| Richard Chamberlain | ... | David Burton | |
| Olivia Hamnett | ... | Annie Burton | |
| David Gulpilil | ... | Chris Lee (as Gulpilil) | |
| Frederick Parslow | ... | Rev. Burton | |
| Vivean Gray | ... | Dr. Whitburn | |
| Nandjiwarra Amagula | ... | Charlie | |
| Walter Amagula | ... | Gerry Lee | |
| Roy Bara | ... | Larry | |
| Cedrick Lalara | ... | Lindsey | |
| Morris Lalara | ... | Jacko | |
| Peter Carroll | ... | Michael Zeadler | |
| Athol Compton | ... | Billy Corman | |
| Hedley Cullen | ... | Judge | |
| Michael Duffield | ... | Andrew Potter | |
| Wallas Eaton | ... | Morgue Doctor | |
| Jo England | ... | Babysitter | |
| John Frawley | ... | Policeman | |
| Jennifer De Greenlaw | ... | Zeadler's Secretary (as Jennifer de Greenlaw) | |
| Richard Henderson | ... | Prosecutor | |
| Penny Leach | ... | Schoolteacher | |
| Merv Lillie | ... | Publican (as Merv Lilley) | |
| John Meagher | ... | Morgue Clerk | |
| Guido Rametta | ... | Guido | |
| Malcolm Robertson | ... | Don Fishburn | |
| Greg Rowe | ... | Carl | |
| Katrina Sedgwick | ... | Sophie Burton | |
| Ingrid Weir | ... | Grace Burton | |
| rest of cast listed alphabetically: | |||
| Tony Llewellyn-Jones | ... | Guest at Party (uncredited) | |
Directed by | |||
| Peter Weir | |||
Writing credits | ||
| Peter Weir | (screenplay) & | |
| Tony Morphett | (screenplay) & | |
| Petru Popescu | (screenplay) | |
Produced by | |||
| Hal McElroy | .... | producer | |
| Jim McElroy | .... | producer (as James McElroy) | |
Original Music by | |||
| Charles Wain | |||
Cinematography by | |||
| Russell Boyd | (director of photography) | ||
Film Editing by | |||
| Max Lemon | |||
Production Design by | |||
| Goran Warff | |||
Art Direction by | |||
| Neil Angwin | |||
Set Decoration by | |||
| Bill Malcolm | |||
Costume Design by | |||
| Annie Bleakley | |||
Makeup Department | |||
| Lloyd James | .... | assistant makeup artist | |
| José Luis Pérez | .... | hair stylist (as Jose Perez) | |
| José Luis Pérez | .... | makeup artist (as Jose Perez) | |
Production Management | |||
| Ross Matthews | .... | production manager | |
| Beverly Davidson | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Penny Chapman | .... | third assistant director | |
| Ian Jamieson | .... | second assistant director | |
| John Robertson | .... | first assistant director | |
Art Department | |||
| Kevin Brewer | .... | property buyer: South Australia | |
| Greg Brown | .... | construction manager: New South Wales | |
| John Carroll | .... | property buyer: New South Wales | |
| Ron Fletcher | .... | stagehand | |
| Ken Hazelwood | .... | carpenter | |
| Ken James | .... | stand-by propsman | |
| Clark Munro | .... | property buyer: South Australia | |
| Herbert Pinter | .... | construction manager: South Australia | |
| Philip Worth | .... | set maker (as Phil Worth) | |
Sound Department | |||
| Greg Bell | .... | sound editor | |
| Helen Brown | .... | assistant sound editor | |
| Don Connolly | .... | sound recordist | |
| David Cooper | .... | boom operator | |
| Phil Judd | .... | sound mixer | |
Special Effects by | |||
| Mont Fieguth | .... | special effects (as Monty Fieguth) | |
| Bob Hilditch | .... | special effects | |
| Dennis Smith | .... | special effects assistant | |
Camera and Electrical Department | |||
| Alan Dunstan | .... | best boy | |
| David Foreman | .... | clapper loader | |
| George Greenough | .... | additional photographer | |
| Klaus Jaritz | .... | additional photographer | |
| Keith Johnson | .... | electrician | |
| David Kynoch | .... | still photographer | |
| Merv McLaughlin | .... | key grip | |
| Mick Morris | .... | electrician | |
| Paul Moyes | .... | electrician | |
| John Seale | .... | camera operator | |
| Ron Taylor | .... | additional photographer | |
| Tony Tegg | .... | gaffer | |
| Tony Tegg | .... | lighting technician | |
| Michael White | .... | assistant grip | |
| David Williamson | .... | focus puller | |
| Sam Bienstock | .... | electrician (uncredited) | |
| George Greenough | .... | underwater photographer (uncredited) | |
| Ron Taylor | .... | underwater photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Daro Gunzberg | .... | stand-by wardrobe | |
Editorial Department | |||
| Peter Fletcher | .... | assistant editor | |
| Justin Milne | .... | assistant editor | |
| James Parsons | .... | color consultant | |
Other crew | |||
| Su Armstrong | .... | production secretary | |
| Gilda Baracchi | .... | continuity | |
| Lance Bennett | .... | advisor: tribal Aboriginal matters | |
| Penny Carl | .... | production accountant | |
| Beverly Davidson | .... | location manager: South Australia | |
| Fiona Gosse | .... | secretary to producers (as Fiona Reynolds) | |
| Philip Hearnshaw | .... | production assistant: New South Wales | |
| Frank Manley | .... | caterer | |
| Rod McMorran | .... | production assistant: New South Wales | |
| Mark Patterson | .... | unit runner: South Australia | |
| Brian Trenchard-Smith | .... | promotional consultant | |
|
|
|
|
|
| The Best of Youth | Australia | Persepolis | Munich | Deep Red |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Australia section |
This supernatural Peter Weir thriller is truly one of the most haunting and fascinating movies ever seen. Richard Chamberlain does his best performance here as the Australian lawyer who defends a group of young Aborigins accused of murder. As he gets closer on the case, he discovers more about the main defendant, Chris, and not least about himself. Chris tells him that he is a Mulkurul, which appear to be a race of supernatural beings that lived in Australia thousands of years ago. At the same time, extraordinary high rainfall seems to confirm the Aboriginal prophecy of the coming of the LAST WAVE, the one that will drown the world.
The dream sequences and the supernatural effects enhance this movie and make it a spectacular experience. Olivia Hamnett and David Gulpilil are solid in the supporting roles, as well as the chap with the difficult name who plays Charlie, the old Aborigin who can turn into an owl. The climax and the ending don't disappoint, in contrast to many other supernatural thrillers who fall flat after a promising hour or so. However, this can not be called a pure thriller. It is a drama as well and talks about spirituality and spiritual identity in the modern world. A masterful work by Peter Weir, the master of visually stunning dramas.