemorable, I somewhat feel obliged to reward it with a *slightly* higher rating than the majority of Nazisploitation flicks I've seen before. Why? Because these stupid films usually always revolve on sleaze and repulsive experiments in concentration camps, filled with perverted guards and deranged doctors, but "Red Nights " is at least a little more ambitious. The plot revolves on a Nazi (a typical one with blond hair and blue eyes) who has to come up with a plan to prevent an already plotted murder conspiracy against Hitler himself. To accomplish his mission, Werner does a whole lot of things that don't make any sense unless I wasn't paying enough attention like kidnapping the daughter of a Swedish industrialist, recruiting nymphomaniac women for the army or forcing a fellow officer to drink the breast milk of a female prisoner. What the hell? The absolute funniest sequence shows a doctor giving a scalpel to a female prisoner and commanding her to hurt herself. The scalpel is clearly just a red pen and the blood she licks is simply ink! Practically ALL Nazi-exploitation movies are total duds and not worth tracking down (two exceptions being "Salon Kitty" and "Ilsa, She Wolf of the SS"). They're the most boring films imaginable and the sexual footage depicted here is of the most UN-erotic kind. For example: in "Red Nights ", there's a scene were a poor girl gets raped with a gun and some sick bastard even bites off one of her nipples! If that idea arouses anyone, they're in urgent need of professional psychological help.