The Last Wave (1977)

A Sydney lawyer defends five Aborigines in a ritualized taboo murder and in the process learns disturbing things about himself.

Director:

Peter Weir

Writers:

Peter Weir (screenplay), Tony Morphett (screenplay),

Stars:

Richard Chamberlain, Olivia Hamnett, David Gulpilil

4 wins & 7 nominations.

Cast

Cast overview, first billed only:
Richard Chamberlain	...	David Burton
Olivia Hamnett	...	Annie Burton
David Gulpilil	...	Chris Lee (as Gulpilil)
Frederick Parslow	...	Rev. Burton
Vivean Gray	...	Dr. Whitburn
Nandjiwarra Amagula	...	Charlie
Walter Amagula	...	Gerry Lee
Roy Bara	...	Larry
Cedrick Lalara	...	Lindsey
Morris Lalara	...	Jacko
Peter Carroll	...	Michael Zeadler
Athol Compton	...	Billy Corman
Hedley Cullen	...	Judge
Michael Duffield	...	Andrew Potter
Wallas Eaton	...	Morgue Doctor

Storyline

A Sydney lawyer has more to worry about than higher-than-average rainfall when he is called upon to defend five Aboriginals in court. Determined to break their silence and discover the truth behind the hidden society he suspects lives in his city, the Lawyer is drawn further, and more intimately, into a prophesy that threatens a new Armageddon, wherein all the continent shall drown.

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Plot Keywords:

lawyer | murder | aborigine | court | underwater scene | 

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Taglines:

A dream that became a nightmare. His was a premonition of doom.

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Genres:

Drama | Mystery | Thriller

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Certificate:

PG

Details

Country:

Australia

Language:

English Italian Aboriginal

Release Date:

January 1979 (USA)

Also Known As:

Black Rain

Filming Locations:

Adelaide, South Australia, Australia

Box Office

Budget:

AUD 810,000 (estimated)

Company Credits

Production Co:

Australian Film Commission, The, Ayer Productions, Derek Power

Technical Specs

Runtime:

106 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Reportedly, producers Hal McElroy and Jim McElroy mortgaged their homes and their business interests in director Peter Weir's previous film Picnic at Hanging Rock so this picture could maintain its cash flow and continue production.

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Goofs

Change in speed of windshield wipers: This is because Richard Chamberlain's character has entered the Dreamtime. It is a Clue - not a Goof.

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Quotes

Chris Lee: Dream is a shadow ... of something real.

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Connections

Referenced in Prisoner: Cell Block H: Episode #1.263 (1982)

User Reviews

Have lived alone in a cave on high ground, since the film's release!f

"Pretentious" seems a popular word amongst reviewers of this thought-provoking film. HOW I wonder would "they" have made it, given the opportunity? I am saved from further contemplation along these lines by the fact that Peter Weir made it.....and rather well, I hasten to add.

A worthy successor to PICNIC AT HANGING ROCK in as much as the viewer is left with his or her own interpretation of what they have just seen. Events occuring in an everyday environment but where the line between fantasy and reality is so blurred, no lens can be found to bring up a sharp focus. It is a disturbing film which highlights and pays homage to the Aboriginal dreamtime.

Chamberlain, in one of his best roles (made even better when you reminisce about the celluloid embarrassments BELLS, KING SOLOMON'S MINES and NIGHT OF THE HUNTER) plays a hot-shot Australian attorney (complete with DR KILDARE accent) who is called upon to defend a small group of Tribal Aborigines on what appears to be an "open and shut case" murder charge. Initially he finds his clients anything but co-operative and seemingly disinterested by the threat of the white man's legal system. Aspects of the case begin to disturb him and he is drawn into a world of ancient beliefs, symbolic half-lives, a very dimension that causes him to question his own comfortable existence and purpose. Central to his dreams is one of the Defendants (brilliantly played by Australian actor David Gulpilil) who appears existentially, perhaps a disembodied spirit (?), holding out to him a sacred stone with ancient cabalistic markings. He learns that the aboriginal man who was killed was the victim of tribal law and that he must not, cannot, intervene.

The nightmare spills over into real-time...black rain, (we have already witnessed hailstones crashing into a tiny outback school from cloudless skies!) water prophetically leaking through his roof and cascading down the stairs. Visions of a great flood. He becomes obssessed with seeking the truth, not only of what is going on around him, but who he is? The scene where he confronts the Head Tribal Elder in his inner city squat is totally chilling. The viewer's own close and comfortable existence is challenged and put up for re-evaluation here.

Eventually and too late of course, he stumbles across the truth. But IS it? Has he been played for a fool? Has the audience? Much was made at the time of the film's release, that the final scenes were a total cop-out. I even thought as much myself at the opening night. Amazing what a almost a quarter of a century's personal development and insight can do for you. Like 2001: A SPACE ODYSSEY, this film needs to be seen at different stages of your life to appreciate what Peter Weir knew and was trying to say in 1977.