Guests arrive at an expensive private guest house on a remote island near Sydney. The guest house and weird activities, like theatre sports and orienteering, are run by a leery eccentric. ... See full summary »
A young couple, living in a campus apartment complex, are repeatedly harassed by an eccentric plumber, who subjects them to a series of bizarre mind games while making unnecessary repairs to their bathroom.
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
A Sydney lawyer has more to worry about than higher-than-average rainfall when he is called upon to defend five Aboriginals in court. Determined to break their silence and discover the truth behind the hidden society he suspects lives in his city, the Lawyer is drawn further, and more intimately, into a prophesy that threatens a new Armageddon, wherein all the continent shall drown. Written by
David Carroll <firstname.lastname@example.org>
The producers of this film intended for this film to strongly reach the American market. Richard Chamberlain was imported to headline the film, American writer Petru Popescu was brought in to co-write the film and sales and distribution were set-up with American major United Artists. See more »
When Chamberlin's character leaves his office and drives in the rain the windshield wipers are moving at a fast rate. When the shot changes to inside the car the wipers are suddenly moving at a slower rate. See more »
Peter Weir's first international success, THE LAST WAVE is an effective chiller with a fascinating back story based on Aboriginal myth. Richard Chamberlain is quite good as a defense lawyer whose life becomes increasingly unmoored from reality as he delves into a murder case involving Aboriginal tribal rivalries. David Gulpilil plays one of the suspects, who does his best to guide Chamberlain thru the realm of 'Dreamtime', an alternate reality/timeline central to native Australian history and tribal custom. Heavy on atmosphere, deliberately ambiguous in plotting, the film builds to an unsettling finale which is somewhat diminished by poor effects, probably due to budgetary limitations. Nevertheless an intriguing film whose overall impression of mystery and dread lurking just below the surface of what we perceive as 'reality' will stay with you.
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