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Looking for Mr. Goodbar (1977)

 -  Drama  -  13 March 1978 (Sweden)
6.7
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Ratings: 6.7/10 from 4,585 users  
Reviews: 92 user | 14 critic

A dedicated schoolteacher spends her nights cruising bars, looking for abusive men with whom she can engage in progressively violent sexual encounters.

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(based on the novel by), (written for the screen by)
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Title: Looking for Mr. Goodbar (1977)

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Nominated for 2 Oscars. Another 2 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Katherine
...
James
...
Mr. Dunn
...
Tony
...
Martin
...
Gary
...
Laurie Prange ...
Brigid
Joel Fabiani ...
Barney
Julius Harris ...
Black Cat
Richard Bright ...
George
...
Cap Jackson
Marilyn Coleman ...
Mrs. Jackson
Carole Mallory ...
Marvella
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Storyline

Theresa is a successful teacher of deaf children during the day but after a short unhappy affair starts to spend her nights cruising bars. Her craving first for sex but later also for drugs leads into increasingly demeaning and dangerous situations completely at odds with her daytime commitment to her children. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1978 (Sweden)  »

Also Known As:

Buscando a Mr. Goodbar  »

Filming Locations:

 »

Box Office

Gross:

$16,900,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

One of two feature films that actress Diane Keaton starred in in 1977. The other film was Annie Hall (1977) for which Keaton won the Best Actress Academy Award. Keaton was not Oscar nominated for her performance in Looking for Mr. Goodbar (1977). The movie did receive two Oscar noms though, for Best Actress in a Supporting Role (Tuesday Weld) and Best Cinematography (William A. Fraker) but failed to win either. See more »

Goofs

In the book, Theresa's sister Katherine goes to Puerto Rico to procure an abortion during a scene that takes place in the mid-1960s. In the movie, the timeline is changed so that this scene is set in 1975, two years after abortion was legalized by the Roe v. Wade ruling, making the trip to Puerto Rico unnecessary. See more »

Quotes

Theresa: Talk about amateur, played for a hooker by a square and ripped off as a sucker by a dick.
See more »

Connections

Referenced in Perfect (1985) See more »

Soundtracks

Try Me, I Know We Can Make It
(1976)
Written by Donna Summer (uncredited), Giorgio Moroder (uncredited), Pete Bellotte (uncredited)
Performed by Donna Summer
Courtesy of Casablanca Record & FilmWorks
See more »

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User Reviews

Relentlessly depressing.
1 October 2008 | by (www.moviemoviesite.com) – See all my reviews

Probably the biggest problem with this movie – other than its insistence that all men are either worthless sexual predators or pathetic, near-impotent panderers – is the fact that it has aged so badly. In an age when a small army of women under 30 seem hell-bent on doing all they can to turn their livers and septums to mush in as short a time as possible, Diane Keaton's Theresa Dunn no longer comes across as somebody out of the ordinary.

Diane Keaton gives a performance that is by turns both sensitive and irritating as her character revolves around her schizophrenic lifestyle. As a child, Dunn was encased in plaster, a result of scoliosis, and it seems that this is what compels her to take so many risks in her effort to find the kind of freedom she was denied as a kid – both by her spell in traction and by a harsh, overbearing Catholic upbringing. She is full of love, as indicated by her relationship with the deaf children she teaches, but gives it in all the wrong ways, leading to encounters with equally warped characters. One of these is Richard Gere in the role that first brought him to Hollywood's attention and which serves as a kind of template for the role of Jesse in Jim McBride's ill-fated remake of Breathless. The other is Tom Berenger, a borderline psychopath tortured by his own homosexuality. Both are characters no right-thinking adult would want to get involved with, but Keaton's self-destructive personality draws her to them, and while you want her to break free from her sleazy night-life a part of you can't help thinking she's going to get what she deserves.

The problem with Dunn is that she engages the viewers' sympathy in her straight persona then keeps pushing them away with her self-indulgent excesses and sometimes callous treatment of those who love her most. Combined with the relentlessly depressing atmosphere of impending tragedy that hangs over the entire film, this makes Looking for Mr. Goodbar a difficult film to enjoy (or even watch) and one to which many people wouldn't wish to return.


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